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DeRank ™: 15,38 • DeAge™ : 7492 days
It is not necessary to precisely establish the causes of Stefano’s death to grasp a greater truth, one dramatically larger than punches and bruises. Alessandro Borghi’s Cucchi is too torn by pain to try to save himself; he lets himself die rather than try to rise from the apnea.
It is not necessary to precisely establish the causes of Stefano’s death to grasp a greater truth, one dramatically larger than punches and bruises.
Alessandro Borghi’s Cucchi is too torn by pain to try to save himself; he lets himself die rather than try to rise from the apnea.
Sulla mia pelle portrays the tragic death of Stefano Cucchi, focusing on the broader societal and bureaucratic failures rather than assigning direct blame. Alessandro Borghi delivers a powerful and haunting performance, embodying pain and despair. The film's narrative explores existential themes, with a dark, nihilistic tone. While the direction and writing have some weaknesses, the overall impact is profound. The movie challenges viewers to confront uncomfortable truths about state responsibility and human suffering. Watch Sulla mia pelle for a gripping and emotional insight into tragedy and systemic failure.
Revenge is set in the real world, but physics, medicine, logic, and probability follow all new dynamics. A poor man’s Kill Bill in a #metoo version, without any psychological depth of the protagonists.
Revenge is set in the real world, but physics, medicine, logic, and probability follow all new dynamics.
A poor man’s Kill Bill in a #metoo version, without any psychological depth of the protagonists.
The review critiques Revenge for its lack of realism and shallow feminist message. The film is likened to a poor man’s Kill Bill without psychological depth or subtlety. While the 80s synth-pop soundtrack and uncensored bloodshed are noted, they fail to elevate the film. Ultimately, the reviewer finds the movie an unsuccessful attempt to update macho revenge tales for the #metoo era. Discover the controversial take on feminist revenge in Coralie Fargeat's Revenge—watch and decide if it delivers or disappoints.
"Coppola is the puppeteer who manipulates his audience's emotions at will, who finds themselves shamelessly cheering for someone who shoots people in the face." "After nearly three hours of keeping us in his pocket, with mouths open, he gives us a moment to open our eyes."
"Coppola is the puppeteer who manipulates his audience's emotions at will, who finds themselves shamelessly cheering for someone who shoots people in the face."
"After nearly three hours of keeping us in his pocket, with mouths open, he gives us a moment to open our eyes."
This review praises Coppola's The Godfather as one of the most beautiful and effective films ever made, highlighting its memorable characters and epic narrative. Despite some minor narrative shortcuts, the film’s dark beauty and masterful storytelling captivate viewers. The reviewer appreciates the subtle moral complexity and the film’s ability to immerse the audience in the mafia world. The final moments bring a grounding reality after an intense cinematic journey. Discover the timeless epic of The Godfather and experience Coppola’s cinematic genius today.
Vito is not good, Michael is not bad. They are both, in their way, cruel, evil, bloodthirsty, and in their way, good, loving, affectionate. Michael is that linking ring between the extreme (and painful) rigor of the past and the crumbling of every moral stake that begins to infiltrate even the Corleone family.
Vito is not good, Michael is not bad. They are both, in their way, cruel, evil, bloodthirsty, and in their way, good, loving, affectionate.
Michael is that linking ring between the extreme (and painful) rigor of the past and the crumbling of every moral stake that begins to infiltrate even the Corleone family.
This review offers a profound exploration of The Godfather Part II, emphasizing its moral ambiguity and complex characters. It contrasts the father-son figures of Vito and Michael Corleone, showing how Coppola reflects changing times and deepening contradictions within the mafia world. The film’s subtle direction and narrative pace highlight existential themes rather than sensationalism. Ultimately, the review praises Coppola’s skill in portraying characters caught between love, violence, and decay. Dive into the moral depths of The Godfather Part II and discover the tragic complexity behind the Corleone legacy.
"I still vividly remember their 2006 concert... thousands of voices around me singing in unison." "They didn’t ruin the adolescent memory I have of them because the songs are and remain very beautiful... but they didn’t make me want to start listening to them again either."
"I still vividly remember their 2006 concert... thousands of voices around me singing in unison."
"They didn’t ruin the adolescent memory I have of them because the songs are and remain very beautiful... but they didn’t make me want to start listening to them again either."
This Pearl Jam concert review reflects on a nostalgic yet somewhat routine live show at IDays 2018. While the atmosphere and evening were memorable and enjoyable, the performance felt less energetic than expected, partly due to Eddie Vedder's imperfect vocals and a shorter setlist. Classic songs were highlights, but newer tracks and some solos felt less engaging, leaving the reviewer respectful but distanced from renewed fandom. Discover the full story behind Pearl Jam’s IDays 2018 show—relive the nostalgia and decide for yourself if the band still rocks your world.
