You are not logged in
DeRank ™: 8,88 • DeAge™ : 6924 days
"Unique and brilliant in mixing and recirculating, in their own way and with sublime freedom and musicality, a great variety of rock, blues, country, and pop standards." "The album starts with a couple of tracks with a very Stones-like flavor, the best of which is the second, ‘Good Friday,’ full of tension thanks to the solemn blues harmonica."
"Unique and brilliant in mixing and recirculating, in their own way and with sublime freedom and musicality, a great variety of rock, blues, country, and pop standards."
"The album starts with a couple of tracks with a very Stones-like flavor, the best of which is the second, ‘Good Friday,’ full of tension thanks to the solemn blues harmonica."
Three Snakes And One Charm is one of The Black Crowes' less celebrated albums but still showcases their rich blend of southern rock, blues, and classic rock influences. Despite internal band tensions and challenges, the album delivers varied and intense tracks. Highlights include Stones-like songs, blues-driven vocals, and creative guitar work. Though not flawless, the album is an honorable and enjoyable part of their discography. Discover the rich sounds of The Black Crowes' Three Snakes And One Charm—listen now and explore a unique blend of southern rock classics!
The magnificent vocal emission of our artist has become imperceptibly and further hoarse, losing a bit of power as well, but grit and passion remain as always. The album is very compact, varied, and tough, consistently inspired.
The magnificent vocal emission of our artist has become imperceptibly and further hoarse, losing a bit of power as well, but grit and passion remain as always.
The album is very compact, varied, and tough, consistently inspired.
Steve Walsh's third solo album Shadowman showcases his enduring passion and artistic skill over eight diverse progressive metal tracks. While his vocals have aged with some grit and hoarseness, the emotional intensity remains strong. The production is polished but somewhat digital in sound, with powerful rhythms and few guitar solos. Guest artists like Joel Kosche and David Ragsdale add depth, making the album a compact and inspired work representing Walsh at his best. Listen to Steve Walsh's Shadowman now to experience heartfelt progressive metal from a genre pioneer.
Incapable, as a machine, of arousing the slightest musical emotion. Barely forty minutes of epidermic and crude noise, talent and playing ability obtusely plastered on stereotypes able to showcase them, but also to reject them in bulk and forget them, with boredom.
Incapable, as a machine, of arousing the slightest musical emotion.
Barely forty minutes of epidermic and crude noise, talent and playing ability obtusely plastered on stereotypes able to showcase them, but also to reject them in bulk and forget them, with boredom.
This review critiques Nitro's 1991 album 'II: Hot, Wet, Dripping With Sweat' as a showcase of virtuosic guitar work lacking genuine emotional impact. Despite Michael Angelo's technical mastery, the album embodies glam metal excesses like empty lyrics, overdone vocals, and clichéd riffing. The record is described as a hollow and forgettable artifact of its era, with no memorable melodies or originality. The review ultimately dismisses the album as a superficial display of technical skills without artistic substance. Discover why Nitro's glam metal album missed the mark and explore the fine line between skill and soul in rock music!
Jeff is the greatest electric guitarist of all time: his touch and sound are princely, unmatched. This latest album didn’t give me good sensations... a clear and annoying crude search for consensus.
Jeff is the greatest electric guitarist of all time: his touch and sound are princely, unmatched.
This latest album didn’t give me good sensations... a clear and annoying crude search for consensus.
Jeff Beck's album Emotion & Commotion showcases his exceptional guitar skills blended with orchestral and pop elements. While the guitar work remains sublime, the album's turn toward commercial, slow-paced, and orchestral pop feels opportunistic and less inspiring. Highlights include tracks like 'Never Alone' and 'Hammerhead,' though the overall atmosphere risks being too polished and subdued for long-term engagement. Dive into Jeff Beck’s Emotion & Commotion—listen to the masterful guitar and form your own opinion on this unique blend!
It doesn’t seem at all that a twenty-one-year-old is making his debut: a mature and well-controlled voice, a velvety touch on the acoustic guitars and piano. 'To The Morning'... has an unusual and reprehensible connection to our bumbling country, leading to a plagiarism scandal years later.
It doesn’t seem at all that a twenty-one-year-old is making his debut: a mature and well-controlled voice, a velvety touch on the acoustic guitars and piano.
'To The Morning'... has an unusual and reprehensible connection to our bumbling country, leading to a plagiarism scandal years later.
Dan Fogelberg’s 1972 debut album 'Home Free' showcases his mature musical skills and melancholic style, blending country rock with singer-songwriter pop. Produced by Norbert Putnam, it features orchestral arrangements and standout tracks like 'To The Morning.' Despite moderate initial success, the album gained recognition over time, aided by later works. An interesting plagiarism incident involving one song added to its story. This record remains a significant piece for fans and newcomers alike. Discover Dan Fogelberg’s heartfelt debut—listen to 'Home Free' and experience timeless melancholic melodies today!
