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DeRank ™: 8,88 • DeAge™ : 6920 days
I realize rock is dead when I manage to come across, more and more rarely, tasty, even excellent contemporary rock albums, like this one. Unruly Child are certainly skilled and inspired, starting with the frontman, the transgender Margie Free, born Mark, endowed with a lush and robust tenor voice.
I realize rock is dead when I manage to come across, more and more rarely, tasty, even excellent contemporary rock albums, like this one.
Unruly Child are certainly skilled and inspired, starting with the frontman, the transgender Margie Free, born Mark, endowed with a lush and robust tenor voice.
This review reflects on rock music's decline but celebrates the quality of Unruly Child's 2020 album 'Our Glass House.' It praises the band's musicianship, particularly Margie Free's vocals and Bruce Gowdy's guitar, highlighting the album's tasteful arrangements and classic melodic hard rock sound. The reviewer recommends the album to fans of refined rock music. The mix of old and new is noted, with a nod to the rearranged tracks from their 1991 debut. Listen to Unruly Child's 'Our Glass House' and experience a fresh take on melodic hard rock classics!
Patto... a cohesive, original, creative, ironic to the farcical, brilliant, even virtuosic group. The best guitar solo that I know... lasts almost three minutes and is simply unmatched.
Patto... a cohesive, original, creative, ironic to the farcical, brilliant, even virtuosic group.
The best guitar solo that I know... lasts almost three minutes and is simply unmatched.
This review celebrates Patto's 'Hanging Rope' as an essential collection capturing the band's unique jazz-rock fusion through rare BBC session recordings. Praising the musicianship, especially Ollie Halsall's guitar work and Mike Patto's vocals, it highlights the group's creativity and enduring influence. The album offers a rich blend of live and studio elements, showcasing timeless performances from the early 1970s. Explore Patto's iconic 'Hanging Rope' and dive into the magic of unforgettable jazz-rock BBC Sessions now!
The big face on the cover does not look like someone who has found the Sun again. Steve Lukather is a... dark musician. His voice is dark, competent and decent, but really dark.
The big face on the cover does not look like someone who has found the Sun again.
Steve Lukather is a... dark musician. His voice is dark, competent and decent, but really dark.
Steve Lukather’s 2021 album 'I Found The Sun Again' delivers solid musicianship recorded swiftly with passion. The album features eight tracks including covers and originals with Toto-esque elements. However, the reviewer notes a persistent dark tone in vocals and guitar that may tire listeners. Though well-crafted, the album lacks fresh inspiration and the bright interplay found in Toto’s full lineup. Lukather’s professionalism and love for music remain evident but the album feels routine. Explore Steve Lukather’s distinct style in 'I Found The Sun Again' and decide if his dark rock vibe resonates with you!
The music is not current but rather retrieved eleven twelfths from a full and fertile phase of their career. I accept this Frankenstein... and willingly place it in my rich Blue Öyster Cult discotheque.
The music is not current but rather retrieved eleven twelfths from a full and fertile phase of their career.
I accept this Frankenstein... and willingly place it in my rich Blue Öyster Cult discotheque.
Blue Öyster Cult's Ghost Stories offers fans a nostalgic dive into previously unreleased demos from the 70s and 80s, restored through modern tech. While skeptics may dismiss it as an uneven collection, admirers will appreciate the melodic hard rock essence and historical value. Richie Castellano's production enhances these tracks professionally without new recordings. The album closes with a 2016 Beatles cover, providing a contrast to the vintage material. Overall, it's a welcome addition for dedicated listeners despite not matching the band's recent studio efforts. Discover the restored classic hard rock sound of Blue Öyster Cult's Ghost Stories—listen now and dive into rock history!
"'Rocket Roll' is strong and intense, let’s say the hardest of the bunch, with deeper and more effective sounds." "Led Zeppelin were the Rock and the Stones are the Roll. Yet, no matter how far Jimmy Page could push, you could always hear him stay connected with the Blues."
"'Rocket Roll' is strong and intense, let’s say the hardest of the bunch, with deeper and more effective sounds."
"Led Zeppelin were the Rock and the Stones are the Roll. Yet, no matter how far Jimmy Page could push, you could always hear him stay connected with the Blues."
Rocket Roll marks the final studio album of the Michigan rock band Rockets, showcasing their hardest and most intense sound from 1982. The review highlights standout tracks inspired by classic rock bands like Status Quo, AC/DC, and Cheap Trick. There is discussion of the band's evolution and final farewell, with an insightful Jimmy McCarty quote on the nuances between hard rock and rock & roll that enriches the context. Overall, the album is praised for its depth, energy, and powerful performances. Dive into Rockets' fiery 'Rocket Roll' and experience the ultimate rock ’n’ roll farewell!
Jim McCarty... is as important as Bo Diddley and Chuck Berry and Les Paul… a god on guitar! ‘Lie to Me,’ the most beautiful of the bunch, a rhythm & blues sung by drummer Badanjek.
