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 "What's wrong with 'Go On...' that it sold a tenth of its predecessor? Nothing: the sound is the very same, the way of composing and conceiving pop-rock still elegant and brilliant."

 "It's incredible how the perception of one record compared to another can change just because one has a leading track and the other does not."

Mr. Mister's album 'Go On...' follows their mid-80s breakthrough but failed to replicate previous commercial success. The record maintains sophisticated pop-rock compositions and showcases solid musicianship, notably from Richard Page and Steve George. Despite lacking a major hit comparable to 'Broken Wings,' the album remains a fine but overlooked work. This led to the group's early decline and the shelving of their next project for decades. Discover the sophisticated sound of Mr. Mister's 'Go On...' and explore the untold story behind its underrated pop-rock charm.

 It suddenly starts with the perfect-plus riff of "Homesick," exquisitely shaped by the Les Pauls of the two guitarists Barry Bailey and J.R. Cobb.

 To have albums like this, nonetheless: it suddenly starts with the perfect-plus riff of "Homesick"... and ends leaving an excellent aftertaste, but slightly diluted compared to the initial promises.

Quinella by Atlanta Rhythm Section is a warm and flavorful Southern rock album, with exceptional early tracks featuring soulful vocals and precise guitar work. While the latter part of the album includes some filler, its initial songs stand out as some of the band's finest work. The review highlights the skilled musicianship and strong moments in the album, recommending it as a significant work in the Southern rock genre. Listen to 'Quinella' to experience timeless Southern rock excellence from Atlanta Rhythm Section!

 This “The Whippoorwill” sounds divine: it has that exquisitely American approach, full of country, gospel, rhythm & blues, rock’n’roll moods, cooked in such balanced and skillful doses.

 This is a hell of an album, played with the heart in the right place by people who love their work and the songs they make.

The Whippoorwill by Blackberry Smoke is a superb Southern rock album with a perfect blend of country, gospel, blues, and rock'n'roll. The band delivers heartfelt performances full of energy and authenticity, recalling classic 70s influences without pretension. Highlights include soulful guitar work, dynamic tracks like "Ain't Much Left of Me," and honest storytelling. This album showcases musicians who love their craft and succeed through genuine live shows and word-of-mouth. Listen to The Whippoorwill and experience the soulful energy of Blackberry Smoke's authentic Southern rock sound today!

 He was the whitest bluesman there was, but also one of the closest to the soul of the blacks, the one indispensable for making true blues.

 Winter’s way of playing was exceedingly fluid and bustling… a magnificent concentration of licks laid out continuously in such a free, natural, and passionate manner.

This review honors Johnny Winter’s 1976 live album Captured Live!, highlighting his fiery blues rock style and passionate guitar solos. Despite Winter's declining health in later years, this album preserves his raw energy and skill. Featuring six dynamic tracks mostly of covers, it reflects Winter’s unique soulful connection to blues. The reviewer pays tribute to Winter’s legacy as one of the most authentic bluesmen. Dive into Johnny Winter’s fiery Captured Live! album and experience the raw power of blues rock legendry.

 Their music always kept the drums striking powerful quarters of hard rock while the bass pulsed in the usual funky way.

 An elegant and brilliant dance and arena music, seasoned and spiced by countless influences blended together and served by a cohort of talented musicians, full of groove.

Dan Reed Network's 1989 album Slam is a strong blend of funky and hard rock, showcasing a talented, diverse band. While the album lacks a standout hit single, it succeeds through consistent quality and groove. The music balances powerful drums, funky bass, and rhythm & blues keyboards with skilled guitar work. The review appreciates the overall mood and talented musicianship, highlighting tracks like "Slam," "Cruise Together," and "Stronger Than Steel." This album remains a notable hard-funk artifact of its era. Listen to Dan Reed Network's Slam and experience a vibrant fusion of funk and rock from the late '80s!

 You find yourself halfway across an artistic bridge with the Little River Band: they are skillful but not very captivating, pleasant but ordinary, interesting but harmless.