This is Californian music one hundred and one percent, a true crucible of all the styles that have made the United States great in the musical field. It will never be art worthy of an A+ grade, but it often earns a solid B, and this seems to me one of those cases.
This is Californian music one hundred and one percent, a true crucible of all the styles that have made the United States great in the musical field.
It will never be art worthy of an A+ grade, but it often earns a solid B, and this seems to me one of those cases.
The review discusses Little Feat's evolution after the loss of Lowell George, focusing on the band's renewed California-style sound shaped by Paul Barrere and Bill Payne. The album 'Representing The Mambo' blends blues, jazz, and rock with sophisticated arrangements and strong musicianship. Although the album lacks standout epic songs, its precise and vibrant delivery earns it solid praise. The reviewer prefers this phase of the band for its tasteful fusion and instrumental excellence. Discover the smooth California fusion of Little Feat's 'Representing The Mambo' – listen now and explore their vibrant post-George era!
The celebrated Akkerman first delivers marvelous funky chords and then launches into an ultra-melodious and rich solo. The album could have been released as a single, without these two extended self-indulgences, thus increasing compactness and consistency.
The celebrated Akkerman first delivers marvelous funky chords and then launches into an ultra-melodious and rich solo.
The album could have been released as a single, without these two extended self-indulgences, thus increasing compactness and consistency.
Focus III by the Dutch band Focus offers a distinctive progressive rock experience highlighted by the baroque-inspired instrumental 'Sylvia.' The album features virtuosic performances and a live, natural studio feel but is somewhat diluted by long, indulgent jam sessions. Fans of 70s rock and fusion will appreciate the blend of classical, jazz, and rock elements, though the album's compositional consistency is uneven. A must-listen for those who enjoy technically skilled and experimental music of that era. Explore Focus III to experience a classic blend of progressive rock and jazz fusion from a uniquely talented 70s band!
"Doot Doot (the song), placed right at the start of the album, is irresistibly captivating." This is a truly unmissable peak of the time's commercial new wave.
"Doot Doot (the song), placed right at the start of the album, is irresistibly captivating."
This is a truly unmissable peak of the time's commercial new wave.
Freur's debut album 'Doot-Doot' marked an electrifying entry into 80s electronic pop, with the title track standing out as a captivating hit. Though follow-up singles lacked similar impact, the album maintains quality and showcases the band's innovative sound. Their transition to Underworld came after their second album underperformed, but 'Doot-Doot' remains a noteworthy new wave classic. Listen to Freur's iconic 'Doot-Doot' and explore the roots of one of electronic pop's pioneering bands!
Banks was the one who coined the name Yes among other things, giving his best and building a good reputation with valid live performances. With the quartet of Flash, Peter managed to pick up where the early Yes left off: still progressive music, articulated and super arranged but fluid and 'light', seeking groove rather than grandeur.
Banks was the one who coined the name Yes among other things, giving his best and building a good reputation with valid live performances.
With the quartet of Flash, Peter managed to pick up where the early Yes left off: still progressive music, articulated and super arranged but fluid and 'light', seeking groove rather than grandeur.
This review highlights Peter Banks’ significant role in the progressive rock band Flash, focusing on their 1973 album 'Out Of Our Hands.' It praises Banks’ clean yet creative guitar work and the band’s fluid, groove-oriented approach, contrasting it with his earlier work in Yes. The album, while starting slow, ultimately delivers imaginative compositions enriched by strong performances from the rhythm section. The review also notes the modest yet interesting cover art by Hipgnosis. Discover the overlooked gem of progressive rock with Flash's 'Out Of Our Hands'—listen now and appreciate Peter Banks' masterful guitar work!
The jewel of the album... titled "Cinderella"... it’s country rock at its best, exquisite soft American music. Firefall, who managed to keep high, still for a few years alongside the poor Dan Fogelberg, the now faded flag of country rock.
The jewel of the album... titled "Cinderella"... it’s country rock at its best, exquisite soft American music.
Firefall, who managed to keep high, still for a few years alongside the poor Dan Fogelberg, the now faded flag of country rock.
This review praises Firefall's 1976 debut album as a standout example of country rock that avoids clichés. The band is recognized for its talented lineup and rich harmonies, with highlights including the tracks "Cinderella" and "You Are The Woman." It situates Firefall alongside Eagles and Poco as key figures in the genre, noting their continued influence despite being less known internationally. Overall, it's a serious and appreciative look at a classic record. Dive into Firefall's timeless debut and experience the golden era of country rock today!
DeRank™: 0,00
DeRank™: 0,07
DeRank™: 2,74
DeRank™: 3,44
DeRank™: 6,83
DeRank™: 1,61
DeRank™: 1,30
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.