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DeRank ™: 6,81 • DeAge™ : 3214 days
Washer are a perfect circle, but full of edges. 'Fail Big: a belated manifesto.'
Washer are a perfect circle, but full of edges.
'Fail Big: a belated manifesto.'
The review praises Washer’s album for capturing a nostalgic yet raw urgency reminiscent of late 90s American alternative guitar music. Despite a monotonous vocal delivery, the melodies and dynamics, especially in songs like 'Fail Big' and 'The Waning Moon,' stand out. The album reflects themes of youthful enthusiasm, slacker identity, and simple yet effective songwriting. It is positioned as a worthy release in a sparse contemporary scene. Dive into Washer’s ‘Improved Means To Deteriorated Ends’ and experience a raw, nostalgic alternative soundscape!
The post-punk of the 2010s comes without cultural premises, not from social stimuli, nor bearing any trace of conflict. It is the drama of losing a mundane dimension that ultimately unveils these records in their fragility, qualitative arbitrariness; their being and perhaps not trying to be anything more than for fun.
The post-punk of the 2010s comes without cultural premises, not from social stimuli, nor bearing any trace of conflict.
It is the drama of losing a mundane dimension that ultimately unveils these records in their fragility, qualitative arbitrariness; their being and perhaps not trying to be anything more than for fun.
Shame’s Drunk Tank Pink is a lucid but emotionally restrained post-punk album reflecting on the genre’s current cultural status. The band delivers polished performances with references to other artists but falls short lyrically. The review highlights the album’s technical qualities and its place within a normalized subculture, ultimately treating it as a project 'for fun' without deeper cultural conflict. Discover the nuanced depth of Shame’s Drunk Tank Pink—listen now and explore the latest post-punk evolution.
If not even the parodies of italo-trap are funny anymore, it means the genre is at self-parody; Famoso is the happy ending of a Trainspotting 3 starring Gionata Boschetti from Cinisello Balsamo who at thirty ties his shoes tight to escape the cops.
If not even the parodies of italo-trap are funny anymore, it means the genre is at self-parody;
Famoso is the happy ending of a Trainspotting 3 starring Gionata Boschetti from Cinisello Balsamo who at thirty ties his shoes tight to escape the cops.
The review critically analyzes Sfera Ebbasta's album Famoso, highlighting the self-parodic tendencies of Italian trap music. It contrasts this with past avant-garde works and critiques the commercialization behind the fame. Despite the album's flaws, Sfera Ebbasta is seen as a reflection of urban realities and the generational challenges in public housing. The reviewer underscores the album's raw storytelling and social commentary. Explore the deeper reality behind Sfera Ebbasta's Famoso and the complex world of Italian trap—listen and reflect.
"Novembre is built on an intriguing metaphor: objects in Cristina’s bosom." "The best of Iosonouncane is to be sought elsewhere, or perhaps in the future."
"Novembre is built on an intriguing metaphor: objects in Cristina’s bosom."
"The best of Iosonouncane is to be sought elsewhere, or perhaps in the future."
Iosonouncane’s 'Novembre / Vedrai, vedrai' offers poetic lyrics rich in pastoral and religious imagery, with a modest vocal delivery and subtle arrangements. While the single reflects some skill in balancing registers and incorporates imaginative metaphors, it lacks the emotional vivacity of past works. The B-side 'Vedrai, vedrai' explores a more psychedelic surf sound, but the release overall feels cautious. The review suggests the best from the artist may be yet to come. Discover the poetic nuances of Iosonouncane’s latest single and explore its unique blend of tradition and modern sound.
Lopatin pampers and indulges himself, but without getting complacent, and when he steps out of his comfort zone, it’s always for essential moves. Magic OPN reworks analog radio listening with a cubist touch: listeners hear multiple levels of transmission and production with subtle and refined delocalizing techniques.
Lopatin pampers and indulges himself, but without getting complacent, and when he steps out of his comfort zone, it’s always for essential moves.
Magic OPN reworks analog radio listening with a cubist touch: listeners hear multiple levels of transmission and production with subtle and refined delocalizing techniques.
Magic Oneohtrix Point Never is a refined double LP showcasing Lopatin's experimental electronic soundscapes. The album blends subtle innovations like drum machine usage with a nocturnal pop sensibility. Collaborations, such as with The Weeknd, enrich the record's emotional depth. The work balances familiar Warp-style fragmentation with fresh sonic narratives and ambient escapism. It's a mature, confident continuation rather than a radical departure. Dive into the sonic world of Magic Oneohtrix Point Never and discover the art of experimental electronic music today.
They’ve got drive, tomorrow I’ll listen to them better. Zero melodies, just a voice you’d expect on an Oi group.
They’ve got drive, tomorrow I’ll listen to them better.
Zero melodies, just a voice you’d expect on an Oi group.