A piece of remarkable, rare ugliness. The division between money-driven villains and hero dispensers of civilization is so manichean and Disney-like (in the worst sense of the word) that at some point you expect a line like this directed at the child in turn: “Don’t be afraid, we are the good guys.”
A piece of remarkable, rare ugliness.
The division between money-driven villains and hero dispensers of civilization is so manichean and Disney-like (in the worst sense of the word) that at some point you expect a line like this directed at the child in turn: “Don’t be afraid, we are the good guys.”
This review harshly criticizes Jurassic World: Fallen Kingdom for its blatant copying, lack of originality, weak acting, and illogical plot elements. The film's overused action scenes and simplistic moralism fail to engage, leaving it a disappointing sequel. Only a few moments hint at potential, but overall it is a major letdown even within the adventure genre. Read the full review and decide if Jurassic World: Fallen Kingdom lives up to the legacy or falls short.
This is a gravestone on Italy, on the society, and on the culture of the country from post-war to today. The Italian’s mistake isn’t just superficiality. No, he is deeply deviated by TV, in emotions, in feelings, and in the most intimate memories.
This is a gravestone on Italy, on the society, and on the culture of the country from post-war to today.
The Italian’s mistake isn’t just superficiality. No, he is deeply deviated by TV, in emotions, in feelings, and in the most intimate memories.
Iosonouncane's debut album 'La macarena su Roma' delivers a powerful and complex critique of Italian society and culture. Jacopo Incani's lyrics explore themes like racism, television influence, and provincial struggles with sharp dual perspectives. The album is both a harsh condemnation and an aching portrayal of disillusionment. This difficult and ambitious work prefigures the artist's later acclaimed album, establishing a fundamental chapter in modern Italian songwriting. Dive into Iosonouncane’s debut and experience a masterful blend of raw emotion and sharp societal insight.
A profusion of jokes, vulgarities, insults to other films, and metacinematic slits that can’t help but entice the audience. Deadpool 2 is much more solid than many other superhero films, even in the canonical aspects, but with the not insignificant bonus of being able to exploit - properly - the entire irreverent arsenal that belongs to this saga.
A profusion of jokes, vulgarities, insults to other films, and metacinematic slits that can’t help but entice the audience.
Deadpool 2 is much more solid than many other superhero films, even in the canonical aspects, but with the not insignificant bonus of being able to exploit - properly - the entire irreverent arsenal that belongs to this saga.
Deadpool 2 continues the saga with its trademark irreverence and dense humor, targeting rival superhero films and balancing action with comedy. While entertaining, it sometimes overuses vulgar jokes and silly moments, impacting tone consistency. The film’s meta-commentary and well-executed action help maintain its appeal, though the serious themes feel uneven. Overall, it’s a solid but imperfect addition to the genre. Discover why Deadpool 2 remains a fresh, irreverent take on superhero films—read the full review and dive into its wild ride!
Films like this seem to exist precisely to remind us that form is substance. It is all about aesthetics, but it demonstrates that the potential of this art is infinite and goes beyond the number of stories that can be invented.
Films like this seem to exist precisely to remind us that form is substance.
It is all about aesthetics, but it demonstrates that the potential of this art is infinite and goes beyond the number of stories that can be invented.
A Beautiful Day by Lynne Ramsay is praised for its exceptional cinematic form, focusing on style and aesthetics over plot twists. The film uniquely dismantles and demystifies violence, using inventive visual and sound techniques. Joaquin Phoenix’s portrayal of a fragile hitman deepens the human and existential layers. Jonny Greenwood’s music intensifies the tension, elevating the overall experience. This review highlights the film's emotional and artistic depth beyond conventional storytelling. Dive into Lynne Ramsay’s A Beautiful Day to experience a fresh take on cinematic storytelling and emotional intensity.
Silvio is not a character in this film, but at least four or five. A film that flows fast, makes you laugh, and continuously presents situations on the edge of the surreal.
Silvio is not a character in this film, but at least four or five.
A film that flows fast, makes you laugh, and continuously presents situations on the edge of the surreal.
Loro 2 is a daring, surreal portrayal of Silvio Berlusconi that presents him as multiple conflicting personas. Although it doesn't match the peaks of Sorrentino's past work, it offers rich character exploration and a sharp dialogue. The film blends fact with free artistic interpretation, delivering a fast-paced, thought-provoking narrative. Toni Servillo’s dynamic performance captures the elusive energy of Berlusconi. Overall, it’s a profound yet accessible take on recent Italian political history. Discover Sorrentino’s bold cinematic portrait of Berlusconi—watch Loro 2 and dive into Italy’s complex political landscape!
DeRank™: 0,26
DeRank™: 0,07
DeRank™: 0,13
DeRank™: 0,24
DeAge 7498
DeRank™: 32,23
DeRank™: 0,00
DeRank™: 6,73
DeRank™: 3,96
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