Il Segno Del Comando fascinates the listener with its dark progressive influenced by new wave.

 At the end of the listening, one remains entranced and confused, like after the end of a dream.

Il Segno Del Comando's 2002 album Der Golem is a rich, mystical journey inspired by Gustav Meyrink's esoteric novel. Blending dark progressive with gothic and new wave elements, the album features evocative instrumentals and powerful vocals. The project's depth extends beyond music into philosophical and cinematic realms, making it a standout in Italy's cult progressive scene. The review praises the album's atmosphere and artistic complexity, highlighting its enduring charm and originality. Dive into the mystical world of Il Segno Del Comando's Der Golem and experience a captivating blend of dark progressive and gothic rock.

 "Decimator pierces our senses, nullifying them, and already frightens us... it’s in human nature to fear the crumbling of Earth."

 "The Canadian group does exactly this: it strips the new black and lays it bare before our still bleeding eyes."

Strapping Young Lad's The New Black confronts listeners with the pervasive and unsettling 'new black' present in everyday life. The album combines aggressive metal with powerful lyrics and intense soundscapes that both shock and engage. With standout tracks like "Decimator" and "You Suck," it offers a fierce, electrifying experience. The review highlights the album's ability to reveal harsh truths and provoke deep reflection, making it a compelling listen for metal fans. Dive into Strapping Young Lad's The New Black and experience the raw intensity and dark truths of modern extreme metal.

 Carl Stalling remains one of the most underrated and unknown composers, but he deserves equal respect and attention as masters like Morricone, Rota, or Herman.

 Every scene of a cartoon has a perfect musical atmosphere, every movement of Bugs Bunny or Wile E. Coyote is associated with a particular sound extracted from one of the fifty elements that make up Carl Stalling’s orchestra.

This review celebrates Carl Stalling's innovative and varied musical compositions for Warner Bros. cartoons between 1936 and 1958. Stalling expertly blended jazz, classical, and pop elements to create unforgettable soundtracks that perfectly matched the cartoons' action and humor. The review highlights his lasting influence and laments how modern cartoons often underuse music due to excessive dialogue. Ultimately, Stalling is praised as an underrated genius deserving of wider recognition. Listen now to Carl Stalling’s iconic Warner Bros. cartoon music and experience the magic behind classic animation!

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