Cover of Ettore Scola Dramma della gelosia (tutti i particolari in cronaca)
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For fans of italian cinema, lovers of classic films, admirers of marcello mastroianni and monica vitti, and viewers interested in 1970s social drama films.
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THE REVIEW

Drama of Jealousy is a masterpiece and if it's not, it is certainly one of my favorite Italian films ever, perhaps it's even on my ideal podium along with La strada and well, I have to think about it.

But you understand from the beginning that it's a masterpiece.

Vitti about the kicks in the butt that go round and round and round and Mastroianni, exhausted, thrown on a pile of paper dozes off, she sees him and the spark ignites.

This sequence is sublime. Adelaide the florist sees Oreste and turns the merry-go-round and us with it, and it's from Adelaide's expressions, getting more eloquent with every turn, that for her it's love at first sight and for Oreste, it will be the same.

And it’s just here that I realized Mastroianni was great, oh yes, because in many other famous films from La dolce vita to Il bell’Antonio, from La notte to Le notti bianche, Marcello, not that he always played the same role, I would be unfair to claim that, but more or less you always saw him and not a character… at least that's my take on it.

This time, however, you see Oreste Nardi, a communist bricklayer in his 45s in 1970s Italy, the years of protest, of demonstrations, of strikes, of charges.

Oreste with his disheveled curls, unkempt, shabby, slightly slow, with that twitch in the eye… and it was a Palme d'Or at Cannes as best actor

Oreste, during a demonstration, will meet a comrade, the Tuscan pizza maker Nello Serafini, a young Giancarlo Giannini already very talented and Monica Vitti (Adelaide the florist) will fall in love with him and the drama will explode…

It's not ideal to repeat myself but again I note how Italian films were conceived many years ago. How they were studied in every detail. It’s not just a great director and great actors. It's also the film's writing: from dialogues to lines, you laugh and cry without half measures, from the things that happen (beyond the celebratory words of nothingness – cit.) from the narrative twists, to the plot twists up to the heartbreaking finale, from the soundtrack by Trovajoli that fully characterizes and integrates with the film. Try to watch again the sequence of Oreste and Adelaide playing and running happily on the beach.

...Acchiappeme!

RATING: 9

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Summary by Bot

The review praises Ettore Scola's film Drama of Jealousy as a masterpiece of Italian cinema, highlighting unforgettable performances by Marcello Mastroianni and Monica Vitti. The reviewer emphasizes the film's detailed writing, emotional depth, and social context set in 1970s Italy. The soundtrack and narrative are also celebrated for their integration and impact. Rated highly, the film is described as deeply moving and brilliantly crafted.

Ettore Scola

Ettore Scola (1931–2016) was an Italian film director and screenwriter, central to commedia all’italiana. He explored Italy’s social and political life with wit and empathy, directing classics such as C'eravamo tanto amati, Una giornata particolare, and Brutti, sporchi e cattivi.
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