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DeRank ™: 14,54 • DeAge™ : 3386 days
Every new album by Bongolian should be accompanied by a sort of presentation made of kaleidoscopic lights accompanied by the blare of trumpets over a groove-sound in a Latin prog-psychedelic sauce. Is it an electronic music album? Is it an acid-jazz, beat, boogaloo, salsa album? Dub music, sci-fi impressionism, funky? Lysergic psychedelia? All these things together.
Every new album by Bongolian should be accompanied by a sort of presentation made of kaleidoscopic lights accompanied by the blare of trumpets over a groove-sound in a Latin prog-psychedelic sauce.
Is it an electronic music album? Is it an acid-jazz, beat, boogaloo, salsa album? Dub music, sci-fi impressionism, funky? Lysergic psychedelia? All these things together.
Moog Maximus, the fifth solo album by The Bongolian (Nasser Bouzida), blends funk, jazz, psychedelic, and electronic sounds powered by Moog synthesizers. The album offers a rich, dynamic, and colorful musical journey that defies easy categorization while paying homage to various influences like Ennio Morricone and George Clinton. Despite its low profile release, it stands out as one of the year’s best records with engaging tracks full of groove and imagination. Dive into The Bongolian’s Moog Maximus and experience a vibrant fusion of funk, jazz, and psychedelic soundscapes—listen now!
Nick Waterhouse has created another album that will surely be very appreciated by critics and the public for its elegance and its being easy-listening and at the same time 'catchy'. Even this time I don’t feel any of this in Nick Waterhouse’s new work. It’s a revival album that is well-played and easy to listen to. That’s all.
Nick Waterhouse has created another album that will surely be very appreciated by critics and the public for its elegance and its being easy-listening and at the same time 'catchy'.
Even this time I don’t feel any of this in Nick Waterhouse’s new work. It’s a revival album that is well-played and easy to listen to. That’s all.
Nick Waterhouse’s album 'Never Twice' offers a well-executed homage to 1950s-60s soul, jazz, and rhythm and blues. Though the album is expertly arranged and easy to listen to, it lacks innovation and largely serves as a nostalgic revival rather than a cultural or social statement. The review situates Waterhouse as a contemporary artist fascinated by a bygone era, appealing primarily to those drawn to vintage sounds and revivalist styles. Overall, it’s a competent and charming record but limited in ambition. Listen to Nick Waterhouse's 'Never Twice' and experience a stylish revival of classic soul and rhythm & blues.
‘Completely unexpected, like a ray of sunshine after a week of incessant rain...’ ‘There are ultimately no regrets in this album. Only that tender will to cradle oneself in a soft sea made of memories and emotions.’
‘Completely unexpected, like a ray of sunshine after a week of incessant rain...’
‘There are ultimately no regrets in this album. Only that tender will to cradle oneself in a soft sea made of memories and emotions.’
Marissa Nadler’s 'Bury Your Name' offers a stripped-down, intimate folk experience recorded at home. Unlike the complex production of 'Strangers,' this album presents personal, raw songs with distinct emotional narratives. The eight-track album stands strong as an independent work, showcasing Nadler’s ability to express different facets of her artistry. The music feels like a tender diary shared with listeners, inviting them into moments of melancholy, nostalgia, and quiet reflection. Listen to 'Bury Your Name' for a heartfelt journey through Marissa Nadler's intimate folk storytelling.
By trying to experiment too much in the search for particular and suggestive sounds, he ended up literally destroying his work with his own hands. Where the hell is Morgan Delt? I ask. Because, listening to this album, I can't hear him.
By trying to experiment too much in the search for particular and suggestive sounds, he ended up literally destroying his work with his own hands.
Where the hell is Morgan Delt? I ask. Because, listening to this album, I can't hear him.
Morgan Delt's second album, Phase Zero, released on Sub Pop Records, is a disappointing follow-up to his acclaimed debut. The album struggles with repetitive, disjointed sounds and lacks substance or hypnotic qualities. Despite some minor highlights, the overall result is an album that fails to connect or showcase Morgan Delt’s distinctive style, leaning too heavily on experimentation that doesn't succeed. Explore Morgan Delt's Phase Zero to hear its experimental take—decide for yourself if the risk paid off or missed the mark.
