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 10cc is the epitome of an art rock band, a definition that someone will coin only later; similar to progressive, a word that wasn’t circulating in the seventies at all.

 One has to listen carefully, repeatedly, to discover each subtlety, peculiarity, melodic quality, the meticulous application note by note, verse by verse.

This review highlights 10cc's 1973 debut as a brilliant example of art pop, blending inventive vocals, layered harmonies, and clever lyrics. With influences from the Beatles and Zappa, the band’s multi-instrumental talents shine throughout. The album’s standout tracks, quirky storytelling, and studio ingenuity make it a unique and joyous symbol of 70s British rock innovation. The review praises the band’s creativity and lasting impact on music. Dive into 10cc's debut album and discover a timeless gem of art pop innovation and whimsical storytelling.

 It’s curious that a product of civil protest is filled with harmless music by brilliant but anything but provocative artists.

 It’s normal, though, that downstream of such a resonant initiative nothing changes. The nuclear power plants remain.

The No Nukes album captures a historic 1979 anti-nuclear protest concert organized by prominent singer-songwriters. Featuring top acts like Bruce Springsteen, Doobie Brothers, and Tom Petty, it offers solid pop rock performances with a socially conscious message. Despite the strong musical lineup and activism, the album reflects the limited political impact of such events. Musically significant but ultimately a product of its moderate social-democratic context. Listen to the legendary No Nukes album and experience the iconic artists united for a cause that still resonates today.

 Morley ... set out to learn to play well, compose better, write meaningful lyrics, arrange effectively, produce with vigor.

 The title, Dopamine, precisely allegorizes the media drug that pervades our everyday life, ... for today’s youngsters undermines intellectual and character growth.

Thunder’s latest album Dopamine is praised for its passionate rock blues sound and sharp critique of modern social media culture. Despite the band’s low-profile approach and past struggles, leader Luke Morley’s dedication shines through. The album blends high-quality musicianship with reflective lyrics, especially highlighted in the track 'Is Anybody Out There?'. However, the future of the band is uncertain due to the lead singer’s injury. Overall, this album might be one of their best works yet. Explore Thunder’s Dopamine for powerful rock blues and a sharp take on today’s media culture—listen now and feel the passion!

 There is a widespread bias, the preconceived notion of never giving any chance to reunions of rock “dinosaurs” after a few decades. This is fitting most of the time, but not always and anyway.

 The best tracks... are the ones for which it’s definitely “worth it” to listen, playlist, buy.

It Bites’ 2008 album The Tall Ships marks a triumphant return after nineteen years, showcasing new vocalist/guitarist John Mitchell who fits seamlessly. The album blends progressive and hard rock with rich choir arrangements. Key tracks like 'Ghosts,' 'The Wind That Shakes the Barley,' and 'This is England' stand out for their melodic and instrumental complexity. No filler tracks make this reunion album a rewarding listen for fans and newcomers. Listen to The Tall Ships by It Bites now and experience a masterful progressive rock comeback!

 All this mastery of Leadon that I extolled... are unfortunately not reaffirmed in this, which is the only solo work he managed to publish.

 Giving a passing grade to the work of one of the Eagles... is equivalent to being disappointed by it.

The review admires Bernie Leadon’s instrumental and compositional skills during his time with the Eagles, highlighting his important role in their classic sound. However, his solo album 'Mirror' (2003) is seen as pleasant but lacking the creative spark and mastery that characterized his earlier work. The album is described as simple and modest, with no standout tracks, leading to a mild disappointment considering Leadon's legacy. Discover Bernie Leadon's solo journey—listen to 'Mirror' and explore the roots of a country rock pioneer.

 One time out of five, they pull out a gem, maybe only instrumental, of great class, wisdom, and inventiveness.

 'Passing Thing' is a progressive episode, an endless guitar/mandolin duet of rare elegance.

Seals & Crofts' album 'Get Closer' offers a mix of easy listening soft rock and occasional outstanding instrumental tracks. The duo's blend of folk, gospel, and country appealed especially to 1970s American audiences but less so internationally. Notably, the progressive track 'Passing Thing' showcases their musical skill with an elegant guitar and mandolin duet. Despite uneven vocal qualities and some bland moments, the album rewards attentive listeners with moments of craftsmanship. Explore Seals & Crofts' 'Get Closer' and discover the hidden instrumental gems in this classic soft rock album.

 This album deserves five stars because it doesn’t have a real flaw… except that it wasn’t released ten, fifteen years earlier.

 All Led Zeppelin, Humble Pie, Free, Ten Years After, AC/DC fans, and so on should own this album and listen to it at full volume.

Fastway's 1983 self-titled debut album sees ex-Motörhead guitarist Eddie Clarke shift gears into a classic rock and blues style. Despite early lineup changes, the album delivers powerful vocals from Dave King and richly dynamic guitar riffs. The reviewer praises the mix of hard rock and blues influences, comparing it favorably to Led Zeppelin and others. Minor flaws keep it from a perfect rating, but it is highly recommended to fans of vintage rock. Listen to Fastway’s debut for a powerful dose of classic rock and blues riffs that will energize any vintage rock fan.

 What makes the album unmissable is the last track, a quintessential masterpiece dedicated to the late Dunnery’s father.

 The particular progressive pop rock specific to this band, indebted to big names of the seventies, yet unmistakably their own.

Eat Me in St. Louis is It Bites' third album, blending progressive pop rock with a heavier hard rock edge. Noted for its strong vocal harmonies and balanced arrangements, the album avoids overindulgence. Highlights include the emotionally powerful instrumental "Charlie," showcasing Francis Dunnery’s unique guitar tapping technique. The album serves as a distinct statement before the band's long hiatus and eventual return. Listen to It Bites’ Eat Me in St. Louis and experience a masterful blend of progressive rock and heartfelt guitar artistry.

 The best thing about this work is... the cover, as disturbing and anxiety-inducing as few others.

 We may never know if, with a less problematic professional destiny, this man would have given us many more epochal songs.

John Fogerty's 1986 album 'Eye of the Zombie' showcases his technical skills and characteristic sound but fails to match the brilliance of his Creedence Clearwater Revival days. The review highlights the strong cover art and Fogerty's consistent musical style, yet notes the absence of truly memorable songs. The album is primarily recommended for longtime fans and completists familiar with his career struggles and legacy. Discover John Fogerty's lesser-known 'Eye of the Zombie'—listen now and explore the story behind the music.

 Frijid Pink’s version is beautifully psychedelic, with Thompson’s highly distorted guitar giving up on the arpeggio and instead hitting the chords.

 For the nostalgic elderly or the young captivated by the vintage of those prolific and inventive years, this niche work is nonetheless perfectly aligned with its time and can provide healthy emotional enrichment.

Frijid Pink made a strong debut in 1970 with a blend of rock blues and psychedelia, highlighted by their famous cover of "House of the Rising Sun." The album showcases gritty, Hendrix-inspired guitar and a powerful baritone voice. Despite their early promise, the band became a classic one hit wonder. This album remains a nostalgic gem that captures the spirit of its era. Listen to Frijid Pink's classic debut and experience their legendary 'House of the Rising Sun' reimagined with psychedelic blues rock energy!