Jim McCarty... is as important as Bo Diddley and Chuck Berry and Les Paul… a god on guitar!
‘Lie to Me,’ the most beautiful of the bunch, a rhythm & blues sung by drummer Badanjek.
Rockets' 1981 album Back Talk delivers a solid mix of robust rock'n'roll blues and soulful melodies. Featuring Jim McCarty, a respected yet underrated guitar legend, the album shines through tracks like "Love for Hire" and "Lie to Me." The review highlights the album's rhythmic drive, melodic strength, and varied influences ranging from southern rock to the Doobie Brothers. Overall, it's a recommended listen for fans of classic American rock with a soulful edge. Discover Rockets' soulful rock'n'roll sound—listen to Back Talk and hear Jim McCarty's legendary guitar work today!
There’s a quick switch of the pickup towards the end of the solo, from the neck to the bridge, and a subsequent flurry of notes that is a work of art: it stuns, amazes, satisfies, delights. They dive into 'Takin’ It Back' which is as scholarly as it is engaging, practically an encyclopedia of the eternal licks invented by pioneer Chuck Berry.
There’s a quick switch of the pickup towards the end of the solo, from the neck to the bridge, and a subsequent flurry of notes that is a work of art: it stuns, amazes, satisfies, delights.
They dive into 'Takin’ It Back' which is as scholarly as it is engaging, practically an encyclopedia of the eternal licks invented by pioneer Chuck Berry.
Rockets' third album, 'No Ballads,' delivers a straightforward, raw hard rock sound rooted in Detroit's gritty environment. Led by drummer John "The Bee" Badaniek and featuring standout guitarist Jim McCarty, the album carries the spirit of 70s rock 'n' roll evolved from 50s pioneers like Chuck Berry. Tracks such as "Desire," "Don’t Hold On," and "Takin’ It Back" showcase excellent musicianship and timeless rock energy. While not commercially huge, it's a worthy listen for fans craving honest, unglamorous rock. Dive into the raw, fiery rock spirit of Rockets' 'No Ballads' and experience timeless guitar mastery—listen now!
Think of AC/DC but with developed choral parts, a semi-slow blues now and then, even some ballads, with a more rounded and colorful sound. It’s always a pleasure to intercept non-essential, but very worthy pages like these, added at the time by the Rockets to the great book of rock’n’roll.
Think of AC/DC but with developed choral parts, a semi-slow blues now and then, even some ballads, with a more rounded and colorful sound.
It’s always a pleasure to intercept non-essential, but very worthy pages like these, added at the time by the Rockets to the great book of rock’n’roll.
The Rockets, a Detroit-based blues rock band active between 1977 and 1983, deliver a gritty yet melodic collection of rock songs. Their lineup includes dynamic drummer John Badaniek and skilled guitarist Jim McCarty. The album features influences from hard rock icons like AC/DC and Nazareth, with a highlight cover of Fleetwood Mac's "Oh Well." While not groundbreaking, the band's music remains a worthy and enjoyable part of American rock history. Discover the gritty blues rock energy of Rockets and dive into their timeless Detroit sound today!
"The best of the lot is the twelfth and last 'Once Was A Time I Thought': delightful, swinging, performed a cappella... excellent, very American." "‘I Saw Her Again,’ with a recognizably Beatles-like chorus in the verse, is California from sixty years ago, in its purest form."
"The best of the lot is the twelfth and last 'Once Was A Time I Thought': delightful, swinging, performed a cappella... excellent, very American."
"‘I Saw Her Again,’ with a recognizably Beatles-like chorus in the verse, is California from sixty years ago, in its purest form."
This review covers The Mamas & the Papas' 1966 second album, highlighting the behind-the-scenes drama with Michelle Phillips' brief exit and return. Key tracks like "I Saw Her Again" and the a cappella "Once Was A Time I Thought" are praised for their distinct harmonies and classic California sound. The album remains a solid example of 1960s folk rock with memorable vocal performances. Discover the timeless harmonies and stories of The Mamas & the Papas – listen to their 1966 classic album now!
What a pity, a disaster that such a delightful and captivating cover is destined to envelop such bland and slapdash music. Every couple of years I listen to it again... and get the urge to get rid of it! But then I look at the photo, and put it back on the shelf.
What a pity, a disaster that such a delightful and captivating cover is destined to envelop such bland and slapdash music.
Every couple of years I listen to it again... and get the urge to get rid of it! But then I look at the photo, and put it back on the shelf.
The album 'Local Anaesthetic' by the UK band Nirvana boasts an iconic 1970s cover by artist Keef, yet the music itself fails to deliver. The review criticizes the album's disjointed mixture of genres and poor execution. Despite owning the record, the reviewer repeatedly feels compelled to discard it due to its uninspired content. The legal tidbit about the Seattle Nirvana's name dispute is noted as an amusing aside. Discover the story behind Nirvana UK's Local Anaesthetic – admire the iconic 70s cover and decide if the music lives up to the legend.
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