Rowland

 The Killer is an album that contains sinister and extraordinarily beautiful songs like "Clarksville" and "No Man's Land".

 Like Jim Thompson's novel, the eponymous album by Green On Red speaks of each of us. Of the darkness we have deep in our souls and the killer we can glimpse every time we look at a reflective surface.

Green On Red's album The Killer Inside Me draws deeply from Jim Thompson's noir novel, exploring the darker sides of the American psyche through gritty urban rock. Produced by Jim Dickinson, this 1987 release marks a departure from the band's earlier country rock sound toward a harder, more metropolitan style. Featuring raw and emotionally charged performances led by Danny Stuart, the album offers bitter ballads and vivid storytelling reflecting despair, darkness, and American decay. Though initially met with mixed reviews, it stands today as a compelling snapshot of a restless era and soul. Dive into Green On Red's The Killer Inside Me and experience the gritty, dark heart of American rock.

 Black Milk is an excellent amalgamation of everything that was present in the two previous records.

 It definitely seems that Black Milk is a more languid affair, a cocktail party where the Beasts wear their Sunday best and sip their chalice of Black Milk.

Black Milk, the third album by Beasts of Bourbon, offers a tempered and melodic blend of blues, rock, and country influences. While it lacks the raw spark of earlier albums like Sour Mash, it remains engaging and well-produced. Highlights include Cave-like blues tracks, tributes to Tom Waits, and a standout cover of Hound Dog Taylor's 'Let’s Get Funky.' Overall, it's a solid record showcasing the band’s versatility with a more reflective tone. Discover Beasts of Bourbon’s Black Milk — listen now to experience their unique blend of blues, rock, and country with exceptional production.

 No Free Lunch is the erratic wandering through the desert dust, towards the boundless horizon.

 The opening of "Time Ain't Nothing" is as fresh as the desert breeze at dawn.

No Free Lunch by Green On Red captures a unique moment in 80s music with its strong country and roots revival vibe. Dan Stuart's vocals and Chuck Prophet's guitar work shine on tracks like the Willie Nelson cover and original desert ballads. The album anticipates the band's later evolution, blending psychedelia with Americana themes. Despite not achieving widespread success at the time, it stands as a highly crafted and atmospheric record. Dive into Green On Red's No Free Lunch and experience a timeless blend of desert country and psychedelic blues today!

 Straight Songs Of Sorrow is the tale of Mark Lanegan’s descent into the inferno and back, as he went down there searching for the years of his youth.

 Straight Songs Of Sorrow sings of pain and loss, stringing a rosary of prayers and regrets, digging deep into misery, oscillating between synthesizers and tradition.

Straight Songs Of Sorrow is Mark Lanegan’s poignant final album, reflecting his struggles with addiction and redemption through a dark folk-blues sound. Despite some uneven moments, it stands as a powerful artistic testament. The album features notable collaborations and explores deep themes of pain and hope. It is best appreciated with patient listening and marks a fitting end to Lanegan’s influential career. Listen to Mark Lanegan’s haunting final album and experience a powerful journey through sorrow and redemption.

 Still Here resonates as a defiant cry from the survivors in the face of Fate.

 Still Here is a true rock’n’roll record. Devastating, dirty, fun, and even a bit unsettling.

Still Here by Beasts of Bourbon marks a poignant return for the legendary Australian rock band after many years, mourning lost members while celebrating their legacy. The album blends swamp blues, punk, and garage rock, capturing raw emotion alongside black humor. Despite imperfections and lineup changes, it stands as a powerful rock’n’roll testament. Highlights include Spencer P. Jones's final track and gritty covers fitting the band's dark style. The album is a tribute to fallen comrades and a defiant celebration of enduring spirit. Discover the raw power and heartfelt tribute of Beasts of Bourbon's Still Here—listen now and feel the spirit of true rock’n’roll alive!

 "Standing and watching - listening - to Rowland doing his parts in our songs is one of my indelible memories as an artist."

