Confaloni

 "I had imagined this trip as a quest... I wanted to burn bridges, burn formulas, and if I burned myself as well, that was fine."

 "The director has no moralistic intentions, simply recording the facts for what they are, as a detached observer conducting a normal scientific examination."

The review analyzes Barbet Schroeder's 1969 debut film More as a raw, revealing portrayal of drug addiction and doomed love during the 60s counterculture. It highlights the film's unique position as both a product of its time and a detached observation of destructive behaviors. The soundtrack by Pink Floyd adds to the haunting atmosphere, while the story's tragic arc offers deeper reflections on freedom and self-destruction. Despite niche appeal, the film remains a poignant cultural artifact. Watch Barbet Schroeder's 'More' for a gripping dive into 60s drug culture and tragic love—experience this cult classic now!

 Jack Nicholson shows skill in outlining the unpredictable and convoluted psychology of the main characters of the film.

 The impression is that of having in front of us a decidedly chaotic film, somewhat a mirror of those difficult years mentioned earlier.

Yellow 33 (Drive, He Said), Jack Nicholson’s 1971 directorial debut, presents a turbulent story of two college students amid America’s political unrest. The film captures both wild youth and radical activism during the Vietnam War era. Despite mixed initial reception and structural chaos, Nicholson skillfully portrays troubled psychology reflecting the era’s social conflicts. Today, the film offers a dated yet insightful glimpse into 70s campus and political tensions. Discover the raw energy and political tension of Yellow 33—watch Jack Nicholson’s bold directorial debut and explore 70s campus unrest now!

 Truffaut presents the young man nevertheless in a light of understanding and sympathy, almost to emphasize the sclerotic and rigid nature of the work world.

 In hindsight, Stolen Kisses can be considered a work imbued not only with a certain spirit of that time but also a kind of farewell to both a particular historical season and an unrepeatable age of life such as carefree youth.

This review reassesses François Truffaut’s 1968 film Stolen Kisses, once harshly criticized but now seen as a nuanced portrayal of youth facing societal pressures. The film follows Antoine Doinel navigating life and love amid the backdrop of 1960s France and the May 1968 protests. Truffaut’s subtle reference to ongoing political unrest enriches the narrative’s depth. Ultimately, the film serves as a nostalgic farewell to youthful idealism and a reflection on the inevitable absorption into adult routine. Discover the charm of Stolen Kisses—watch Truffaut’s classic and explore the bittersweet journey of youth and change.

 Godard manages to represent the unbridgeable gap between two people who, although in love with each other, cannot be in full harmony and are condemned to incommunicability.

 In one word: emotion.

This review praises Jean-Luc Godard’s 1965 film Pierrot le Fou for its anarchic atmosphere and emotional depth. The film follows Ferdinand and Marianne's rebellious romance set against bourgeois life and features innovative techniques typical of Godard. It highlights the film’s philosophical contrasts and its status as a landmark in French New Wave cinema. Despite censorship challenges, Pierrot le Fou remains a vibrant and influential classic. Watch Pierrot le Fou and experience the wild, emotional ride of Godard’s cinematic revolution.

 Such a film could appear, to the average Italian viewer of the time, a bit baffling and unfortunately muddled due to the producers' interference, driven by vile mercantile reasons.

 Rewatching Petri’s "The 10th Victim" is quite impressive. The intrusiveness of the media and of many reality shows is a widespread and entrenched phenomenon.

The review revisits Elio Petri's lesser-known 1965 film The 10th Victim, highlighting its anticipatory and dystopian vision of society. Featuring Ursula Andress and Marcello Mastroianni, the film addresses themes of violence, media intrusion, and the commodification of life. Despite producer-imposed plot compromises, the film’s relevance endures, especially in light of modern reality TV and societal trends. It stands as a significant, though underappreciated, work in Italian cinema. Discover Elio Petri's visionary sci-fi classic The 10th Victim and explore its bold critique of society and media today.

 The book 'Get Back' is just a paradigmatic example of how the rock business can scrape the bottom of the barrel when a band no longer has anything genuinely new to offer.

 Reading the transcription of the dialogues among those present in the recording room does not reveal anything new.

The review praises the Beatles' contribution to music but finds the Get Back book largely repetitive of previously known material. It compliments the photography and production quality but criticizes the lack of new insight into the band's 1969 sessions. The book serves mainly as a companion to the Peter Jackson documentary, revealing the tense atmosphere within the group. Ultimately, it's seen as a well-packaged yet familiar look at the final days of the legendary band. Explore the Beatles' final chapter through the Get Back book and documentary—discover the story behind the music.

 Tati’s Hulot, so lanky as to resemble a lunar Pierrot, qualifies as a stranger to modern and technological society.

 The modern city resembles a gigantic labyrinth, and monsieur Hulot ... wanders aimlessly between corridors and uniformly and impersonally furnished venues.

This review praises Jacques Tati's film Playtime as a timeless classic that critiques modern society through visual comedy and minimal dialogue. It highlights Tati's unique cinematic style influenced by mime and his ironic perspective on technological alienation. The film's creation involved monumental effort, symbolized by the custom-built Tativille. Even decades later, Playtime remains relevant and entertaining, reflecting ongoing societal obsessions. Watch Jacques Tati’s Playtime and experience a timeless satire of modern life filled with humor and visual brilliance.

 The film carries a Proustian, melancholic air, a search for lost time.

 Does the world still need James Bond?

This review covers Cary Fukunaga’s No Time To Die as the 25th Bond installment starring Daniel Craig. While staying true to many classic elements, the film introduces new personal and melancholic dimensions such as Bond’s retirement and fatherhood. It explores a changed espionage world with complex threats and strong female agents, leaving open the future of the franchise beyond Bond himself. Discover the final chapter of Daniel Craig’s Bond—watch No Time To Die for thrilling action and emotional depth.

 It may seem incredible, but in the field of cinema, it can happen that, besides making a film, someone might commit a film.

 If anything is to be saved, it’s the part where Marlon Brando holds the scene as an Indian fakir guru.

This review critiques 'Candy e il suo pazzo mondo' as a film that has not aged well, featuring a confusing plot and sloppy direction. While the star-studded cast and Marlon Brando's cameo add some value, the film ultimately reflects outdated stereotypes and failed execution. It was perhaps daring for its time but now seems tame and muddled. Discover the cult classic 'Candy e il suo pazzo mondo' and explore its quirky story and iconic cast despite its flaws.

 It’s not just a lighthearted document of the flower generation era but a comedy that confronts us with certain existential dilemmas as old as the world itself.

 Choosing is always difficult, and sometimes external circumstances push us in one direction or another. We think we are acting, but in reality, we are being acted upon.

The review highlights ‘Let Me Kiss the Butterfly’ as more than just a lighthearted 1968 comedy about the flower generation. Through Peter Sellers’ compelling portrayal, it explores timeless existential questions about lifestyle choices and inner balance. The film contrasts bourgeois conformity with hippie alternative living, reflecting societal tensions of the era. While some hippie behaviors appear outdated, the core dilemmas remain relevant today. The movie is praised as an honest and entertaining reflection of its time. Explore Peter Sellers’ classic ‘Let Me Kiss the Butterfly’ and dive into a charming, thoughtful ’60s comedy today!