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DeRank ™: 0,10 • DeAge™ : 7047 days
An album like this is never what I would expect from the musicians featured on this record. An album not even sufficient, mediocre. Always the same story, little innovation, little evolution, little inventiveness.
An album like this is never what I would expect from the musicians featured on this record.
An album not even sufficient, mediocre. Always the same story, little innovation, little evolution, little inventiveness.
This review expresses disappointment in Derek Sherinian's Blood of the Snake album, criticizing its lack of innovation and uninspired use of star guests such as John Petrucci, Zakk Wylde, and Yngwie Malmsteen. While a few tracks stand out positively, the overall impression is of banality and repetitiveness. The album fails to meet the high expectations set by the involved virtuosos. Explore Blood of the Snake and decide if Sherinian's experiment meets your expectations.
Derek launches into a truly extreme prog-metal, technically impeccable. The absence of a singer and truly original ideas make it somewhat heavy and suitable for only a few or just the admirers of his way of playing/composing.
Derek launches into a truly extreme prog-metal, technically impeccable.
The absence of a singer and truly original ideas make it somewhat heavy and suitable for only a few or just the admirers of his way of playing/composing.
Derek Sherinian's second solo album, Inertia, showcases strong technical skills and features renowned guitarists Zakk Wylde and Steve Lukather. While it is well-executed and enjoyable at times—especially the opening tracks and some solos—it ultimately lacks originality and vocal presence, making it feel heavy and occasionally boring. The album appeals mainly to fans of Sherinian's style and prog-metal enthusiasts but struggles to maintain wide interest. Despite its flaws, Sherinian's musicianship remains undeniable. Discover Derek Sherinian’s Inertia and explore its technical wizardry and standout guitar solos—perfect for prog-metal fans.
Played with hands, feet, head, and heart. How a live should be. Hearing Martin, Torpey, Gilbert, and Sheehan sing in unison live is a unique experience.
Played with hands, feet, head, and heart. How a live should be.
Hearing Martin, Torpey, Gilbert, and Sheehan sing in unison live is a unique experience.
Mr. Big's Live At Budokan is celebrated as the pinnacle of their career, showcasing their intense hard rock energy and outstanding musicianship. Recorded in 1997 before Paul Gilbert's departure, the album captures a unique live experience with iconic tracks and powerful performances. The band’s unity and talent shine throughout, especially in Japan where their popularity peaked. The album ends strong with classic and surprise songs plus bonus studio tracks, making it a must-listen for rock fans. Dive into Mr. Big's electrifying Live At Budokan album — listen now and experience classic '90s hard rock at its finest!
Martin pours his soul into the song, which is the most beautiful thing Mr. Big has ever written. Every note, every passage, every single word is placed in its precise place.
Martin pours his soul into the song, which is the most beautiful thing Mr. Big has ever written.
Every note, every passage, every single word is placed in its precise place.
Mr. Big's Deep Cuts is a carefully crafted collection of the band's best ballads, featuring two new tracks and refreshed versions of classics. The album balances rock and acoustic melodies, delivering a relaxing and emotional listening experience. Highlights include soulful performances and a superb live closing track. Perfect for those seeking heartfelt, polished rock ballads without excessive production. Listen to Mr. Big’s Deep Cuts to experience the ultimate collection of heartfelt ballads and timeless rock melodies.
Behind the New York combo lies much care and attention, even to the smallest details, which most might overlook. Essential for a fan, others can still delight themselves for a while with DVDs of much different value.
Behind the New York combo lies much care and attention, even to the smallest details, which most might overlook.
Essential for a fan, others can still delight themselves for a while with DVDs of much different value.
This DVD offers a detailed look at Dream Theater's early years, combining a 1993 Tokyo concert with documentaries and rare footage. While the first disc showcases the band's youthful energy, the second focuses on band controversies and tour visuals without a full concert. Essential viewing for fans, but casual listeners may find parts tedious. Explore Dream Theater's iconic early years and relive their classic performances with this essential DVD set!
Paul Gilbert has accustomed us to truly strange and unconventional solo albums. Gilbert wants to entertain us, nobody is dissatisfied, but from a talent like his, it is reasonable to expect more than just a college movie soundtrack.
Paul Gilbert has accustomed us to truly strange and unconventional solo albums.
