Cover of Elton John 21 at 33
London

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For fans of elton john, lovers of 1980s pop rock, and readers interested in classic album reviews and music history.
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LA RECENSIONE

With a contract that obliges you to release at least two LPs a year, it's very easy to get lost in a career that sadly leans towards safe limbos characterized by repeated clichés.

That's what will happen to Elton John for most of the '80s and which is already foreshadowed in some of his somewhat bland works from the '70s. The '80s, which will be lost in the horrible "Ice On Fire" ('85) and "Leather Jackets" ('86), begin with one of the albums with certainly the most curious titles, "21 at 33". The title references the number of LPs released up to that point, twenty-one, and the age of the composer, thirty-three, and it is one of John's most balanced works. Decidedly pleasant and easy to listen to, "21 at 33" immediately becomes enjoyable for some tracks of definite impact that enhance its overall vigor, opening with the brilliant "Chasing The Crown", which is the right start with lively and danceable tones. "Little Jeanie" is the somewhat sugary ballad that almost never disappoints, especially the ending fascinates with the intervention of female backing vocals weaving a delicate sound tapestry. The most impactful track is the magnificent "Sartorial Eloquence" which earns a deserved place among the best songs by the British artist; "Two Rooms at The End Of The World" and "White Lady White Powder" are two other delightful and playful pieces. The rest of the LP remains on enjoyable paths as demonstrated by the intense "Dear God".

Recorded in Nice with a large number of musicians and with lyrics by Taupin and Osborne, "21 at 33" eventually does not disappoint, and Elton John demonstrates that he can open the new decade with a good work capable of anticipating future productions, perhaps with even greater artistic depth. With the subsequent "The Fox" ('81), Elton John will stay on the same level as "21 at 33"; with "Jump Up" ('82), he will create a well-sold but almost uninteresting product, and with the release of "Too Low For Zero" ('83), he will become appreciable again, then the traumatic and at times decidedly embarrassing collapse.

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Summary by Bot

Elton John's '21 at 33' stands as one of his most balanced and enjoyable albums, marking a promising start to the 1980s. The album features impactful tracks like 'Chasing The Crown,' 'Little Jeanie,' and 'Sartorial Eloquence.' Recorded in Nice with a host of musicians and lyricists Taupin and Osborne, it shows Elton's ability to produce strong work despite a demanding contract. While the 80s were marked by ups and downs, this album anticipates future, deeper productions.

Tracklist Lyrics Videos

01   Chasing the Crown (05:33)

02   Little Jeannie (05:10)

Oh little Jeannie
You got so much love
Little Jeannie
And you take it where it strikes
and give it to the likes of me

Oh little Jeannie
She got so much love
Little Jeannie
So I see you when I can
You make me all a man can be

And I want you to be my acrobat
I want you to be my lover
Oh there were others who would treat you cruel
And oh little Jeannie
You were always someone's fool

Little Jeannie
You got so much time
Little Jeannie
Though you've grown beyond your years
You still retain the fears of youth

Oh little Jeannie
You got so much time
Little Jeannie
But you're burning it up so fast
Searching for some lasting truth

And I want you to be my acrobat
I want you to be my lover
Oh there were others who would treat you cruel
But oh Jeannie
I will always be your fool

[Saxophone solo]

And I want you to be my acrobat
I want you to be my lover
Oh there were others
and I've known quite a few
But oh oh Jeannie
I'm still in love with you...

(You stepped into my life from a bad dream)
(Making the life that I had seem suddenly shiny and new)
Oh Jeannie(Oh Jeannie...) I'm so in love with you...

(You stepped into my life from a bad dream)
(Making the life that I had seem suddenly shiny and new)
Oh Jeannie(Oh Jeannie...) I'm so in love with you...

(You stepped into my life from a bad dream)
(Making the life that I had seem suddenly shiny and new)
Oh Jeannie(Oh Jeannie...) I'm so in love with you...

(You stepped into my life from a bad dream)So...
(Making the life that I had seem) suddenly shiny and new
Oh Jeannie(Oh Jeannie...) I'm so in love
[fading]
I'm so...(You stepped into my life from a bad dream)...in love
(Making the life that I had seem) suddenly shiny and new
Oh Jeannie(Oh Jeannie...) I'm so in love

I'm so...(You stepped into my life from a bad dream)...in love

03   Sartorial Eloquence (04:45)

You've a certain sartorial eloquence
And a style that's almost all your own
You've got the knack of being so laid back...
It's like talking to the great unknown.

You've got a self-sufficient swept-back hair-do
Pretty certain that you've got it made...
Oh, your lifestyle shows in the clothes you chose
Sitting pretty in the masquerade...

Singing, don't you wanna play this game no more?
Don't you wanna play no more?
Don't you wanna play this game no more?
Don't you wanna play no more?

You remain the only main contender
Though you never, you never meant to lose at all.
Down and out, yet I'm surrounded...
Adamant before the fall.

Oh, when you go, you know
I might be lonesome
But I keep it under close control...
Go and get your kicks, and Babe,
Let's call it quits
I believe I'm feeling indisposed.

Singing, don't you wanna play this game no more?
Don't you wanna play no more?
Don't you wanna play this game no more?
Don't you wanna play no more?

Don't you wanna play this game?
Don't you wanna play this game?

Oh, when you go, you know I might be lonesome...
But I keep it under close control.
Go and get your kicks
And babe let's call it quits...
I believe I'm feeling indisposed.

Come on, sing it, don't you wanna play this game no more?
Don't you wanna play no more?
Don't you wanna play this game no more?
Don't you wanna play no more?

Don't you wanna play this game no more?
Don't you wanna play no more?
Don't you wanna play this game no more?
Don't you wanna play no more?

Don't you wanna play no more?
Don't you wanna play no more?

04   Two Rooms at the End of the World (05:41)

05   White Lady White Powder (04:33)

06   Dear God (03:45)

07   Never Gonna Fall in Love Again (04:08)

08   Take Me Back (03:52)

09   Give Me the Love (05:22)

Elton John

Reginald Kenneth Dwight, known as Elton John, is an English singer, pianist and composer who rose to prominence in the late 1960s and early 1970s. Longtime collaborator Bernie Taupin provided lyrics for much of his work. He is best known for piano-driven pop/rock songs and landmark 1970s albums; he was knighted and has had a prolific recording and performing career.
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