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DeRank ™: 8,88 • DeAge™ : 6920 days
This third work of his (1986) works. In general, there’s an attempt to create refined and “warm” pop rock, far from the coldness of electronic drums and the fake Yamaha-made pianos.
This third work of his (1986) works.
In general, there’s an attempt to create refined and “warm” pop rock, far from the coldness of electronic drums and the fake Yamaha-made pianos.
Paul Young's third album 'Between Two Fires' stands out from his earlier work for its warm, refined pop-rock style, supported by accomplished musicians like Pino Palladino and Steve Bolton. Recorded in Italy, the album moves away from the cold electronic sounds common in the mid-80s. The reviewer shares a personal memory of attending a Manfred Mann concert linked to the album's production. While Young was once among the most visible 80s singers, this work is praised for its quality and affection. Discover the warm pop-rock charm of Paul Young's 'Between Two Fires'—listen now and explore a hidden 80s gem!
From a lively rock and roll groove perfect for motorbikers, they moved to a classy but sly soul pop, perfect for the unsatisfied housewives of the era. "What A Fool Believes" contains a killer hook, a deadly catch in the refrain, with an absolutely memorable falsetto phrasing.
From a lively rock and roll groove perfect for motorbikers, they moved to a classy but sly soul pop, perfect for the unsatisfied housewives of the era.
"What A Fool Believes" contains a killer hook, a deadly catch in the refrain, with an absolutely memorable falsetto phrasing.
This review discusses The Doobie Brothers’ 1978 album Minute by Minute, highlighting a stylistic shift from gritty rock to smooth blue-eyed soul under Michael McDonald's influence. While praising the hit single "What A Fool Believes," the reviewer expresses a preference for the band's earlier energetic rock sound. The album marks a controversial but noteworthy phase in their career, balancing polished pop with less spirited rhythms. Discover the soulful transformation of The Doobie Brothers by listening to Minute by Minute and explore their varied musical journey!
The scent of rock still in its adolescent phase is all there, the musical consistency much less in this work. The lengthiness and exaggerations work when you’re there in person, not when you’re listening to the album in the car or even sitting in an armchair.
The scent of rock still in its adolescent phase is all there, the musical consistency much less in this work.
The lengthiness and exaggerations work when you’re there in person, not when you’re listening to the album in the car or even sitting in an armchair.
This 1972 live album captures an impromptu collaboration between Carlos Santana and Buddy Miles, featuring a large ensemble and extended jam sessions. The raw, unpolished performance reflects the vintage rock and funk scene, with standout moments like the instrumental 'Marbles' and 'Them Changes.' Although some find the lengthy jams and vocal antics exhausting, the album offers a unique atmosphere for enthusiasts of rustic and straightforward live music. It’s a nostalgic listen that showcases the early evolution of Santana's music. Dive into the rich vintage vibe of Santana & Buddy Miles' live jam—listen now and experience 70s rock energy firsthand!
Jon Hiseman, an absolute drum superstar... a true rhythm god! This work has nothing to envy those of the late ’60s/early ’70s.
Jon Hiseman, an absolute drum superstar... a true rhythm god!
This work has nothing to envy those of the late ’60s/early ’70s.
Colosseum’s 1997 album Bread & Circuses marks a strong reunion, showcasing their blend of blues, jazz, and rock. The review highlights standout solos by saxophone, guitar, and organ, driven by powerhouse drummer Jon Hiseman. Each track balances structured songwriting with instrumental flair. Though the band’s peak was decades earlier, this album holds its own with creativity and class. Discover the timeless jazz-rock of Colosseum’s Bread & Circuses—listen now and experience their unmatched musical mastery!
"Layla" the song is a masterpiece, without which "Layla" the album would be reduced to a state of complete disregard. Clapton is a guitarist who doesn’t 'sing,' doesn’t go from here to there in a solo, stays on the spot, doesn’t add much melody.
"Layla" the song is a masterpiece, without which "Layla" the album would be reduced to a state of complete disregard.
Clapton is a guitarist who doesn’t 'sing,' doesn’t go from here to there in a solo, stays on the spot, doesn’t add much melody.
This review challenges the legendary status of Derek and the Dominos' Layla album, praising only the title track while deeming the rest mediocre. It critiques Eric Clapton's guitar as overrated compared to other blues rock players and questions the album's production and compositional depth. Duane Allman's contribution is also viewed as limited, despite fan claims. Overall, the album is seen as respectable but lacking the magic commonly attributed to it. Read this compelling, honest review to rethink the true value of the legendary Layla album and Eric Clapton's guitar legacy.
