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DeRank ™: 0,40 • DeAge™ : 7254 days
The production, in my modest opinion, is terrible: Billy and Bjorn Thorsrud drown every cue, every harmony in a bland and shapeless electronic mix. He wants to return to the glory of great songs of the past but, fearing to remind too much of the past, attempts the path of a new cerebral electronica.
The production, in my modest opinion, is terrible: Billy and Bjorn Thorsrud drown every cue, every harmony in a bland and shapeless electronic mix.
He wants to return to the glory of great songs of the past but, fearing to remind too much of the past, attempts the path of a new cerebral electronica.
The review examines Billy Corgan's 2005 solo album TheFutureEmbrace, highlighting its shift toward electronic music with mixed production quality. While some tracks echo his Smashing Pumpkins era and show intimate lyricism, overall the electronic layers feel bland and hesitant. Collaborations with Robert Smith and Jimmy Chamberlain add potential but are underused. The review reflects on Corgan's evolving artistic path and the album’s uneven impact, appreciating some moments but remaining uncertain about the whole. Discover Billy Corgan's complex solo journey in TheFutureEmbrace — listen now and explore the blend of electronic and rock influences.
This is fundamentally the world we walk in with Mr. E: it is the simplicity of a child’s pastel drawings. With this ballad, Mr. E bids farewell to the beautiful sadness of his past works and announces to everyone that 'damn, it’s a beautiful day!'
This is fundamentally the world we walk in with Mr. E: it is the simplicity of a child’s pastel drawings.
With this ballad, Mr. E bids farewell to the beautiful sadness of his past works and announces to everyone that 'damn, it’s a beautiful day!'
The review praises Eels' album 'Daisies Of The Galaxy' for its blend of simplicity, orchestral elements, and emotional depth. Key tracks like 'Grace Kelly Blues' and 'Jeanny's Diary' are highlighted. The reviewer reflects on a personal connection with the music, describing it as a beautiful and uplifting experience. Collaborations with artists like Peter Buck and Lisa Germano enrich the album’s sound. Ultimately, the album is celebrated as a timeless indie rock masterpiece. Listen to 'Daisies Of The Galaxy' and experience the magical, heartfelt world of Eels today!
"We wake up in the morning with the psychedelia of 'Broken Dreams', it’s like opening the blinds and as the light floods the room, we project our lives from a very high floor." "Perhaps something like a dream of past psychedelia and future sounds that slowly fades with the onslaught of the first morning rays and the violence of the 6 pm rains..."
"We wake up in the morning with the psychedelia of 'Broken Dreams', it’s like opening the blinds and as the light floods the room, we project our lives from a very high floor."
"Perhaps something like a dream of past psychedelia and future sounds that slowly fades with the onslaught of the first morning rays and the violence of the 6 pm rains..."
Phil Manzanera's album 6pm offers a rich and evocative journey blending psychedelia and progressive rock. The album’s varied moods, guest appearances, and instrumental suites craft an immersive experience resonating with the moods of a rainy September day. The review highlights the album’s dreamy, surreal qualities and its reflection of shifting emotions through music, making it more than a solo project but a thoughtful musical dreamscape. Dive into Phil Manzanera's 6pm and experience a vivid psychedelic and prog rock journey that blurs time and emotion.
Death came to meet me one summer day... Death was thin, naked, and calling me to its ghost town, Hunger City, whispering me a 'Future Legend.' Everything we’ve wanted is a sweet taste with claws that grabs us and takes us down to the depths of this hallucinatory journey in Death’s half-man, half-dog body.
Death came to meet me one summer day... Death was thin, naked, and calling me to its ghost town, Hunger City, whispering me a 'Future Legend.'
Everything we’ve wanted is a sweet taste with claws that grabs us and takes us down to the depths of this hallucinatory journey in Death’s half-man, half-dog body.
This evocative review delves into David Bowie's 1974 album Diamond Dogs, portraying it as a dark, apocalyptic glam rock masterpiece. It highlights the album's concept inspired by George Orwell's 1984 combined with soul and experimental sounds. The review poetically explores themes of death, decay, and transformation, emphasizing Bowie's artistic reinvention. The writer vividly describes the immersive and haunting atmosphere conveyed through the music and lyrics. Dive into the haunting world of Diamond Dogs and experience David Bowie's dark glam revolution today!
"Heathen" is my tireless Bowie album, absolutely magnetic like the trip-hop magnets of "Sunday." Three songs are absolutely indispensable to understand that with this album Bowie wanted to gracefully conclude a phase of his discography.
"Heathen" is my tireless Bowie album, absolutely magnetic like the trip-hop magnets of "Sunday."
Three songs are absolutely indispensable to understand that with this album Bowie wanted to gracefully conclude a phase of his discography.
This review praises David Bowie's album Heathen as a magnetic and tireless work that builds on his rich musical legacy. Despite some weaker covers, the album's blend of trip-hop, electronic, and rock elements impresses, with standout tracks demonstrating Bowie's relentless artistry. The closing songs highlight a thematic and stylistic phase conclusion. Heathen is recognized as a visionary concept album that continues to amaze. Discover the magnetic journey of David Bowie's Heathen — listen now and experience a timeless Bowie classic.
