You are not logged in
DeRank ™: 0,40 • DeAge™ : 7254 days
For cinema that’s 80-90 years old, it’s a chance to be relived, renewed by sounds and musical styles that didn’t even exist back then. When I arrive exhausted at the end of an almost two-hour film, and The end hits and there’s a solid two-minute applause from 50 people, I feel it’s worth it and that we deserve it.
For cinema that’s 80-90 years old, it’s a chance to be relived, renewed by sounds and musical styles that didn’t even exist back then.
When I arrive exhausted at the end of an almost two-hour film, and The end hits and there’s a solid two-minute applause from 50 people, I feel it’s worth it and that we deserve it.
This review explores bluEsforCE's innovative approach to live scoring classic silent films through improvisation. The band's blend of jazz, blues, electronic, and noise music brings fresh life to German expressionist masterpieces. Their spontaneous and dynamic performances create unique experiences for audiences, highlighting the cultural value of reviving silent cinema with modern sounds. The project emphasizes collaboration, careful musical balance, and creative risk-taking. Explore bluEsforCE’s live soundtrack performances and experience classic silent films like never before!
Without being banal and without boring, the guys never give in to easy rhythmic synchronization nor to technicality for its own sake, despite being experts of their instruments. The guitarist starts the execution of the guitar solo from the Pink Floyd song 'Another Brick in the Wall II,' creating a brilliant cultural short-circuit linking different eras and rebellious themes.
Without being banal and without boring, the guys never give in to easy rhythmic synchronization nor to technicality for its own sake, despite being experts of their instruments.
The guitarist starts the execution of the guitar solo from the Pink Floyd song 'Another Brick in the Wall II,' creating a brilliant cultural short-circuit linking different eras and rebellious themes.
BluEsForCE delivers a captivating live rescore of the silent classic Metropolis, blending jazz, blues, rock, and electronic elements. The performance respects the original film while adding new layers through creative musical choices. The band's approach avoids easy synchronization, offering a dynamic reinterpretation that connects past and modern cultural moments. This project revives forgotten silent cinema traditions with fresh, engaging artistry, highlighted by their participation in the Cinestesia series in Pavia. Discover BluEsForCE's unique live Metropolis soundtrack—immerse yourself in this thrilling fusion of silent film and innovative music!
'Tarantula' captures you like the most admirable pop singles and fills you with energy like the finest hard rock songs. Despite the mediocrity of the lyrics, we immediately realize that something is back to how it should be.
'Tarantula' captures you like the most admirable pop singles and fills you with energy like the finest hard rock songs.
Despite the mediocrity of the lyrics, we immediately realize that something is back to how it should be.
The review highlights 'Tarantula' as a strong and energetic single marking the return of Smashing Pumpkins' frontman Billy Corgan. Despite initial fan doubts due to lineup changes and past releases, the song balances nostalgic sounds with fresh energy. The composition features compelling guitar riffs and dynamic solos reminiscent of the band's classic era. Overall, the track revitalizes hope for the upcoming album 'Zeitgeist' and live shows. Listen to 'Tarantula' and experience the thrilling return of Smashing Pumpkins today!
"The compositions grow in a delicate and unusual way, reminiscent of sunlight filtered through silk curtains." "Like a tissue paper airplane lifted by currents, Cattaneo’s work moves away dizzyingly from pop music... and heads towards areas reminiscent of sound design for video installations."
"The compositions grow in a delicate and unusual way, reminiscent of sunlight filtered through silk curtains."
"Like a tissue paper airplane lifted by currents, Cattaneo’s work moves away dizzyingly from pop music... and heads towards areas reminiscent of sound design for video installations."
Paolo Cattaneo's 2007 album 'L'Equilibrio Non Basta' showcases mature, minimal songwriting enriched with jazz and ambient electronic elements. The album diverges from mainstream pop into textured, intimate compositions, blending classical horns, electric guitar, and violin. It offers an unexpected evolution of sound, making it a refined listening experience suitable for reflective moods. The review highlights Cattaneo's compositional skill and his blend of poetic lyrics with innovative sound design. Discover Paolo Cattaneo's unique blend of indie, jazz, and ambient sounds—listen to L'Equilibrio Non Basta now!
These digressions can be considered as photographs of the inner world of the characters, or rather, moving images, like cinema. They do not easily resort to the leitmotiv component and never stray from the cinematic discourse to return to 'marketable' paths.
These digressions can be considered as photographs of the inner world of the characters, or rather, moving images, like cinema.
They do not easily resort to the leitmotiv component and never stray from the cinematic discourse to return to 'marketable' paths.
