In January 1979, Elvis Costello released his third album "Armed Forces," his only record to reach the American top ten. Preceded by the splendid and influential "My Aim Is True" and "This Year's Model," the album in question marks the qualitative peak of early Costello and his Attractions, a technically skilled and versatile band that we will always find alongside the eclectic English artist in his most successful works.
"Armed Forces," with its original cover and well-chosen selection of tracks, is a work rich with military references and metaphors in which Costello filters the problems of everyday reality through his personal political view. The use of lyrics filled with social meanings and the well-chosen blend of various musical genres creates a rich, solid album also loved by critics, who are often divided on the rest of his discography. The unforgettable "Oliver's Army", the choral "Accidents Will Happen", the anthem "Green Shirt" and the romantic dedication of "Party Girl" are among the absolute best songs in his repertoire. "Goon Squad", "Chemistry Class", and "Senior Service" showcase the significant musical contribution offered by the Attractions, while "(What's So Funny 'Bout) Peace, Love, and Understanding", originally a Nick Lowe song, quickly becomes a Costello classic and, thanks to its contagious energy, immediately reveals itself as one of the most anticipated moments of the spectacled musician's concerts. Costello does not forget to pay homage to the beloved sounds of the Sixties: "Busy Bodies" and "Moods For Moderns" with their rich vocal harmonies, recall the classic sounds of that period. Finally, it's worth mentioning the polemic "Sunday's Best" where the author takes aim at the English tabloid press and its disrespectful and unreliable gossip.
"Armed Forces" excellently concludes the first part of Elvis Costello's career, an always significant career that will continue over the years alternating between remarkable works like "Imperial Bedroom" and "King Of America," important collaborations, and musical eclecticism without limits of styles and genres.