ON THE ATTACK!!!!
Back to the roots, back to talking about our national Enzone... but this time not in a good way. A few days ago, I listened to this Jannacci collection released in '98, which I had never managed to find in its entirety. By the end of the listening, I was astonished: the album was soulless, an incredibly commercial collection that over its 80 minutes offers NOTHING. Except for the previously unreleased title track and the wonderful "Il suonatore di contrabbasso", the album offers absolutely nothing, just rearrangements of songs that (aside from "Saxophone" and "L'Armando", which are decently arranged) add nothing to the original songs. Then there's also the third unreleased song, "Già la luna è in mezzo al mare", which has no blessed sense (except for the duet with Dario Fo, bless his soul). But the lowest point is reached by the fifteen-minute version of "Quelli che...", split in two: useless, ugly, and boring.
From Enzo, I expected much more: he’s the one who created pieces like E allora concerto, Il bonzo, and Natalia; it’s not like him to make a collection that seems rushed; effort 0. Oh well, Happy Holidays (since we’re here)
Post scriptum: browsing around the web, I discovered that this collection was imposed by Sony (the major label he had joined at the time), because they wanted to make some dough, while Enzo already wanted to release Come gli aereoplani, the 2001 album. Okay, now it’s all clear to me.
"When a musician laughs, he puts down his instrument and laughs, and he doesn’t look around and doesn’t fear, he isn’t afraid of his simplicity."
"Always cheerful one must stay!"