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DeRank ™: 8,88 • DeAge™ : 6920 days
Shel has a killer cockney accent, and it’s been sixty years that he’s been living here with us. That first rock experience was profoundly formative towards a passion for that music, its content, its communicative, visual, and sonic power.
Shel has a killer cockney accent, and it’s been sixty years that he’s been living here with us.
That first rock experience was profoundly formative towards a passion for that music, its content, its communicative, visual, and sonic power.
This review explores The Rokes, a British beat band that became a staple in Italy's 1960s music scene. It highlights their major hits, their integration of British and Italian styles, and their memorable performances at Sanremo. The author recalls the band's influence on his musical passion and notes their solid stage presence and sonic identity rooted in legendary 60s rock groups. Dive into the timeless sound of The Rokes and explore their pivotal role bridging British beat and Italian rock!
This work turns out to be a true tutorial on the virtues of the Rockman guitar processor. Torstein Flackne knows his stuff; he could pose much more with solos and long-windedness but prefers to create meticulously melodic songs.
This work turns out to be a true tutorial on the virtues of the Rockman guitar processor.
Torstein Flackne knows his stuff; he could pose much more with solos and long-windedness but prefers to create meticulously melodic songs.
Stage Dolls' 1991 album Stripped stands out as a shining example of melodic hard rock, driven by passion, concise musicianship, and superb production. The review highlights the masterful use of the Rockman guitar processor and Torstein Flakne’s intense yet subtle vocal and guitar performances. With romantic lyrics and focused arrangements, the album delivers accessible and timeless rock 'n' roll. The reviewer highly praises its classic songs like "Stand by You" and "Sorry (Is All I Can Say)." Listen to Stage Dolls’ Stripped and experience the power of melodic hard rock at its finest!
A rare and unique case in the history of musical bands, the heralds of melodic rock tinged with folk and progressive, Wishbone Ash... boast... a couple of techno dance albums. The music flows smoothly and is always evolving, continuously losing and gaining rhythm, adhering to the necessary criteria of dance trance.
A rare and unique case in the history of musical bands, the heralds of melodic rock tinged with folk and progressive, Wishbone Ash... boast... a couple of techno dance albums.
The music flows smoothly and is always evolving, continuously losing and gaining rhythm, adhering to the necessary criteria of dance trance.
Wishbone Ash's 'Trance Visionary' is a rare techno dance album by the classic melodic rock band, creatively merging electronic styles with their signature sound. Released in 1997, it saw the collaboration of Andy Powell with electronic producer Mike Bennett, resulting in dance remixes of their classic tracks. While surprising for longtime fans, the album gained popularity in dance circuits, particularly in the UK. Its fusion of drum & bass grooves and traditional instruments offers an intriguing listen, especially for followers of the band's history. Discover this unexpected fusion of classic rock and electronic dance—listen to Wishbone Ash's 'Trance Visionary' now!
A swaying and moderately psychedelic rock by the brotherhood of Rick Robinson, with not the slightest fear of lingering in long preludes, instrumental interludes, or rhythm suspensions. I love the voice of this singer viscerally, good Chris from Atlanta, Georgia.
A swaying and moderately psychedelic rock by the brotherhood of Rick Robinson, with not the slightest fear of lingering in long preludes, instrumental interludes, or rhythm suspensions.
I love the voice of this singer viscerally, good Chris from Atlanta, Georgia.
This review examines Chris Robinson Brotherhood’s 2025 album, highlighting its laid-back, psychedelic rock style inspired by the Grateful Dead. The album showcases solid musicianship with balanced vocals and tasteful instrumentation, though it doesn’t surpass their acclaimed debut 'Big Moon Ritual.' The reviewer praises Chris Robinson’s distinct southern voice and honors the late Neal Casal’s valuable contributions. Listen to Chris Robinson Brotherhood’s latest album for a soulful psychedelic journey rooted in southern rock traditions.
Cheap Trick are like Beatles who scream to sing and thrash to play. It’s great to hear them still on top form, bombastic, simple yet smart, old but vigorous.
Cheap Trick are like Beatles who scream to sing and thrash to play.
It’s great to hear them still on top form, bombastic, simple yet smart, old but vigorous.
Cheap Trick's 2016 album 'Bang Zoom Crazy... Hello' showcases the band's enduring rock spirit and energy. Though not groundbreaking, it delivers strong vocals, impressive guitar work, and a mix of melodic and raw tracks. The album highlights the band's ability to stay relevant while honoring their roots, blending classic rock influences with contemporary vigor. Fans get a powerful experience from start to finish with moments reminiscent of rock legends. Discover the raw energy and timeless spirit in Cheap Trick’s ‘Bang Zoom Crazy... Hello’ – listen now and experience classic rock’s enduring power!
