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 "'Long Gone' is an absolutely gritty and convincing affair thanks to Freddie Salem, dominating with voice and guitar."

 "The cover of 'Miracle Man' appears as a good-humored mocking gesture bridging two distant musical worlds."

This 1979 album by the Outlaws delivers a decent Southern rock experience, with the standout track 'Long Gone' showcasing Freddie Salem’s guitar and vocal prowess. The cover of Elvis Costello's 'Miracle Man' offers an unexpected cross-genre twist, while some tracks feel like fillers. Despite some compressed production, the album highlights the band's skill and grit, though it doesn't quite match their early classics. Explore Outlaws’ 'In The Eye Of The Storm' for fiery Southern rock and standout guitar work—listen now!

 The creativity tap appears quite rusty, with the work consisting largely of calligraphic southern rock compositions, correct and gritty but faded in terms of melodies, harmonic progressions, arrangements, and guitar ideas.

 Thanks to these two strokes of savvy flattery, the album moves fairly well on the charts, much better than the previous albums.

Outlaws' sixth studio album 'Ghost Riders' reflects a period of creative rustiness, with mostly average southern rock tracks. The album is notably helped by two impactful covers that revive their chart success. Individual contributions vary, with Billy Jones providing melodic richness while other songs fall flat. Despite its mediocre quality compared to the band's earlier works, 'Ghost Riders' helped the band regain momentum. Explore Outlaws' 'Ghost Riders' to hear their southern rock journey and rediscover classic covers with a fresh twist.

 The rhythm travels by metronome, not 'relaxed' and free as southern rock demands.

 Perhaps it's the worst album by the Outlaws, although studded with suspensions and reorganizations.

The Outlaws' 1978 album 'Playin' To Win' marks a disappointing departure from their earlier successes. Produced by John 'Mutt' Lange, the album suffers from sterile rhythms, harsh guitar tones, and strained vocals. The songwriting lacks inspiration, with many recycled elements and uninspired covers. Despite this, Freddie Salem's ballad 'Falling Rain' stands out as a warm highlight. Overall, the album is seen as one of the weakest in the band's extensive career. Discover why 'Playin' To Win' is a controversial Outlaws album and listen to the standout track 'Falling Rain' today.

 These live versions are far heavier, grittier, and more expansive than the studio originals.

 The opener 'Stick Around for Rock’n’Roll' and the encore 'Green Grass and High Tides' are powerful examples of the decisive contribution Southern rock has made to rock.

Bring It Back Alive captures the Outlaws delivering a powerful live performance full of energy and guitar mastery. The album showcases their triple-guitar lineup with intense solos and minimal ballads, emphasizing raw and genuine southern rock. Despite some vocal and choir imperfections, it remains an essential record, highlighting the band's key role within the southern rock scene of the late '70s. Dive into the raw power of Outlaws’ Bring It Back Alive and relive the golden era of southern rock now!

 Billy Jones' high and velvety voice travels great both in the fast melodic rock 'Holiday' and in the ballad 'Night Wines,' two gems full of good guitars and inspired solos.

 The passage in 'Night Wines' between Thomasson's agile solo and Jones' heavily distorted Les Paul is one of the most successful exchanges in rock history.

Outlaws' 1977 album 'Hurry Sundown' marks a shift with new bassist Harvey Dalton Arnold and producer Bill Szymczyk, adding polish and harmony to their southern rock sound. Billy Jones stands out with his melodic songwriting and expressive guitar work, especially on tracks like 'Holiday' and 'Night Wines.' Despite some bland contributions and filler tracks, the album contains multiple unforgettable moments demonstrating the band's evolving artistry. The review awards 4 stars for the album's strong performances and lasting influence. Listen to 'Hurry Sundown' and experience the masterful guitar work and southern rock evolution of the Outlaws.

 The voices of the two friends are almost indistinguishable, very similar.

 Ten country rock tracks... flow pleasantly, well-made and sung, but absolutely unforgettable.

Longbranch Pennywhistle was a short-lived duo featuring Glenn Frey and JD Souther before their notable futures in rock. Their sole 1969 album blends country rock with harmonious vocals akin to early Eagles. The record is pleasant yet unremarkable, offering a glimpse of the duo's budding songwriting prowess. Although overshadowed by their later successes, it remains interesting for fans of Eagles and 1960s California folk rock. Explore Longbranch Pennywhistle’s unique blend of country rock and hear the roots of Eagles’ iconic sound today!

 Goodness, what a great album! Irresistible in many places, played divinely like few others I've ever heard.

 Thankfully, we still come across such albums, which smell of classic rock both complex and accessible at the same time.

Kansas' 2016 album 'The Prelude Implicit' marks a triumphant return with strong melodies, superb vocal performances, and excellent instrumental balance. The addition of Zak Rizvi and Ronnie Platt revitalizes the band's sound, blending classic progressive rock with fresh energy. Key tracks like 'With This Heart,' 'Refugee,' and the magnum opus 'The Voyage of Eight Eighteen' showcase the band's mastery. The album is a pleasant surprise and a standout in Kansas' discography. Listen to Kansas' The Prelude Implicit now and experience a stunning progressive rock revival!

 "Technique and knowledge are not enough: it is musicality that is lacking, deep inspiration..."

 "An album destined for fans of the good old days of young rock, when you could convince record labels and producers to let you record anything."

Capability Brown's 'Voice' is a 1970s rock blues album blending semi-progressive elements with lush six-voice choruses. Though energetic and filled with classic rock charm, the musicianship lacks standout solos and deep inspiration. Its twenty-minute suite showcases ambitious arrangements but feels somewhat uneven. A nostalgic find for fans of vintage rock curiosities and the era's experimental spirit. Dive into the nostalgic sounds of Capability Brown's 'Voice'—explore this hidden gem from the 70s rock blues era now!

 "They are the ideal band for those who want to hear a lot, a whole lot of quality guitar."

 "This time Wishbone has done it big: an album certainly worth nine and a half, varied, full of great melodies and the usual august guitars."

Elegant Stealth showcases Wishbone Ash's signature guitar harmonies and melodic rock after decades of refinement. The album features a harder sound, memorable choruses, and skillful instrumentals. Highlights include 'Reason to Believe,' 'Can't Go It Alone,' and the epic 'Big Issues.' This 2011 release stands out as one of the band's best and a must-listen for fans of melodic guitar-driven rock. Discover the brilliance of Wishbone Ash's Elegant Stealth—listen now and experience top-tier melodic rock guitar mastery!

 "The third track, 'In Crisis,' is an ecstasy of guitar solos, with Muddy Manninen's final wah-wah tearing at the heart."

 "The cadenced and 'progressive' 'Dancing with the Shadows' evokes the vocal scents and flavors of the ancient masterpiece 'Argus.'"

Wishbone Ash's 2007 album 'The Power Of Eternity' showcases enduring guitar excellence led by Andy Powell. The review highlights the epic guitar solos in 'In Crisis' and the refined blues-rock style of tracks like 'Driving a Wedge' and 'Disappearing.' Despite some more pop-oriented songs early in the tracklist, the album overall offers a strong, polished rock experience reminiscent of the band's classic style. Discover the timeless guitar brilliance of Wishbone Ash's 'The Power Of Eternity'—listen now and experience classic rock mastery!