 "An album that smells of autumn, rain, and dead leaves."

The review explores the making of I Knew Buffalo Bill, a 1986 album by Jeremy Gluck and Nikki Sudden, featuring notable musicians like Rowland S. Howard and Jeffrey Lee Pierce. It highlights the album's unique blend of roots rock, punk, and folk influences, the creative studio environment, and the tragically short lives of its contributors. The record is described as a cult classic with a melancholic and vibrant atmosphere that grows on listeners over time. Explore this cult classic album and immerse yourself in the unique roots-rock energy of I Knew Buffalo Bill today!

 Just South of Heaven outlines an extraordinary decalogue of solemn and austere 'modern blues' for fearless hearts and dark souls.

 The raw sound of punk and original blues, sepulchral voice, rarefied rhythms, vitriolic guitar interventions, unhealthy, and paranoid atmospheres, are the elements that we will find again in... Just South of Heaven.

Just South of Heaven is a seminal 1985 album by Crime & the City Solution that delivers a dark and dramatic modern blues experience. The album's haunting sound, driven by Simon Bonney's evocative voice and Rowland S. Howard's sharp guitar, creates a compelling atmosphere of despair and intensity. Drawing on punk, gothic blues, and the legacy of the Birthday Party, it stands as a malevolent yet deeply emotional work. The record’s blend of solemn rhythms and raw energy cements it as an essential listen for fans of dark alternative blues. Dive into Just South of Heaven and experience a haunting journey through modern blues—listen now!

 "A Date With Elvis is the last masterpiece by the Cramps, which together with the first two albums form an unholy and indispensable triptych."

 "Lux Interior is an uncontrollable performer, endowed with a deep and expressive voice, presenting himself with frenetic, total, and provocative performances."

This detailed review explores The Cramps' 1986 album 'A Date With Elvis,' highlighting their unique psychobilly sound blending rockabilly, punk, and garage rock. It covers the band's origin, provocative stage personas, and the album's musical and thematic evolution. The review praises the raw energy, clever lyrics focused on sex and rebellion, and the enhanced production quality. Ultimately, it presents the album as a key masterpiece in The Cramps' cult legacy. Dive into The Cramps' raw psychobilly energy—listen to 'A Date With Elvis' and experience a thrilling rockabilly ride today!

 Mother Juno is a great album. Robin Guthrie creates a more original and elaborate sound, but the music of the Club roars as much or more than usual.

 The Gun Club leaves an enormous legacy to posterity and the merit of having combined, first, punk and blues, glam theatricality, and folk severity.

Mother Juno by The Gun Club marks a powerful and original chapter in the band's legacy, led by the intense and poetic Jeffrey Lee Pierce. While some critics viewed its polished production skeptically, this album combines punk blues, dark gothic elements, and emotional depth. It stands as a bold reinterpretation of American roots music, exploring themes of despair, addiction, and alienation. The record's haunting atmosphere and thoughtful lyricism offer an immersive experience for both longtime fans and new listeners. Dive into the dark and poetic world of The Gun Club's Mother Juno—listen now and experience a legendary fusion of punk and blues.

 Nineteeneighties is a beautiful album, performed impeccably, that if composed of original material, I wouldn’t hesitate to define an absolute masterpiece.

 Grant Lee Phillips blends the tracks in an atmosphere of enchanting melancholy that suits the artist’s attitude, favoring the prevalence of that sense of nostalgia.

Grant Lee Phillips' album Nineteeneighties is a nostalgic acoustic cover collection of well-known 80s New Wave songs. With love and respect, Phillips transforms these classics into intimate, melancholic tracks that feel both fresh and familiar. The album's strength lies in its recognizable song choices and original reinterpretations. Despite minor imperfections, it stands out as a heartfelt tribute blending melancholy with musical craftsmanship. Dive into the nostalgic world of Grant Lee Phillips’ Nineteeneighties and rediscover classic 80s hits in a fresh acoustic light.