Tepes

 Listening to this album in its entirety is like sipping a nice cocktail of codeine, anxiolytics, and Whisky.

 Decaying Form plays with Brutal Death and plays with music: they have systematically decided to throw everything into disarray.

Decaying Form’s debut album ‘Chronicles Of Decimation’ offers a groundbreaking reinterpretation of Brutal Death Metal. The Australian duo creates complex, disjointed, and unpredictable songs that challenge traditional structures. The drumming is highly technical with constant stop-and-go shifts, enriching the album’s chaotic atmosphere. Despite its difficulty, the album’s unique mood and intricate compositions earn it a top rating. Dive into Decaying Form’s chaotic and revolutionary Brutal Death Metal—listen to ‘Chronicles Of Decimation’ now!

 I have rarely heard songs so well made: the initial part of 'Suicide Grotesque' throws you into a labyrinth of despair and suffering from which there is no way out.

 'Not A Gleam Of Hope' depresses rather than arouses nihilism—mortifying photographs of failures with no happy ending, indeed, no ending at all.

The review praises Comatose Vigil's 'Not a Gleam of Hope' as a standout Funeral Doom album notable for its modern use of keyboards and deeply tragic atmosphere. While the long tracks sometimes include filler, the overall composition and evocative mood surpass many genre peers. The music conveys a bleak, relentless despair that defines the band's message and artistic skill. Despite being debutants from Russia, they rival established giants like Evoken and Esoteric. Dive into the depths of despair with Comatose Vigil's haunting Funeral Doom masterpiece—listen now and experience profound darkness.

 "'Wanderings' is depressive even though it’s simply an introspection that’s not clownish at all."

 "An album that anticipated its time by at least five years and still does not receive the merits it deserves but can only be defined with the word masterpiece."

This review highlights I Shalt Become's 'Wanderings' as a pioneering and underrated depressive black metal album. It explores the album's introspective and harrowing style, distancing it from the epic or overly dramatic tendencies of similar artists. The reviewer praises its creative riffs, atmospheric arpeggios, and cold yet clear production. 'Wanderings' is hailed as a masterpiece that anticipated key genre trends and deserves wider recognition. Explore the haunting depths of I Shalt Become's 'Wanderings' and experience a true depressive black metal masterpiece.

 The structure of the songs, while not elaborated, is the result of songwriting whose spontaneity, and in some ways, smoothness cannot be understated.

 I found it very courageous indeed to choose to go back to the old New York sound in a year like 2006.

Eternal Ruin's 'Decomposing Salvation' channels a raw, classic New York Brutal Death Metal sound with strong compositional values and nostalgic vibes. The album shines through its authentic spirit despite some technical limitations, especially in drumming and instrumental complexity. While not virtuosic, it delivers crushing riffs and impactful slowdowns that honor its influences like Immolation. Recommended for fans craving pure, uncompromised Brutal Death and retro metal aesthetics. Listen to Eternal Ruin's 'Decomposing Salvation' to experience raw, nostalgic Brutal Death Metal at its core!

 Inhuman Dissilency’s record isn’t just about wanting to 'thrash'; it’s senseless violence, a punishment without rhyme or reason that one can endure only if endowed with adequate masochism.

 Digested Flesh doesn’t drive me crazy; their songs are always hard to distinguish from each other, and the riffing seems really uninspired to me.

This review covers the 2006 Split CD featuring Digested Flesh and Inhuman Dissiliency in the Slam subgenre of Brutal Death metal. Digested Flesh delivers recognizable but uninspired riffs and performances that may not appeal to all but remain stylistically consistent. In contrast, Inhuman Dissiliency offers a groundbreaking and intense experience with programmed drums, creating a haunting and addictive atmosphere. The album is highly recommended, especially for listeners interested in the Slam scene and extreme metal evolution. Discover the extreme sounds of Digested Flesh and Inhuman Dissiliency—listen to this unique Slam Split CD now!

 Cryptopsy have made their choices, and I have made mine; one (for the career).

 No definition fits this CD better than the one that the good accountant Fantozzi used to describe 'The Battleship Potemkin': an enormous crap.

The review offers a harsh critique of Cryptopsy's album 'The Unspoken King,' condemning its shift from brutal death metal to metalcore and the loss of original band members. The new lineup and stylistic changes disappointed longtime fans. The reviewer criticizes the vocals, instrumentation, and overall songwriting, labeling the album as a major letdown. Discover why 'The Unspoken King' polarized fans—read the full review and listen with fresh ears.

 From Argentina comes the new quintessence of musical uselessness, the new absence of inspiration, the new AudioJoke.

 "A Parasite Called Human" is a single track almost an hour long... those who try to wear out the listener demonstrate that they don’t have many other arrows in their quiver.

The review harshly criticizes Funerary Ward's 2004 album "A Parasite Called Human" for lacking creativity, poor sound quality, and an unnecessarily long single track. While the artist aims for a drone doom dark ambient style, the execution falls flat with repetitive, uninspired riffs and weak instrumental work. The reviewer suggests the work would have benefitted from a shorter, more focused approach. Ultimately, the album is deemed a failed attempt at avant-garde extremity. Read the full review and listen to Funerary Ward's challenging drone doom journey to decide if it's avant-garde or simply exhausting.

 'Stagnated Existence' is a great return, not a fossilization.

 Disavowed has released two Brutal albums that are identical to a thousand other Brutal albums and are therefore better than all the others.

The review passionately explores Disavowed's album 'Stagnated Existence', praising its brutal death metal intensity and connection to legendary acts like Devourment and Pyaemia. Despite noting some musical repetition, the author embraces the album as a strong return rather than mere fossilization. The review weaves metal culture, humor, and philosophical reflections, highlighting loyalty within the brutal metal scene. Dive into Disavowed's brutal sound – listen to 'Stagnated Existence' now and experience raw metal power!

 Decrepit Birth kick ass because they are cool.

 The 2008 album is cool because it’s melodic, doesn’t lose power and gains in technique.

This review celebrates Decrepit Birth's 2008 album 'Diminishing Between Worlds' as a powerful and technical evolution of their style. The reviewer contrasts the band with peers like Devourment and Origin, praising their unique blend of melody and brutality. The album is credited with maintaining attitude and innovation despite changes in the metal landscape. Overall, the review regards Decrepit Birth as cool and essential listening for serious metalheads. Discover why Decrepit Birth's 'Diminishing Between Worlds' is a must-listen for fans of technical and brutal death metal!

 Origin are incredibly fast, therefore they rock.

 'Antithesis' is a shining example of how Brutal knows how to evolve; in my attempt to become an up-to-date metalhead, I listened to 'Antithesis' and evolved.

This review celebrates Origin's album 'Antithesis' as a fast and brutal technical death metal landmark. The reviewer uses irony and humor to emphasize the band's consistency and speed, while discussing the metalhead culture surrounding key bands like Devourment. 'Antithesis' is portrayed as both an evolution and a reaffirmation of Origin's status in brutal metal. Listen to 'Antithesis' now and experience the relentless speed and brutal precision of Origin!