 The vocal firepower of the band is incredible... there are at least four genuine singers at work, more than just backing vocalists.

Little River Band's 1981 album Time Exposure highlights their professional and skillful approach to adult pop rock with strong harmonies and guitar interplay. Despite excellent vocal and instrumental execution, the rhythm section lacks creativity, resulting in a pleasant but somewhat unremarkable overall experience. Key tracks like 'Take It Easy On Me' and 'Night Owls' showcase their melodic strengths, while producer George Martin's orchestral touch adds uniqueness. The band’s expertise is undeniable, though the album feels safe rather than groundbreaking. Listen to Time Exposure and discover the masterful harmonies and timeless pop rock of Little River Band today!

 Seven still today sounds like a gutsy record, deep, dynamic, and melodious, among their best.

 Paul Cotton’s inspiration surpasses that of his companions, making the fresh renunciation of Furay more than acceptable.

Poco’s seventh album, released in 1974, marks a turning point after the departure of founding member Ritchie Furay. The album showcases Paul Cotton’s strong songwriting alongside Tim Schmit’s evolving vocals and Rusty Young’s instrumental talents. Despite some production flaws, the record is deep, dynamic, and melodious, standing among Poco's best work. It blends country rock with hints of bluegrass and features memorable harmonies. ‘Seven’ remains a gutsy and influential album in the band’s discography. Discover Poco's Seven—listen to this classic country rock album and experience its rich melodies and harmonies.

 West’s harsh and gritty voice and Bruce’s more stentorian and refined voice alternate behind the microphone.

 This is not the ideal album to remember them when they were young and strong; better to gather other earlier works, but it also functions decently as a relic of an unrepeatable era for rock.

West, Bruce & Laing's 1972 debut album 'Why Dontcha' reflects a fusion of gritty and refined rock styles from three established musicians. Though not matching the peak success of their earlier bands, the album offers diverse tracks with a mix of heavy and melodic influences. The project had a short lifespan amid dominant hard rock giants of the era, leaving 'Why Dontcha' as a nostalgic relic rather than a classic. The review also touches on the artists' later health struggles and enduring legacies. Discover the unique sound of West, Bruce & Laing’s 'Why Dontcha' and explore a fascinating chapter of 70s rock history today!

 "The tracklist includes the masterpiece '25 or 6 to 4,' an episodic but groundbreaking sortie into hard rock... enriched by a dramatic, stunning fanfare of exquisite jazz harmonization."

 "Terry Kath wasn’t maybe as skillful as Hendrix, but he was even more reckless than him... possessed a magnificent soul voice."

Chicago II is a diverse and ambitious double album from 1970 that fuses progressive rock, jazz, orchestral arrangements, and early American pop. The album features rival composers within the band, producing multiple standout tracks such as the iconic '25 or 6 to 4,' and suites like 'Ballet For A Girl In Buchannon' and 'Memories of Love.' It highlights Terry Kath's reckless yet soulful guitar work and Peter Cetera's strong vocals. The album offers a complex blend of influences, appealing strongly to fans of early 70s experimental rock. Explore Chicago II and experience the rich blend of jazz, rock, and orchestral innovation that shaped the early '70s music scene.

 Brian Auger is the best Hammond organ player one could imagine.

 The syncopated opening riff of 'Happiness Is Just Round The Bend' is epochal.

Brian Auger's 1973 album 'Closer To It!' showcases his exceptional skill on the Hammond organ and Fender Rhodes electric piano, blending jazz rock with funk and blues influences. The review highlights standout tracks like 'Happiness Is Just Round The Bend' and 'Compared To What,' praising their timeless appeal and musicianship rooted in the dynamic 1960s London scene. Despite Auger’s modest vocal abilities, the album remains a classic in the jazz fusion genre. His later collaborations and current live performances continue his musical legacy. Discover the timeless grooves of Brian Auger's Oblivion Express – listen to 'Closer To It!' and immerse yourself in 70s jazz rock excellence.