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 This album deserves five stars because it doesn’t have a real flaw… except that it wasn’t released ten, fifteen years earlier.

 All Led Zeppelin, Humble Pie, Free, Ten Years After, AC/DC fans, and so on should own this album and listen to it at full volume.

Fastway's 1983 self-titled debut album sees ex-Motörhead guitarist Eddie Clarke shift gears into a classic rock and blues style. Despite early lineup changes, the album delivers powerful vocals from Dave King and richly dynamic guitar riffs. The reviewer praises the mix of hard rock and blues influences, comparing it favorably to Led Zeppelin and others. Minor flaws keep it from a perfect rating, but it is highly recommended to fans of vintage rock. Listen to Fastway’s debut for a powerful dose of classic rock and blues riffs that will energize any vintage rock fan.

 What makes the album unmissable is the last track, a quintessential masterpiece dedicated to the late Dunnery’s father.

 The particular progressive pop rock specific to this band, indebted to big names of the seventies, yet unmistakably their own.

Eat Me in St. Louis is It Bites' third album, blending progressive pop rock with a heavier hard rock edge. Noted for its strong vocal harmonies and balanced arrangements, the album avoids overindulgence. Highlights include the emotionally powerful instrumental "Charlie," showcasing Francis Dunnery’s unique guitar tapping technique. The album serves as a distinct statement before the band's long hiatus and eventual return. Listen to It Bites’ Eat Me in St. Louis and experience a masterful blend of progressive rock and heartfelt guitar artistry.

 The best thing about this work is... the cover, as disturbing and anxiety-inducing as few others.

 We may never know if, with a less problematic professional destiny, this man would have given us many more epochal songs.

John Fogerty's 1986 album 'Eye of the Zombie' showcases his technical skills and characteristic sound but fails to match the brilliance of his Creedence Clearwater Revival days. The review highlights the strong cover art and Fogerty's consistent musical style, yet notes the absence of truly memorable songs. The album is primarily recommended for longtime fans and completists familiar with his career struggles and legacy. Discover John Fogerty's lesser-known 'Eye of the Zombie'—listen now and explore the story behind the music.

 Frijid Pink’s version is beautifully psychedelic, with Thompson’s highly distorted guitar giving up on the arpeggio and instead hitting the chords.

 For the nostalgic elderly or the young captivated by the vintage of those prolific and inventive years, this niche work is nonetheless perfectly aligned with its time and can provide healthy emotional enrichment.

Frijid Pink made a strong debut in 1970 with a blend of rock blues and psychedelia, highlighted by their famous cover of "House of the Rising Sun." The album showcases gritty, Hendrix-inspired guitar and a powerful baritone voice. Despite their early promise, the band became a classic one hit wonder. This album remains a nostalgic gem that captures the spirit of its era. Listen to Frijid Pink's classic debut and experience their legendary 'House of the Rising Sun' reimagined with psychedelic blues rock energy!

 His primordial, warm, and pointed sound is a pleasure to listen to.

 Reaching the last track of the album one does so with some difficulty, without having caught along the way epic, unmissable, thrilling moments.

Greta Van Fleet's Starcatcher displays impressive instrumental skills and an authentic vintage rock sound reminiscent of the late 60s. However, the album suffers from lackluster songwriting and absence of standout tracks that could elevate the listening experience. Despite solid performances, the songs fail to leave a lasting emotional impression, making the album feel mediocre. The reviewer holds out hope for the band’s future growth. Listen to Starcatcher and decide if Greta Van Fleet’s vintage rock style resonates with you!

 The elegance is crystalline, both in his silky and mobile voice and in the performance of his expert Martin six-string, plucked with very well-educated fingers.

 "Copperline" is the standout track of the work, recalling the serene and formative moments spent as a boy in the family’s usual holiday location.

The review praises James Taylor's 1991 album New Moon Shine for its refined blend of soft rock, blues, and jazz elements. Highlight tracks such as "Copperline" and "Shed a Little Light" showcase his vocal versatility and emotional depth. The album features collaborations with top American musicians, enhancing the sophisticated sound. Though some songs revisit familiar territory, the craftsmanship and heartfelt performance affirm Taylor's timeless class. Discover the timeless charm of James Taylor’s New Moon Shine—listen now and experience his refined blend of soft rock and soulful storytelling.

 The best progressive rock product of the nineties, the only one from the American band in question with decent availability even today.

 The mythical Gentle Giant would pale in comparison to these: choirs, chases, and vocal call-and-responses of an enveloping precision and invention.

Echolyn's 1994 album 'As The World' stands as an exceptional example of 90s progressive rock, marked by sophisticated vocal harmonies and intricate compositions. Released by Sony without commercial interference, it never charted but gained a devoted cult following. The album demands attentive, repeated listening to appreciate its complexity, showcasing the band's remarkable musicianship. Despite commercial neglect, Echolyn reunited later, continuing to impress with new music and live shows. Listen to Echolyn's 'As The World' and explore one of the 90s finest prog rock masterpieces today!

 Tommy’s wavering, gritty, immensely talented, vibrant, undisciplined, and decidedly personal guitar is a strong novelty compared to the equally brilliant but more structured Blackmore.

 Paice is the best rock drummer ever after Bonham, doesn’t miss a beat, has a beautiful sound, a perfect “drive,” a magnificent peculiarity; it’s a joy to follow him with your ear.

Phoenix Rising captures Deep Purple's vibrant 1976 live performances featuring the Mark IV lineup with Tommy Bolin's distinctive guitar. The album blends classic hits and fresh tracks, highlighting the band's dynamic and virtuosic playing. Fans of live rock recordings will appreciate the energetic and somewhat unpredictable performances, underpinned by Jon Lord and Ian Paice's solid musicianship. Discover the fiery energy of Deep Purple’s Phoenix Rising—listen now to experience legendary rock live!

 The second album by the Georgians Stillwater, released in 1978, is their best; better played and produced than their debut the year before, and more varied.

 Stillwater will remain confined to the club scene, entertaining a hundred or two people at a time. Honor to them... there’s no place for everyone on the winners’ wagon.

Stillwater's second album from 1978, 'I Reserve the Right,' represents their best work, combining southern rock with pop-infused rhythm and blues. It features more sophistication in production and varied musical styles. Despite efforts to appeal broadly, the album achieved moderate recognition. Key tracks showcase soulful vocals, electric piano, and compelling guitar work. The band later remained limited to club scenes but left a lasting impression with this album. Discover Stillwater's soulful southern rock gem—listen to 'I Reserve the Right' and experience 1970s rock fusion today!

 Guitars everywhere, on the right, on the left, and center; layering, concatenations, guitar duels, one at a time, two at a time, even three occasionally.

 The riff is vaguely reminiscent of Led Zeppelin’s 'Rock’n’Roll', only more lyrical and intimate, less brash but more elegant.

This review examines Stillwater’s 1977 debut album, highlighting their Southern rock style with dense guitar layers and impressive riffs. The band lacks a standout frontman, but the drummer and guitarists share strong vocal duties. Key tracks include the catchy opener 'Rock’n’Roll Loser' and the guitar showcase 'Sam’s Jam.' Despite their potential, Stillwater never matched the fame of their contemporaries. Dive into Stillwater’s classic Southern rock sound—listen to their 1977 debut and experience guitar-driven rock storytelling.