For many, the album of maturity, for me the confirmation.
Listening to Lotus is like immersing the soul of the Elisa we already knew into the greenery of nature, extracting new stimuli and exploring what she likes with her own eyes.
Some of her hits find new life in wonderful versions (the already splendid Rock Your Soul, the disorienting Labyrinth, The Marriage, Sleeping In Your Hand, but especially Stranger, whose remake seems to overturn the arrangement and melody, leaving the heart intact), famous and historical pieces are revisited with her unmistakable style without ever compromising their beauty (take the choral Halleluja already brought to success by Leonard Cohen or the seemingly untouchable Almeno Tu Nell'Universo, perhaps the most beautiful song by Mia Martini). And then there are the new tracks: simply unmissable Broken, Yashal, and the others.
Elisa's voice has matured, she manages to control it even better, it is wise and warm and has an observing eye that never betrays her.
After fifteen tracks of absolute relaxation, the album closes with A Prayer, a track perhaps a bit repetitive but that fits into the spirit of the album without boring. Ten here as well.
A total immersion in nature in its purest and simplest state, stripped of every redundant and superfluous sound, to create musicality in its most intimate essence.
An album that makes you travel, imagine, and estrange the individual from concrete reality, leaving room for free imagination.
Elisa has, in her singing style, a consoling power that stands out most where the themes are sadder and more melancholy.
The perfect meeting point between Pop and quality, with a touch of experimentalism, all with perfectionism that leaves almost nothing to chance.