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DeRank ™: 0,97 • DeAge™ : 6923 days
This EP is not an earthquake like Terraforming was: there are more evident influences of post-rock style. An album of rarefied and delicate atmospheres, superbly orchestrated in the minimal simplicity of the guitar/bass duo.
This EP is not an earthquake like Terraforming was: there are more evident influences of post-rock style.
An album of rarefied and delicate atmospheres, superbly orchestrated in the minimal simplicity of the guitar/bass duo.
East Of The Wall’s self-titled EP offers a refined post-rock experience with clear influences from Godspeed You! Black Emperor and Explosions in the Sky. While not as groundbreaking as the members’ previous band Postman Syndrome, it delivers a thoughtful, melodic sound characterized by intricate guitar and bass work. The EP’s standout tracks, especially the closing pair, showcase technical skill and emotional depth. Overall, it’s a well-crafted and engaging listen for fans of innovative post-rock. Listen to East Of The Wall's EP for a fresh and captivating post-rock experience rooted in melodic innovation.
Songs that have nothing extreme... tracks without bite, predictable and banal, with titles like Antichrist, A Good Day To Die, House of Pain, Darkest Realm. There’s very little serious about this cd. Failed.
Songs that have nothing extreme... tracks without bite, predictable and banal, with titles like Antichrist, A Good Day To Die, House of Pain, Darkest Realm.
There’s very little serious about this cd. Failed.
The review reflects disappointment in Venom’s 2006 album Metal Black, stating it lacks the extremism and edge that characterized their classic work. The modern production is noted but fails to compensate for predictable songs and absence of the band’s earlier humor and bite. Cronos’ shift from playful to serious intent in the scene is mentioned, but ultimately the album does not succeed. Discover why Metal Black misses the mark in Venom's legacy—read the full review and listen to decide for yourself!
This CD is alive. It speaks to you. Caresses your face, but hides a blade between its fingers. Jane Doe screams whispering to our ears. To our brains. To our souls.
This CD is alive. It speaks to you. Caresses your face, but hides a blade between its fingers.
Jane Doe screams whispering to our ears. To our brains. To our souls.
This review captures the raw power and emotional depth of Converge's album Jane Doe. Described as a visceral and immersive experience, the album mixes brutal vocals and aggressive instrumentation to create a work of art that deeply affects the listener. It balances pain and beauty, screaming and whispering, showcasing the band's genius and unique style. The reviewer emphasizes how the album is alive, speaking to the soul with relentless intensity. Dive into Converge’s Jane Doe and experience a metal album like no other—raw, emotional, and unforgettable.
Every sound, every instrument is aimed not at itself but at recreating ethereal, refined, mythical, but also malevolent and dark environments. Saurian Meditations is a very enjoyable album, with a sure impact.
Every sound, every instrument is aimed not at itself but at recreating ethereal, refined, mythical, but also malevolent and dark environments.
Saurian Meditations is a very enjoyable album, with a sure impact.
Karl Sanders, known for his work with Nile, offers a solo album that diverges from the band's brutal style into an atmospheric exploration filled with ethnic instruments and dark themes. The album flows fluidly, blending acoustic and electric elements to create mythical, malevolent environments. Sanders' attention to detail and songwriting shine in this immersive and beautiful experience. Though it won't likely be performed live, it's warmly recommended for those who appreciate refined, atmospheric music. Dive into the mesmerizing atmospheres of Karl Sanders' 'Saurian Meditations'—listen now and explore a dark, mythical soundscape.
Songs of 7, 10 minutes that flow like magic: there’s no heaviness, no search for style for its own sake, no pompous suites. They have been able to paint pictures of rare effectiveness and lethal beauty.
Songs of 7, 10 minutes that flow like magic: there’s no heaviness, no search for style for its own sake, no pompous suites.
They have been able to paint pictures of rare effectiveness and lethal beauty.
Aeolian by The Ocean is a progressive metal album released alongside Fluxion in 2004, focusing on complex rhythms and natural musical progression. Unlike Fluxion's symphonic style, Aeolian emphasizes powerful guitar and rhythm sections without pomp. The album blends environmental motifs with strong arrangements, creating a magical yet powerful experience. It stands out as a significant contribution to the post-hardcore, sludge, and alternative metal scenes. Explore Aeolian by The Ocean and experience progressive metal’s rhythmic mastery and breathtaking beauty.
