MikiNigagi

 Sam Kidel takes the hello? and variations on the theme of telephone channel checking to constellate an aqueous drone.

 It’s a record that is more conceptually interesting than beautiful.

Sam Kidel's Disruptive Muzak is an ambient album built around the phatic function of language and telephonic sounds, creating an aqueous, melancholic drone. The album is more conceptually intriguing than traditionally beautiful, blending reverb, glitches, and expanded beats. The reviewer expresses curiosity about Kidel's live performances and highlights the album's unique sonic experimentation. Fans of telematic sound experiments may find this work interesting despite its challenging listening experience. Listen to Sam Kidel’s Disruptive Muzak for a unique ambient experience blending telephonic glitches and dreamy drones.

 A useless if not harmful movie. A load of nonsense.

 Lazy and precious minimalism, more than elegant.

This review critiques Denis Villeneuve's Arrival as a visually polished but conceptually flawed sci-fi film. While it explores intriguing ideas like alien language and time paradoxes, the reviewer finds the execution lazy and minimalism unengaging. Political undertones and narrative inconsistencies further detract from the movie. Overall, the film is deemed a disappointing and confusing effort. Discover the hidden flaws in Arrival and explore a fresh perspective on this sci-fi thriller—read the full review now!

 The scream at Bernie’s intro can indiscriminately bring tears to my eyes, raise my fist to the sky as an automatic reflex.

 If, for some strange reason, one feels like reading a detailed adjectivization of reactions, feelings, dynamics, then they should read the much already written by someone else.

Oliver Houston's 'Whatever Works' is an album deeply rooted in Midwest emo traditions, appealing strongly to dedicated fans of the genre. While it follows genre standards closely and may lack groundbreaking innovation, its emotional delivery—particularly in tracks like 'Bernie'—resonates powerfully. The album exists as a cult object for a niche audience, fulfilling expectations and delivering important additions to emo playlists. Ultimately, its existence is valued within its scene. It may not surprise those familiar with the style but satisfies its intended listeners. Listen to Oliver Houston’s 'Whatever Works' for a heartfelt Midwest emo experience that hits all the right chords!

 Thundercat is one of those much better than us at playing the bass.

 Put on Them Changes at the party and you see everyone swaying, everyone.

This review praises Thundercat’s 'Drunk' for its exceptional bass playing and genre fusion. The album shines with complex semitones, tasteful production, and guest features like Flying Lotus and Kendrick Lamar. It connects with a wide audience, offering both high-level musicianship and catchy, soulful grooves. 'Drunk' balances introspective themes with danceable tracks, making it a versatile and compelling listen. Listen to Thundercat's Drunk now and experience unparalleled bass wizardry and funk grooves!

 If you aspire to gentrification, I aspire to demolition.

 Come here and read the titles and read the lyrics, even if you can’t keep up, go back to it and catch in your face the belch or the scream and all the chaos inside.

The review describes the chaotic and energetic nature of Anal Trump's album 'That Makes Me Smart!'. It highlights the political and social critique embedded in the lyrics, portraying a raw and intense listening experience. The reviewer appreciates the album's provocative and rebellious spirit, comparing it to a demanding obstacle course. The album is framed as a statement against privilege and exclusion. Dive into the chaos of Anal Trump's 'That Makes Me Smart!' and experience a powerful political noise punk album today!

 Idiots, idiots, Anal Trump know how to do many things.

 Not even the time for a piss, oh, not even the time for a piss.

Anal Trump delivers a fierce grindcore album filled with sarcasm and aggressive musical intensity. The album's brief tracklist and raw energy reflect the chaotic post-Trump era. The reviewer appreciates the band’s ability to channel political discontent into a unique hardcore experience. Proceeds benefit abortion charity, adding a meaningful cause to the musical assault. Dive into the raw, relentless grindcore fury of Anal Trump’s latest release and experience punk rebellion like never before.

 Romare takes vocalizations, percussion, and some grooves from afrobeat to enhance them with the sharpest resources of boiler room techno.

 All the major representatives of the various global groove fronts, including the roots fanatics, sitting at a table and nodding, in rhythm.

Romare's Love Songs: Part Two masterfully fuses afrobeat rhythms with techno elements, offering a rich, danceable sound palette. The review highlights its deep bass and sharp beats, praising the album as an important record for global groove enthusiasts. Unique listening experiences are emphasized through vivid analogies about audio equipment and club culture. The album is positioned as a standout release under Ninja Tune with broad appeal. Listen to Romare's Love Songs: Part Two and dive into the rich blend of afrobeat and techno grooves!

 We will continue to pick up these nonsensical records of three live-recorded free-form pieces, with distorted guitars, feedback, jack games going in and out, a random harmonica, Kim Gordon randomly vocalizing.

 If you want to buy good stuff to listen to, you pay the same or less than for listening to crap; if you want to smoke good stuff, you pay more, even a lot more, than that crap rubber.

The review uses irony to explore the absurdities of the music market, contrasting it with other commodity markets like tobacco. It praises Body/Head's No Waves for its raw, direct live recordings capturing freeform noise and experimental guitar with Kim Gordon’s vocals. While critiquing the devaluation of music in the digital age, it embraces the cultural niche and underground appeal of such releases. The enthusiasm for buying and supporting independent, challenging music shines through despite its occasional roughness. Discover the raw, noisy world of Body/Head’s No Waves—listen now and dive into experimental sound fueled by Kim Gordon’s iconic style!

 Ex-Otago were a great band and The Breakfast Jumpers is one of the songs that I hold dear to my heart.

 Rather than listening to it again, I’d tie my hands with my feet, then stick my head up my ass, and turn myself into a medicine ball at a Juve training session.

The reviewer expresses strong disappointment with Ex-Otago's album Marassi, favoring their earlier song The Breakfast Jumpers. The tone is sarcastic and dismissive, highlighting a significant decline in quality. Despite the band's previous strengths, Marassi fails to meet expectations. Read this candid review to see why Marassi didn't live up to Ex-Otago's earlier brilliance.

 They remind me of when I didn’t understand the lyrics of the bad crap I used to listen to, and I just imagined them.

 They have eliminated the blast beats, the half-sludge and half-grind stuff, and now they sound like street Refused.

Trash Talk’s Tangle EP showcases a raw, powerful hardcore sound that evokes vivid and intense imagery. The band moves away from blast beats and sludge elements, creating a cleaner, street-informed style reminiscent of Refused without their complexity. The review highlights the emotional impact of the tracks and the unique way lyrics and screams are imagined. This EP balances ferocity with brief moments of calm, offering a fresh approach to hardcore. Listen to Trash Talk’s Tangle EP and experience raw hardcore with a fresh streetwise twist!