The review analyzes Mercury Rev's 'Hello Blackbird' soundtrack, highlighting its departure from the band's psychedelic roots towards sincere, cinematic instrumental work. The compositions evoke a range of emotions fitting the film's themes and showcase rich orchestration reminiscent of Morricone. The album stands as an original, thoughtful piece blending various musical influences. The reviewer expresses optimism about Mercury Rev's creative return despite missing visual context. Discover Mercury Rev's mesmerizing 'Hello Blackbird' soundtrack and experience a unique blend of cinematic and musical artistry.
"Reservations reminds me a lot of your early records; it has the same very subdued atmospheres." "Music that prompts thinking will never be commercial, successful."
"Reservations reminds me a lot of your early records; it has the same very subdued atmospheres."
"Music that prompts thinking will never be commercial, successful."
The review provides an in-depth interview with Australian acoustic duo Sodastream, focusing on their mellow sound and artistic evolution. They discuss the recording process of their album 'Reservations,' connections to their Australian roots, and influences from iconic artists. The duo expresses plans to introduce more electric instruments and fuller arrangements. They share realistic views on the commercial potential of indie folk music, emphasizing artistic integrity over mainstream success. Explore Sodastream’s soulful acoustic journey and deep dive into the indie folk scene – listen and discover their unique sound today!
The choruses now make even genre lovers yawn, the sound is stale sugar like the pseudosentimental voices. The first album had something original and exciting; in this one, however, the Magic Numbers -where the magic is only they know- lean too much on slow rhythms.
The choruses now make even genre lovers yawn, the sound is stale sugar like the pseudosentimental voices.
The first album had something original and exciting; in this one, however, the Magic Numbers -where the magic is only they know- lean too much on slow rhythms.
The Magic Numbers’ second album 'Those The Brokes' fails to match the originality and excitement of their debut. The songs are repetitive and monotonous, lacking fresh inspiration. Despite clean production, the album feels stale and uninspired. Occasional attempts at variety do little to break the overall boredom. Fans of the first album may be disappointed by this uninspired effort. Listen and decide if The Magic Numbers' 'Those The Brokes' lives up to their debut or falls short.
A new folk singer-songwriter album could be just another acoustic album. But that’s not the case when it’s Damien Rice. The opening track '9 Crimes' is infinite purity aiming higher than ever.
A new folk singer-songwriter album could be just another acoustic album. But that’s not the case when it’s Damien Rice.
The opening track '9 Crimes' is infinite purity aiming higher than ever.
Damien Rice’s album 9 emerges four years after his acclaimed debut O, offering a mix of poignant folk melodies and heartfelt lyrics. While some tracks lack the originality of his previous hits, songs like '9 Crimes' and 'Elephant' stand out for their emotional depth and musical sophistication. The album explores delicate vocals, vivid instrumentation, and moments of orchestral tension, marking a strong yet slightly uneven follow-up. Overall, 9 remains a high-quality folk album deserving of attention. Listen to Damien Rice’s 9 to experience a heartfelt folk album filled with emotional depth and beautiful melodies.
The string quartet neatly arranged behind the singer enhances the band's music in an exquisitely refined way. Mr. E's voice is more beautiful than ever: mature and balanced between dry and hoarse, reaching particularly moving peaks.
The string quartet neatly arranged behind the singer enhances the band's music in an exquisitely refined way.
Mr. E's voice is more beautiful than ever: mature and balanced between dry and hoarse, reaching particularly moving peaks.
The 2006 live album 'Eels With Strings: Live At Town Hall' offers a refined blend of rock and classical with a string quartet backing. Mr. E's mature voice shines alongside the delicate orchestration, adding emotional depth to both original tracks and covers. While some moments may lean toward melodramatic, the album showcases strong musical craftsmanship and innovative reinterpretations. Fans of nuanced alternative rock and live performances will appreciate this elegant and heartfelt recording. Listen to Eels’ unique live fusion of rock and strings in 'With Strings: Live At Town Hall' and experience an emotionally rich performance.
I only distinguish between good songs and bad songs and songs recorded well or poorly. I hope to approximate that kind of musicians, although I do it my way and with a slightly more modern touch.
I only distinguish between good songs and bad songs and songs recorded well or poorly.
I hope to approximate that kind of musicians, although I do it my way and with a slightly more modern touch.
This review and interview highlight Kama's debut album, positioning him within Italy's growing indie and singer-songwriter scene. His music combines clear vocals, poetic irony, and precise instrumental arrangements influenced by classic Italian and international artists. Kama reflects thoughtfully on the challenges of indie musicianship and mainstream exposure, emphasizing quality and artistic integrity. The discussion also touches on trends in Italian indie and the artist's creative process. Listen to Kama’s debut and explore the fresh voice of Italian indie singer-songwriters today!
DeRank™: 0,24
DeRank™: 0,03
DeRank™: 0,47
DeRank™: 16,16
DeRank™: 0,37
DeRank™: 0,00
DeRank™: 0,22
DeRank™: 0,01
DeRank™: 2,00
DeRank™: 0,29
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.