If Neurosis were the bards of the apocalypse, Swarm of the Lotus are the heralds of the four horsemen. A silence marked by horror, anguish, and primal, primordial rage, but also by beauty.
If Neurosis were the bards of the apocalypse, Swarm of the Lotus are the heralds of the four horsemen.
A silence marked by horror, anguish, and primal, primordial rage, but also by beauty.
This review praises Swarm Of The Lotus's album 'The Sirens Of Silence' for its intense sludge metal sound and emotional depth. Despite some ties to Neurosis, the band delivers a unique, anguished, and primal listening experience. The album balances heaviness and beauty across its complex yet accessible 51 minutes. Listen now to The Sirens Of Silence and experience the raw power of Swarm Of The Lotus!
The Word As Law marks the beginning of the end of the group’s first phase, the more hardcore phase. Ultimately, not their best album. However, it contains some good moments and we can already savor the genius of these six musicians.
The Word As Law marks the beginning of the end of the group’s first phase, the more hardcore phase.
Ultimately, not their best album. However, it contains some good moments and we can already savor the genius of these six musicians.
The Word As Law is Neurosis' third album released in 1989, marking the end of their early hardcore phase. While not their best work, it shows raw energy and hints of their later unique, introspective style. The album blends aggressive hardcore and sludge elements, contributing to the underground metal scene's vibrancy. Some tracks may feel repetitive, but the oppression and angst Neurosis evoke are evident. Overall, an important step in the band's evolution. Dive into Neurosis' raw hardcore origins and discover the roots of their unique sound today!
The The Mass hit the ear, stimulate mind and body. Rather than aiming for a wall of sound, The Mass focus on the contrast in thickness between gentler music and heavier music.
The The Mass hit the ear, stimulate mind and body.
Rather than aiming for a wall of sound, The Mass focus on the contrast in thickness between gentler music and heavier music.
The Mass's City of Dis is a live album blending jazz, progressive rock, and metal with skillful contrasts and originality. The band's four-member lineup emphasizes instrumental interplay, with notable saxophone solos and dynamic shifts between gentler and heavier parts. Despite some moments of musical intensity that may surprise listeners, the album impresses with its genuine and cerebral approach. Listen to The Mass's City of Dis for a unique fusion of jazz, metal, and progressive rock – a live experience not to miss!
This EP holds great promise, because it shows a band already capable of consciously manipulating music that is unconscious, striking directly at the human subconscious. Their sonic experimentation moves towards more oneiric, dreamy, but also grotesque, hallucinogenic, bizarre moments, yet still sludge.
This EP holds great promise, because it shows a band already capable of consciously manipulating music that is unconscious, striking directly at the human subconscious.
Their sonic experimentation moves towards more oneiric, dreamy, but also grotesque, hallucinogenic, bizarre moments, yet still sludge.
Mare's self-titled EP introduces a fresh and experimental approach to sludge metal. The Toronto trio blends oneiric and grotesque elements with a strong contrast of harmony and dissonance. While less complex melodically, their raw sound and unconventional sections show great promise. The EP boldly pushes genre boundaries with a unique attitude and style. Listen to Mare's self-titled EP now and experience a groundbreaking take on sludge metal that pushes all limits!
The voice, generally absent in this type of music, is instead well integrated and perhaps represents the most valuable element of experimentation on the record. This music, beyond everything, is beautiful.
The voice, generally absent in this type of music, is instead well integrated and perhaps represents the most valuable element of experimentation on the record.
This music, beyond everything, is beautiful.
In the Fishtank 14 features a collaborative session between American post-metal band Isis and Scottish progressive rock group Aereogramme. The 24-minute record blends atmospheric post-rock with powerful guitar work and subtle electronics, highlighted by rare vocal inclusion. Though not groundbreaking, the album offers a beautiful and worthy listening experience. The collaboration spotlights the strengths of both bands in a brief, engaging experiment. Listen now to Isis and Aereogramme's atmospheric collaboration in In the Fishtank 14 and explore a unique post-rock experience.
DeAge 6907
DeRank™: 0,49
DeRank™: 1,17
DeRank™: 1,26
DeRank™: 1,03
DeRank™: 0,01
DeRank™: 2,30
DeRank™: 9,44
DeRank™: 8,41
DeRank™: 0,00
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