joe strummer

 The chatter never stops, it continues its cycle, and meanwhile, the truly important topics slip away, constantly postponed.

 Dolan shatters space and time, once again, and transforms the events of half a day into existential mechanics, into symbols that summarize the meanings of entire lives.

Xavier Dolan’s È solo la fine del mondo ambitiously tackles the breakdown of family communication as a terminally ill man returns to his family. While the direction and theatrical style are strong, the writing and character development lack freshness compared to Dolan’s earlier works. Unexpected musical choices and an overemphasis on pathos somewhat undermine the film’s impact. Overall, a thoughtful but imperfect addition to Dolan’s filmography. Discover the ambitious family drama by Xavier Dolan—read the full review and explore the film’s rich yet flawed layers.

 Rogue One is outrageously linear, flat, lacking depth in both characters and dynamics.

 It is the result of meticulous polishing work of a purely mercantile mold.

This review criticizes Rogue One for lacking depth in characters and plot, describing it as a mechanically produced movie driven by fan service rather than originality. Despite satisfying some Star Wars lore with precise references, it falls short in storytelling and emotional engagement. The war sequences and soundtrack receive only lukewarm responses, and the film fails to showcase any distinct directorial personality. Ultimately, the reviewer favors The Force Awakens over Rogue One. Read the full Rogue One review and decide if the film lives up to your Star Wars expectations!

 The greatest fear is given in absentia, it is the not knowing, the not seeing.

 Every moment could be the right one for the arrival of the witch, but the waiting is equally agonizing, if not more so.

Robert Eggers' debut film The Witch excels as an intelligent, atmospheric horror that relies on psychological tension rather than shock or gore. The film explores themes of religious fear, family dynamics, and the unseen, building suspense through what remains unsaid and unseen. The strong visual style and faithful representation of period details enrich the eerie atmosphere, making it a standout in contemporary horror cinema. Some minor narrative ambiguities enhance its poetic quality. Discover the chilling depths of The Witch and experience a new standard in psychological horror—watch it now!

 Justin Lin wanted to reduce everything to just a simple action movie or a little more.

 Star Trek Beyond is a cold product, a somewhat rough construction aimed at just entertaining a rather lazy and inattentive audience.

Star Trek Beyond by Justin Lin attempts to deliver a straightforward action film but falls short compared to J.J. Abrams's earlier works. The movie simplifies character dynamics and space battles, focusing heavily on action while lacking narrative depth and passion. While it meets basic expectations and entertains casual viewers, fans of the franchise might find it a step backward. Dive into our detailed review to see why Star Trek Beyond prioritizes action over depth and decide if it’s the right Star Trek film for you.

 Linklater manages to tell a story, a specific matter, but immerses it in a river where everything flows naturally.

 The film is a rich fresco that does not go in one single direction, does not want to postulate a thesis.

Richard Linklater's 'Everybody Wants Some!!' returns to traditional storytelling while maintaining his naturalistic style. The film explores the complex transition from high school to college with rich character development and a strong cultural backdrop set in 1980. It balances entertainment with thoughtful reflections on identity without imposing a fixed thesis. The ensemble cast and music choices enhance the authentic and enjoyable coming-of-age experience. Dive into the vibrant world of 'Everybody Wants Some!!' and experience Linklater’s unique take on youth and identity—watch now!

 The director wisely opposes the extreme dynamism of clichés with maximum slowness.

 Fear is highly aestheticized, brought into focus with great aesthetic emphasis, perhaps also to compensate for a medium-low level narrative.

The review appreciates It Follows for its unique stylistic approach and effective use of slow, haunting horror aided by Disasterpeace's soundtrack. However, it criticizes the film’s narrative for lacking depth, especially in moral and psychological explorations of the curse’s consequences. The curse's rules are seen as unclear and underdeveloped. Despite this, the film's final shot and some inventive sequences bring notable ambiguity and remain effective. Discover the chilling style and eerie soundtrack of It Follows—explore this unique horror film now!

 The character construction is admirable, managing to postulate a series of agonizing contradictions that have Francis... as their epicenter.

 The story is therefore translated into a genre that does not fully belong to it, resulting in being overemphasized, blaring in an indelicate way.

Tom à la ferme showcases Xavier Dolan’s emerging talent with a strong narrative and complex characters, though it suffers from uneven style and unnatural dialogue. The film's intense psychological themes are sometimes overshadowed by heavy-handed sound and pacing. While not as mature as Dolan's later works like Mommy, it remains a good film exploring painful contradictions and social conflicts. Discover the complex tensions and bold debut style in Xavier Dolan's Tom à la ferme—watch the film and explore its haunting psychological drama today.

 Warcraft may be fine only for those looking for coarse and easy entertainment.

 The battles... end up being entirely chaotic, only to resolve suddenly in a linear way.

Warcraft, directed by Duncan Jones, falls short of expectations with a simplistic script and uneven visual quality. While certain characters show promise, overall characterization is weak. The film's battle scenes attempt to mimic video game aesthetics but result in chaotic and unengaging sequences. Despite a solid story structure, the movie fails to deliver deep drama or emotional impact. Discover why Warcraft's visuals impress but its story and characters fall short—read the full review now!

 Scorsese aims to depict a world, a way of living and building a nation: ... America that lives and feeds on violence, that grows and strengthens by adhering to the principles that Bill the Butcher so aptly explains: essentially, the law of the strongest.

 Violence that therefore can never be entirely judged from a moralistic standpoint, as it represents a now mythical past.

Gangs of New York is seen as an epic and symbolic portrayal of America's violent past, focusing on the law of the strongest rather than strict historical accuracy. Daniel Day-Lewis’s performance as Bill the Butcher stands out as a complex emblem of violence and pride. The film’s style alternates between epic grandeur and caricature, emphasizing mythology over realism. While the movie is occasionally chaotic and overlong, it remains one of Scorsese’s major works despite uneven supporting performances. Explore the rich symbolism and epic storytelling of Gangs of New York — watch the film and dive into Scorsese’s powerful vision of America’s violent roots.

 The central issue is not so much survival in the forest, but rather the search for a reason worth living.

 Not a great film, but not the total disaster one might have expected either.

Gus Van Sant's The Sea of Trees received harsh criticism upon release, including boos at Cannes and poor scores on Metacritic. However, the film’s core theme—searching for a meaningful reason to live rather than mere survival—resonates. Acting is on autopilot, and the screenplay is uneven, mixing effective writing with repetitive and banal moments. Visually, the film struggles during dynamic scenes but retains clarity and simplicity in quieter parts. Overall, it's a flawed yet not entirely failed film. Discover the complexities of The Sea of Trees—watch and decide if this misunderstood film resonates with you.