pier_paolo_farina

 The eleven present songs are bright, predictable, solid, not very memorable, pleasant, satisfying, filled with guitars more than ever.

 There is nothing truly necessary to prove, nothing important to invent, nothing additional to demand except to have healthy fun, rock, and country till passion and health still hold.

Dixie Highway (2020) is the Outlaws' eleventh album, showcasing solid southern rock grounded in years of experience and resilience. The album delivers enjoyable, guitar-driven tracks maintaining the classic sound fans expect, with no surprises but satisfying execution. The review also reflects on the band's challenging history and the enduring spirit behind the music. Overall, the album exemplifies mature musicianship and passion for rock. Discover Outlaws' Dixie Highway for a timeless southern rock experience – perfect for fans of classic rock and seasoned guitar riffs!

 It's one of the best in their fifty-year career!

 Thomasson frees his fingers, producing bursts of notes, torrents of tight scales with the thunderous amplification and full bite of rock.

Outlaws returned in 1994 after an eight-year break with Diablo Canyon, led by guitarist Hughie Thomasson. Despite a limited budget and low distribution, the album showcases strong southern rock energy and impressive guitar work. Guest appearances by Lynyrd Skynyrd members add prestige. While the tracks are enjoyable, they lack memorable hooks, reflecting the 90s' lack of interest in 70s-style rock. This release remains a solid and underrated part of their discography. Listen to Outlaws' Diablo Canyon and rediscover a southern rock classic overlooked in the '90s revival!

 Little to nothing... the only thing marking the group’s brand on this first song is the unmistakable voice of guitarist and founder Hughie Thomasson.

 The album sells a minchia (nothing), the old fans are horrified, and no new ones are visible.

Soldiers Of Fortune by the Outlaws attempts to blend their signature southern rock with 1980s electronic and mainstream rock sounds, but the result falls flat. The album's mix of traditional and pop styles alienated core fans and failed to attract new ones. Key members like Freddie Salem are absent, and guest contributions dominate songwriting. The overall poor execution led to commercial failure and a lengthy hiatus for the band. Discover why Outlaws' Soldiers Of Fortune missed the mark and explore how 80s trends challenged southern rock legends.

 'Goodbye' is a true and absolute rock anthem thanks to its irresistible, catchy, piercing, unforgettable refrain.

 Thank you again for your music and your guitar, Billy, fallen hero of southern rock.

Outlaws' 1982 album 'Los Hombres Malo' reflects a shift toward a harder rock sound influenced by 1980s trends. The band faced significant lineup changes, notably the loss of guitarist Billy Jones. The album features a mix of heavy guitar-driven tracks and more traditional southern rock tunes, with 'Goodbye' standing out as a memorable anthem. While the album embraces the harder sound, it still retains some southern rock roots. The review closes with a heartfelt tribute to Billy Jones and his impact on the band. Explore Outlaws' 'Los Hombres Malo' and discover a unique blend of southern rock and 80s hard rock energy!

 "'Long Gone' is an absolutely gritty and convincing affair thanks to Freddie Salem, dominating with voice and guitar."

 "The cover of 'Miracle Man' appears as a good-humored mocking gesture bridging two distant musical worlds."

This 1979 album by the Outlaws delivers a decent Southern rock experience, with the standout track 'Long Gone' showcasing Freddie Salem’s guitar and vocal prowess. The cover of Elvis Costello's 'Miracle Man' offers an unexpected cross-genre twist, while some tracks feel like fillers. Despite some compressed production, the album highlights the band's skill and grit, though it doesn't quite match their early classics. Explore Outlaws’ 'In The Eye Of The Storm' for fiery Southern rock and standout guitar work—listen now!

 The creativity tap appears quite rusty, with the work consisting largely of calligraphic southern rock compositions, correct and gritty but faded in terms of melodies, harmonic progressions, arrangements, and guitar ideas.

 Thanks to these two strokes of savvy flattery, the album moves fairly well on the charts, much better than the previous albums.

Outlaws' sixth studio album 'Ghost Riders' reflects a period of creative rustiness, with mostly average southern rock tracks. The album is notably helped by two impactful covers that revive their chart success. Individual contributions vary, with Billy Jones providing melodic richness while other songs fall flat. Despite its mediocre quality compared to the band's earlier works, 'Ghost Riders' helped the band regain momentum. Explore Outlaws' 'Ghost Riders' to hear their southern rock journey and rediscover classic covers with a fresh twist.

 The rhythm travels by metronome, not 'relaxed' and free as southern rock demands.

 Perhaps it's the worst album by the Outlaws, although studded with suspensions and reorganizations.

The Outlaws' 1978 album 'Playin' To Win' marks a disappointing departure from their earlier successes. Produced by John 'Mutt' Lange, the album suffers from sterile rhythms, harsh guitar tones, and strained vocals. The songwriting lacks inspiration, with many recycled elements and uninspired covers. Despite this, Freddie Salem's ballad 'Falling Rain' stands out as a warm highlight. Overall, the album is seen as one of the weakest in the band's extensive career. Discover why 'Playin' To Win' is a controversial Outlaws album and listen to the standout track 'Falling Rain' today.

 These live versions are far heavier, grittier, and more expansive than the studio originals.

 The opener 'Stick Around for Rock’n’Roll' and the encore 'Green Grass and High Tides' are powerful examples of the decisive contribution Southern rock has made to rock.

Bring It Back Alive captures the Outlaws delivering a powerful live performance full of energy and guitar mastery. The album showcases their triple-guitar lineup with intense solos and minimal ballads, emphasizing raw and genuine southern rock. Despite some vocal and choir imperfections, it remains an essential record, highlighting the band's key role within the southern rock scene of the late '70s. Dive into the raw power of Outlaws’ Bring It Back Alive and relive the golden era of southern rock now!

 Billy Jones' high and velvety voice travels great both in the fast melodic rock 'Holiday' and in the ballad 'Night Wines,' two gems full of good guitars and inspired solos.

 The passage in 'Night Wines' between Thomasson's agile solo and Jones' heavily distorted Les Paul is one of the most successful exchanges in rock history.

Outlaws' 1977 album 'Hurry Sundown' marks a shift with new bassist Harvey Dalton Arnold and producer Bill Szymczyk, adding polish and harmony to their southern rock sound. Billy Jones stands out with his melodic songwriting and expressive guitar work, especially on tracks like 'Holiday' and 'Night Wines.' Despite some bland contributions and filler tracks, the album contains multiple unforgettable moments demonstrating the band's evolving artistry. The review awards 4 stars for the album's strong performances and lasting influence. Listen to 'Hurry Sundown' and experience the masterful guitar work and southern rock evolution of the Outlaws.

 The voices of the two friends are almost indistinguishable, very similar.

 Ten country rock tracks... flow pleasantly, well-made and sung, but absolutely unforgettable.

Longbranch Pennywhistle was a short-lived duo featuring Glenn Frey and JD Souther before their notable futures in rock. Their sole 1969 album blends country rock with harmonious vocals akin to early Eagles. The record is pleasant yet unremarkable, offering a glimpse of the duo's budding songwriting prowess. Although overshadowed by their later successes, it remains interesting for fans of Eagles and 1960s California folk rock. Explore Longbranch Pennywhistle’s unique blend of country rock and hear the roots of Eagles’ iconic sound today!