The rock
In the January issue of “Mojo,” the Strokes are pictured outside the CBGB, with McDonald's on the left and Starbucks on the right, and I immediately felt a connection—I worked at Starbucks too. Two of them are wearing red ties, one a green waistcoat, and Casablancas a yellow jacket. Indeed, it seemed like it had just finished raining: no one is smiling, and they probably got the joke too. When "Is This It" came out, I jumped out of my chair, and I fell for the man in the yellow jacket: if you're still at the bottom, some naïve ideals remain. And although nothing has changed (I still clean toilets in a house with eight people), I no longer like Casablancas.
Back then, if you liked "Is This It," you had to like the White Stripes too; otherwise, the press made you seem like a leper. They were a bit fake as well: the image of the Strokes (five handsome lads dressed in the latest fashion), the image of the White Stripes (siblings? Lovers? Cousins? In any case, in whatever capacity they were getting it on, you knew the bed was white and red with vertical stripes). And although nothing has changed (I still feel like a leper), Jack doesn't convince me anymore: I see him in magazines as a Coca-Cola spokesperson, and at least the Strokes avoided smiling in the photo. During the American tour, he brought the Muldoons as support, and at least he can't be accused of not trying to promote emerging music: the average age of the Muldoons is eight, but the drummer is even better than Meg. They were even interviewed on "Q": the singer said he intended to start a solo career. "What a damn generation!" complains Dick Valentine in the opening track of "Señor Smoke": there needs to be a "Rock & Roll Evacuation!"—and a somewhat silly drumbeat kicks in. What comes next is a festival of the surreal: hookers who owe him money, rockers playing vibrators, Presidents waging wars. “Would you like an epidemic dance with me?” he asks the girls, and I would dance with him too. I've always seen genres (a nasty bunch, you'd agree) less as a musical representation and more as an attitude. I don't give a damn about how many notes you can play; if it's three, it doesn't mean you're punk. When I think of Rock, the leper inside me thinks about forgetting the troubles: make me jump, make me laugh, make me feel good, don't take yourself too seriously, be my certainty, make me scream knowing that we somewhat resemble each other, happy and a bit stupid.
At the time of their first album, Electric Six had two singles that seemed ready to smash everything: in one, they sang about nuclear war on the dance floor, and in another, they said they were going to spend money in a gay bar just to spite me. For the latter, they made a video where they sang as Bush and Blair, and if I were you, I'd make it mine at all costs: truly irresistible. For decades, this kind of people taught me to forget the troubles, and now they let others rob them because Rock shouldn't become extinct. If you're really interested, Electric Six plays a kind of electrocash beast where they mix a bit of everything that could make you move your ass. If, instead, you don't give a damn like me, then in my opinion, they play rock and for me the best of the year.
Tracklist and Lyrics
03 Bite Me (03:57)
Are you ready for my Sucky-Sucky?
Are you ready to be set free?
Are you ready for the Syphon Gasoline?
Are you ready for the number 3?
Are you ready for big, big savings?
Are you ready for the Master's Hand?
Are you ready for my Bloody-Bloody?
Are you ready to?
Sing are you ready to bite me?
Delight me
I'll pay hansomely for you to exite me
Your body is something I might not survive,
So bite me!
Bite me!
Are you ready for the Devil's Daughter?
Are you ready for the Soylent Green?
Are you ready for Unholy Water?
Are you ready for my Fuckin' Machine?
Are you ready for American Strike-Force?
Are you ready for the Mystery Meat?
Are you ready for my Crazy-Crazy?
Are you ready to?
Sing are you ready to bite me?
Delight me
I'll pay hansomely for you to exite me
Your body is something I might not survive,
So bite me!
Bite me!
Go!
People heading for a dirty future...
People lining up a party ball...
People sucking on their computer...
And other counters pay for it all...
We were so in love...
We were so in love...
We were so in love...
We were so in love...
We were so in love...
We were so in love...
We were so in love...
And we were ready to bite me!
Delight me
I'll pay hansomely for you to exite me
Your body is something I might not survive,
So bite me!
Bite me!
Come on and bite me!
Delight me
Our plane hasn't leave for you to exite me
Your body is something I might not survive,
So bite me!
10 Vibrator (02:31)
Hey! Looks like an emergency
Well thats ok with me cos i wanna take you in this elevator
Looks like you're my baby now
So put away that thing cos my baby don't need no vibrator
CHORUS
I'm sure...I'm the one you're looking for
I'm sure....I'm sure you've heard it all before
I care...but i don't care anymore
I'm sorry...but I don't know what i'm sorry for
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no...electric entertainer tuna investigator
Hey... now the doors are opening
and i look like a jerk while you're grinning like an aligator
cant we just forget the whole thing
shake each others hands and say goodbye baby see you later
CHORUS
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no...artificial stimulator non - organic excavator
CHORUS
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no vibrator
She don't, she don't, she don't need no...electric entertainer tuna investigator
hey... She don't, she don't, she don't
hey... She don't, she don't, she don't
hey... She dies, she dies, she dies
hey... She dies, she dies, she dies
so i will see you later
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