The album should be listened to from start to finish as a document, certificate, symbol of the man and musician Rory. A world made of voice and guitar proudly raw and uncompromising, always authentic, rustic, loyal, frank, honest, simple.
The album should be listened to from start to finish as a document, certificate, symbol of the man and musician Rory.
A world made of voice and guitar proudly raw and uncompromising, always authentic, rustic, loyal, frank, honest, simple.
This review highlights Rory Gallagher’s first live album under the Taste moniker, emphasizing his raw and genuine guitar style. It contextualizes the album historically, noting band tensions and Rory’s solo career trajectory. The music is described as uncompromising blues-rock that should be absorbed fully. Personal memories tied to the album cover enrich the emotional connection. The reviewer expresses admiration and a sense of musical debt to the artist. Dive into Rory Gallagher’s raw live sound—listen to 'Live Taste' and experience classic blues-rock passion today!
The band is reduced to a mere "modern" rhythm & blues entity, slow-paced, professionally impeccable but thematically modest. A somber ending for this band so centered, peculiar, tender, instantly recognizable in the good old days.
The band is reduced to a mere "modern" rhythm & blues entity, slow-paced, professionally impeccable but thematically modest.
A somber ending for this band so centered, peculiar, tender, instantly recognizable in the good old days.
Supertramp's 'Slow Motion' serves as their final album, showcasing a shift toward a blue-eyed soul and slow R&B style that lacks the unique qualities of their earlier work. The album features professional musicianship but often falls into predictable and modest thematic ground. While a few tracks stand out for their jazz-rock interplay, the overall record is somber and less memorable. The review reflects on the band's live performances and Rick Davies' declining health, marking the end of an era. Discover the final chapter of Supertramp's journey; listen to 'Slow Motion' and explore their evolution.
The real Supertramp were something else: they brought unpredictable and incisive melodies, surprising chord sequences, chiselled and sublime piano riffs. This work would deserve four full stars if only it were the album of a new classic American jazz blues band. But it’s the tenth of the legendary Supertramp, and compared to Crime of the Century it would hardly deserve two...
The real Supertramp were something else: they brought unpredictable and incisive melodies, surprising chord sequences, chiselled and sublime piano riffs.
This work would deserve four full stars if only it were the album of a new classic American jazz blues band. But it’s the tenth of the legendary Supertramp, and compared to Crime of the Century it would hardly deserve two...
Supertramp's 'Some Things Never Change' (1997) reveals a band that, despite excellent production and skilled musicianship, drifts away from their iconic progressive pop identity. Rick Davies' jazz and blues influences dominate, yet the album lacks the unpredictability and memorable melodies of earlier works. Although featuring standout musicians like Carl Verheyen, it feels more academic and standardized than truly innovative. Fans expecting classic Supertramp may find this album underwhelming but polished. Discover the evolution of Supertramp’s sound in 'Some Things Never Change' and decide if this refined jazz-blues journey is your kind of groove!
It’s not just the fruitful alternation between the two different voices ... it’s just that the inspiration is weak, the ideas diluted. My judgment ... is that of a profound admirer, but not of a delusional worshipper for the sake of everything produced by this band.
It’s not just the fruitful alternation between the two different voices ... it’s just that the inspiration is weak, the ideas diluted.
My judgment ... is that of a profound admirer, but not of a delusional worshipper for the sake of everything produced by this band.
This review explores Supertramp's 1987 album Free as a Bird, marking the band's declining phase after Roger Hodgson's departure. While the album offers pleasant moments and competent performances, it lacks the inspiration and distinctiveness of their earlier masterpieces. Tracks like 'Not the Moment' stand out, but many songs fall flat or feel uninspired. Ultimately, the album is deemed respectable but overshadowed by the band's golden era. Discover Supertramp’s evolving sound in Free as a Bird—listen now and explore their post-Hodgson era.
It seems impossible for this man to make bad music. The perfect war relic of 1983, the acoustic Overkill overshadows all twelve preceding songs.
It seems impossible for this man to make bad music.
The perfect war relic of 1983, the acoustic Overkill overshadows all twelve preceding songs.
The review highlights Colin Hay's enduring artistry and melodic 80s pop rock style on his 1994 album Topanga. Despite minimal instrumentation, his emotional voice shines with expressive nuances. The album evokes memories of Men at Work’s richer sound, while maintaining a fresh, minimalist charm. The acoustic version of Overkill as a bonus track stands out as a timeless gem. Overall, the review praises Hay's consistent quality and emotional depth. Explore Colin Hay’s Topanga and experience a melodic journey blending 80s pop rock with heartfelt vocals.
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