The review delivers a vivid narrative intertwining daily urban encounters with reflections on the Italia 90 III album. The music is characterized by raw post-punk energy and a strong antagonistic voice, though lacking melodic elements. Social tensions and youthful rebellion run through both the album and the reviewer's storytelling. A subtle comparison to the band Idles highlights the album's style. Listen to Italia 90 III for a fresh dose of raw post-punk rebelliousness and urban energy.
Considering that certain musical opinion doesn’t distinguish value from pretentiousness, go ahead confidently, Canadian post-punk band, with colossal-colored concept videos. No arrangement of brass and strings, no polished video, vocoder, rhythmic solution, or desire to break free from the genre would salvage a track like The Next Fix from the garbage.
Considering that certain musical opinion doesn’t distinguish value from pretentiousness, go ahead confidently, Canadian post-punk band, with colossal-colored concept videos.
No arrangement of brass and strings, no polished video, vocoder, rhythmic solution, or desire to break free from the genre would salvage a track like The Next Fix from the garbage.
The review highlights Crack Cloud's Pain Olympics as a visually ambitious project with sociological themes but musically lacking originality and coherence. While their concept videos impress with dystopian and Eastern European imagery, the music leans heavily on unremarkable post-punk influences. Some tracks fall flat, and the album fails to live up to the promise of their previous work. Fans are encouraged to explore side projects instead. Explore Crack Cloud’s Pain Olympics—watch the concept videos and decide if their post-punk vision resonates with you.
Cornack has crafted his modest jewel, his Someone Flew up the Butthole. Chip has chosen to embrace the status of a pathetic loser with a masochism that Freud would call an anal-retentive character, taking it to the extreme.
Cornack has crafted his modest jewel, his Someone Flew up the Butthole.
Chip has chosen to embrace the status of a pathetic loser with a masochism that Freud would call an anal-retentive character, taking it to the extreme.
Tyler Cornack's Butt Boy is a unique indie police thriller that blends grim realism with grotesque allegory. The film follows detective Russell and IT worker Chip, exploring themes of despair and human flaws. It stands out for its daring metaphorical imagery and skilled performances, offering a fresh alternative to mainstream genre films. The reviewer praises its dark, uncompromising style and its clever exploration of marginalized characters and taboo subjects. Discover Tyler Cornack's Butt Boy—watch the bold indie thriller that redefines genre boundaries with shocking humor and striking visuals.
'Perhaps the thing is a pure will... Stephen Bruner is expanding his to retreat to the center and close himself like a cat in a box with a gun and poison gas, ten fingers and the bass.' ‘It Is What It Is is animated by the same chronic idiosyncrasy, a repulsive force fueled by the potential of contradictions.’
'Perhaps the thing is a pure will... Stephen Bruner is expanding his to retreat to the center and close himself like a cat in a box with a gun and poison gas, ten fingers and the bass.'
‘It Is What It Is is animated by the same chronic idiosyncrasy, a repulsive force fueled by the potential of contradictions.’
Thundercat's 'It Is What It Is' is a complex, deeply personal album filled with contradictions and raw charm. Despite notable mixing and mastering flaws, the record reveals a unique, virtuosic bass-driven fusion of jazz and electronic elements. Collaborations with prominent artists add richness, although the sound sometimes feels uneven. The album reflects Thundercat's distinctive style and artistic vision, inviting listeners to engage with its layered complexity. Discover the layered sounds and bold creativity of Thundercat’s 'It Is What It Is'—listen now and explore its unique musical universe!
Chepang respond to the cheap integration deception, without any throat singing...; just a black hoodie and the vision of Aaron Nichols to convey, in the dense and chaotic complexity of his style, the variety of lashes dealt in twenty minutes. The B-side dedicated to remixes... manages to isolate an unsuspected intelligibility, facilitating its consumption.
Chepang respond to the cheap integration deception, without any throat singing...; just a black hoodie and the vision of Aaron Nichols to convey, in the dense and chaotic complexity of his style, the variety of lashes dealt in twenty minutes.
The B-side dedicated to remixes... manages to isolate an unsuspected intelligibility, facilitating its consumption.
Chepang’s Chatta is a high-energy immigrindcore album rooted in New York’s diverse streets and Nepalese subproletarian identity. Avoiding typical ethnic clichés, it delivers chaotic, brutal grindcore with complex vocal and instrumental layers. The album is notable for its multifaceted linguistic elements and experimental saxophone work. Its remix B-side surprisingly adds an eclectic electronic dimension, though production compression slightly undermines the impact. Overall, Chatta stands out as a passionate and innovative offering in the grindcore scene. Dive into Chepang's Chatta and experience the raw power of immigrindcore with a fresh ethnic and experimental twist!
DeRank™: 32,23
DeRank™: 15,28
DeRank™: 11,03
DeRank™: 29,77
DeRank™: 15,25
DeRank™: 7,51
DeRank™: 9,10
DeRank™: 11,24
DeRank™: 9,08
DeRank™: 6,75
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