Say Exodus and, at the same time, you provide the definition (certainly among the best) of thrash metal. And the most important thing is that in the year 2007 (remember they were formed in 1980 and at the time even the future Metallica Kirk Hammet was in the lineup) such consideration does not take on nostalgic nuances, because, despite the band having albums that have made the history of the genre behind them, it is not through references to past years that one understands the greatness of the group, but only through listening to "The Atrocity Exhibition - Exhibit A". The work (the eighth of their tumultuous career, which also includes the passing of singer Paul Baloff in 2002) hints, right from the title, that there will be a second part; and indeed that's the case, as preparations are heating up for its definition and subsequent release in 2008. The nine tracks are a bomb of immense proportions, certainly advantaged (if one really wants to make a comparison with the grand achievements Exodus has produced in the past) by an extraordinary production, ensured by that master of ceremonies named Andy Sneap (former Sabbat). But beyond the explosive force that bursts out from the speakers every time a note is played, the American formation demonstrates to be in an evident state of grace concerning their writing, without needing to rely on revival to achieve remarkable results. Which is of further merit, considering the number of bands, both young and not just from the old guard, that have undertaken (or resumed) the path of thrash metal in recent times, often limiting themselves to reproducing a dated sound, however intense and loaded with groove. Instead, Exodus plays the masterpiece card, the album that takes thrash metal and turns it upside down by revisiting it according to the sacred canons, but also drawing freely from what was the new/post-thrash current of thought and not fearing to compete with anyone in the field of the New Wave Of American Heavy Metal, also because "The Atrocity Exhibition - Exhibit A" is ten thousand times more devastating than any NWOAHM product. Rob Dukes (vocals), Gary Holt (guitar), Lee Altus (guitar), Jack Gibson (bass), and Tom Hunting (drums) have sincerely imparted a resounding music lesson... a lesson in violence!

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