Gilbert wants to entertain us, nobody is dissatisfied, but from a talent like his, it is reasonable to expect more than just a college movie soundtrack.
Paul Gilbert's Space Ship One delivers a playful and entertaining rock experience with his trademark guitar virtuosity. However, the album focuses more on fun than depth, leading to a somewhat unfocused and superficial feel. While instrumental tracks like 'Jackhammer' impress, many songs fail to leave a lasting impact. Fans of Gilbert's quirky style will enjoy it, but it falls short of the expectations set by his talent. Explore Paul Gilbert's fun and virtuosic Space Ship One—listen now and decide if it rocks your world!
It is impossible not to be swept away by the irresistible bass line of 'Addicted to That Rush' and the guitar riff that has never been so fitting. No band embodied the rock spirit: fun, rhythm, good music, and lyrics that perhaps did not have any significant message.
It is impossible not to be swept away by the irresistible bass line of 'Addicted to That Rush' and the guitar riff that has never been so fitting.
No band embodied the rock spirit: fun, rhythm, good music, and lyrics that perhaps did not have any significant message.
Mr. Big's 1989 self-titled debut album introduces four virtuoso musicians delivering hard rock packed with energy and fun. The album blends powerful bass and guitar duels with catchy rhythms and memorable songs. It sets the stage for the band's future successes, notably 'Lean Into It.' The review praises the album's carefree, joyous vibe and recommends it to rock fans seeking a spirited and well-crafted experience. Listen to Mr. Big's debut album now and experience the energetic hard rock that started it all!
"'Actual Size' is therefore the swan song of Mr.Big. And I find myself holding certainly a good album, far from the true glories of the group but certainly a great farewell." "I didn’t think they could do so well with Kotzen. However, this album is truly one of their best."
"'Actual Size' is therefore the swan song of Mr.Big. And I find myself holding certainly a good album, far from the true glories of the group but certainly a great farewell."
"I didn’t think they could do so well with Kotzen. However, this album is truly one of their best."
Mr. Big's sixth album 'Actual Size' serves as a solid farewell after internal conflicts lead to their disbandment. The album opens energetically with familiar rock vibes, featuring standout tracks like 'Lost In America' and the powerful ballad 'Shine.' While some songs show a decline in energy, others, especially 'Nothing Like It In The World,' deliver strong emotional impact. Though not as iconic as earlier works, 'Actual Size' is praised as one of the band's best efforts with Richie Kotzen on board. Listen to Mr. Big's 'Actual Size' for a powerful farewell filled with classic rock energy and emotional depth.
"Get Over It lacks that energetic, powerful yet playful and fun style that Mr.Big had with Gilbert." "The album is incoherent, lacking an aim or a decent closure like 'To Be With You' could be."
"Get Over It lacks that energetic, powerful yet playful and fun style that Mr.Big had with Gilbert."
"The album is incoherent, lacking an aim or a decent closure like 'To Be With You' could be."
Get Over It, released in 2000 by Mr.Big, reflects a significant decline for the band after Paul Gilbert's departure. The album lacks the energetic and playful style that once defined them. Guitarist Ritchie Kotzen’s contributions fall short compared to Gilbert’s intense solos. Despite Eric Martin's consistently warm vocals and occasional highlights, the album feels incoherent and uninspired. It leaves fans with a sense of regret over wasted talent. Explore the highs and lows of Mr.Big’s Get Over It—listen now and decide if the band’s rebirth lives up to its legacy.
"The album and its personal style is a 'dangerous' mix between Vai, Petrucci, and Satriani." "He undoubtedly produces a work that is light years ahead of more renowned current shredders."
"The album and its personal style is a 'dangerous' mix between Vai, Petrucci, and Satriani."
"He undoubtedly produces a work that is light years ahead of more renowned current shredders."
Marcel Coenen's 'Guitartalk' stands out as a progressive instrumental guitar album showcasing a mix of influences from guitar legends Vai, Petrucci, and Satriani. Despite being recorded in a home studio with sampled drums and bass, the album delivers impressive technical skill and melodic depth. Some tracks excel in originality and melody, while a few feel overly technical or less inspired. Overall, Coenen produces a work superior to many current shredders, with room for personal growth. Discover Marcel Coenen's 'Guitartalk'—listen now and experience a fresh progressive guitar journey!
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