"Let It Come Down could never make history because it’s the complete opposite of what the average Pumpkins and alternative music listener wanted to hear." "James’s solo debut is made of the sun’s rays that illuminate his humble face on the cover."
"Let It Come Down could never make history because it’s the complete opposite of what the average Pumpkins and alternative music listener wanted to hear."
"James’s solo debut is made of the sun’s rays that illuminate his humble face on the cover."
James Iha's Let It Come Down is a calm and sunlit folk-infused solo debut far from the darker sound of Smashing Pumpkins. The album features gentle acoustic ballads and bittersweet vocals, conveying a soothing, pastoral atmosphere. While some tracks evoke simple joy and warmth, others can feel less engaging. The album showcases Iha's desire to create music away from Billy Corgan's intense style, standing as a unique and modest musical statement. Listen to Let It Come Down and explore James Iha’s mellow folk side beyond Smashing Pumpkins.
Many times I have heard people/important experts criticize Mark Knopfler for not updating his sound and guitar style, claiming he’s been releasing the same album for twenty years. I find the production particularly commendable, careful and very clean, and I don’t want to exaggerate by saying that lovers of the warmest and purest country-folk might hold some of these very clear ballads in their hearts.
Many times I have heard people/important experts criticize Mark Knopfler for not updating his sound and guitar style, claiming he’s been releasing the same album for twenty years.
I find the production particularly commendable, careful and very clean, and I don’t want to exaggerate by saying that lovers of the warmest and purest country-folk might hold some of these very clear ballads in their hearts.
Mark Knopfler's 2000 album Sailing to Philadelphia blends blues, country, and folk with elegant duets featuring James Taylor, Van Morrison, and Gillian Welch. While some criticize Knopfler for a consistent sound, this review praises the album's gentle ballads, strong production, and moments of exceptional guitar work. It's a warm and refined listening experience perfect for fans of roots music. Listen to Mark Knopfler's Sailing to Philadelphia and explore its soulful blend of blues, country, and folk today!
'Adore' is a non-place, a refined electronic twilight as deep as an abyssal puddle of farewells. 'I never wanted to hurt anyone' whispers our... but you hurt me, dear Billy, obliterating my soul with this desperate abandonment.
'Adore' is a non-place, a refined electronic twilight as deep as an abyssal puddle of farewells.
'I never wanted to hurt anyone' whispers our... but you hurt me, dear Billy, obliterating my soul with this desperate abandonment.
The review deeply analyzes Smashing Pumpkins' 1998 album 'Adore' as a haunting and mature reflection on loss and growth. It emphasizes the album's blend of electronic and acoustic elements, highlighting Billy Corgan's poignant vocals. Themes of abandonment, regret, and emotional transformation permeate the record. The reviewer describes the music as a twilight space where past and present collide, offering a poetic and soulful listening experience. Dive into 'Adore' and experience the haunting beauty and emotional depth of Smashing Pumpkins' timeless album.
Davide Van De Sfroos is a strange character who roams the docks and beaches of Lake Lario, telling many tales. The minstrel packs his suitcase of experiences and his guitar in the Laghee dialect and sets off into the world, in search of other contaminations and other stories.
Davide Van De Sfroos is a strange character who roams the docks and beaches of Lake Lario, telling many tales.
The minstrel packs his suitcase of experiences and his guitar in the Laghee dialect and sets off into the world, in search of other contaminations and other stories.
This review celebrates Davide Van De Sfroos' album ...E semm partii as a masterful collection of folk stories told through vivid characters and rich regional dialect. The album features diverse rhythms, from ska to blues, wrapped in heartfelt narratives about journeys, memories, and social observations. The reviewer emphasizes the emotional and poetic strength of the lyrics and recommends experiencing the music live or reading the lyrics to fully appreciate the artist's work. Discover the heartfelt folk tales of Davide Van De Sfroos - listen to ...E semm partii and feel the journey unfold.
"An exceptional presentation of the band that greets with a magnificently electric, folk, and at times Mexican style." "This track clearly expresses the soul of the entire album, alternating calm and nocturnal moments with choruses where the sun of the 'first weekend of May' pushes its rays over a hill... it seems a true magic unfolds."
"An exceptional presentation of the band that greets with a magnificently electric, folk, and at times Mexican style."
"This track clearly expresses the soul of the entire album, alternating calm and nocturnal moments with choruses where the sun of the 'first weekend of May' pushes its rays over a hill... it seems a true magic unfolds."
This detailed review praises Drugstore's 1998 album White Magic For Lovers as an inspired and expressive indie-pop work. It highlights standout tracks like 'Say Hello,' 'El President,' and 'Spacegirl,' and notes the successful collaboration with Thom Yorke. The album blends folk, electric, and orchestral elements while presenting a loosely conceptual experience. The review also admires the vivid and creative album artwork. Discover the magic of Drugstore's indie-pop classic—listen to White Magic For Lovers and experience its emotional depth today!
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