The blond from Hull, talented and eclectic, too consumed by music and too little opportunistic to have a career worthy of his versatile talent. We miss you so much, wonderful man and devilish sharp guitarist. We wish you were here.
The blond from Hull, talented and eclectic, too consumed by music and too little opportunistic to have a career worthy of his versatile talent.
We miss you so much, wonderful man and devilish sharp guitarist. We wish you were here.
This review reflects on Mick Ronson's posthumous album 'Heaven and Hull,' highlighting the challenges in completing the work after his death. It praises the guest performances by renowned artists, while noting the album's limitations due to Ronson's health decline. The review also honors Ronson's unique guitar tone and features emotional words from his widow. Notable moments include Bowie’s cover of 'Like a Rolling Stone' and a live rendition of 'All the Young Dudes.' Discover the heartfelt legacy of Mick Ronson—listen to Heaven and Hull and explore the artistry behind a posthumous classic.
Robin Trower more than a musician, a guitarist, a group, is a philosophy of life, a passion and love that have become divine sound. Following that way of taking every note in fifty thousand different ways and then immediately carving it… gives me physical pleasure, genuine admiration, gratitude.
Robin Trower more than a musician, a guitarist, a group, is a philosophy of life, a passion and love that have become divine sound.
Following that way of taking every note in fifty thousand different ways and then immediately carving it… gives me physical pleasure, genuine admiration, gratitude.
This review praises Robin Trower's 1988 album 'Take What You Need' as a brilliant example of his virtuosity and passion for blues rock. It highlights his three distinct career phases, his unique guitar style inspired by Hendrix, and the soulful vocals of Davey Pattison. The album exemplifies Trower's dedication and musical philosophy. Revered by fans, Trower continues to inspire with his timeless, heartfelt sound. Dive into Robin Trower’s 'Take What You Need' and experience the soulful blues rock mastery of a true guitar legend!
These Galactic Cowboys are definitely a crossover band if ever there was one: they combine the most devastating guitars and pounding drumbeats with a plethora of choruses, melodies everywhere. As if McCartney, Lennon, and Harrison were singing “She Loves You” accompanied by Anthrax, what fun!
These Galactic Cowboys are definitely a crossover band if ever there was one: they combine the most devastating guitars and pounding drumbeats with a plethora of choruses, melodies everywhere.
As if McCartney, Lennon, and Harrison were singing “She Loves You” accompanied by Anthrax, what fun!
The review praises Galactic Cowboys' album Let It Go as a unique and creative crossover in the metal genre. Combining powerful instrumentation with melodic and humorous elements, the band stands out for its skill and originality. The reviewer expresses deep admiration, calling it a favorite and highlighting the band's disregard for commercial trends. Let It Go showcases their imaginative and varied approach to music, earning high praise. Dive into Galactic Cowboys' Let It Go and experience a genre-defying metal journey full of melody and surprise!
McCarty has never been, and will never be, a valid composer, certainly not on the level of the poor Michael Dunford. These aspiring frontman drummers always cause trouble. They should stay behind to keep the time, the rhythm, the drive for the band.
McCarty has never been, and will never be, a valid composer, certainly not on the level of the poor Michael Dunford.
These aspiring frontman drummers always cause trouble. They should stay behind to keep the time, the rhythm, the drive for the band.
This review critiques Illusion's album 'Through the Fire' as a disappointing follow-up to the legacy of Renaissance, focusing on weak songwriting and a downgrading of Jane Relf’s vocal role. Despite talented members, the album fails to capture the unique, classically-inflected style that made Renaissance notable. The review also explores the troubled band history and the challenges faced by ex-Yardbirds members who formed Illusion. In all, the album is described as mediocre elegant pop, lacking the progressive flair once associated with the group. Discover the complex legacy of Illusion and listen to 'Through the Fire' to form your own opinion!
There’s nothing disgusting, on the contrary, it’s just all... superfluous. Annie Haslam is a nightingale perhaps a bit cold and lacking in soul, but the pathos generated by her exceptionally full and round and penetrating tone works tremendously.
There’s nothing disgusting, on the contrary, it’s just all... superfluous.
Annie Haslam is a nightingale perhaps a bit cold and lacking in soul, but the pathos generated by her exceptionally full and round and penetrating tone works tremendously.
The review traces Renaissance's unique and complex history from its Yardbirds roots to its symphonic folk style. Tuscany (2002) attempts to recapture their classic sound with orchestration and Annie Haslam's signature vocals. However, the album fails to deliver memorable melodies or fresh energy, making it a mediocre return that mainly appeals to dedicated fans of progressive rock. Explore Renaissance's Tuscany and decide if this progressive folk journey resonates with your musical taste.
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