Imagine listening to something that brings together elements of George Clinton’s madness, the soul sensitivity of Marvin Gaye, and cosmic psychedelia. The final track, 'Salutation To The Sun,' is a cosmic free-jazz composition expanding into space in an explosive burst.
Imagine listening to something that brings together elements of George Clinton’s madness, the soul sensitivity of Marvin Gaye, and cosmic psychedelia.
The final track, 'Salutation To The Sun,' is a cosmic free-jazz composition expanding into space in an explosive burst.
Drakkar Nowhere’s debut album showcases a rich blend of Swedish psychedelia, jazz, and soul. Featuring contributions from notable musicians and a unique cosmic vibe, it delivers a groovy and inventive listening experience. Influences range from Beatles-like songwriting to free jazz explorations, culminating in a captivating psychedelic soundscape. The duo's creative journey spans years, yielding an album praised for its charm and versatility. Dive into Drakkar Nowhere's debut album for an unforgettable journey through psychedelic, jazz, and soul-infused soundscapes!
He did not expect to write what is probably one of his best albums, if not the best, in that vast and ever-growing discography. There’s still something moving in Conor Oberst’s voice and lyrics, and his words seem to slide slow and annoying in a kind of musical confession.
He did not expect to write what is probably one of his best albums, if not the best, in that vast and ever-growing discography.
There’s still something moving in Conor Oberst’s voice and lyrics, and his words seem to slide slow and annoying in a kind of musical confession.
Conor Oberst's 'Ruminations' was an unexpected yet powerful solo acoustic album created during a period of enforced solitude in Omaha. The album reflects his personal struggles, raw emotions, and artistic growth, highlighting a rustic and introspective style. It resonates with influences from outsider artists and folk legends, offering a deeply expressive and authentic experience. Recorded quickly in a minimalistic setup, 'Ruminations' stands out as one of Oberst's finest works. Discover the raw emotion and quiet beauty of Conor Oberst’s 'Ruminations'—listen now and experience his intimate indie journey.
Hedvig is what we could very well define as a force of nature. She clearly is [strong and independent]. And do you know something? Despite the fact I am not at all as strong and fucking badass as she is, I am so attracted to her strength and I don’t even remotely think about whether she’s a woman or a man.
Hedvig is what we could very well define as a force of nature.
She clearly is [strong and independent]. And do you know something? Despite the fact I am not at all as strong and fucking badass as she is, I am so attracted to her strength and I don’t even remotely think about whether she’s a woman or a man.
The review explores Hedvig Mollestad Trio’s album Black Stabat Mater, emphasizing its unique blend of jazz, rock, and psychedelia. The author admires Hedvig’s strength and musicianship while reflecting on personal and societal attitudes toward women’s capabilities. The album’s experimental tracks are discussed in detail, highlighting its powerful and noisy sound. Ultimately, the reviewer expresses a conflicted, honest emotional response to the music and artist. Explore Hedvig Mollestad Trio’s Black Stabat Mater and experience a powerful blend of experimental jazz and psychedelic rock today!
Elephant Stone is today a pop band. An experimental pop band, for sure, also influenced by what they have done previously. You can’t expect to be original and easy-listening at the same time, while also trying to do something innovative and ‘experimental’.
Elephant Stone is today a pop band. An experimental pop band, for sure, also influenced by what they have done previously.
You can’t expect to be original and easy-listening at the same time, while also trying to do something innovative and ‘experimental’.
Elephant Stone's latest album 'Ship of Fools' marks a clear shift from psychedelic roots to an experimental pop style. While ambitious and sophisticated, the album struggles with originality and cohesion. The use of Indian instruments blended with electronic elements is notable, and collaborations add depth. Despite its complexity, the reviewer finds it hard to fully embrace the album's direction. Listen to Elephant Stone’s 'Ship of Fools' and explore their daring mix of experimental pop and world music influences.
The hypnotic effect that comes from listening and the surrealism that permeates most of the songs. It is difficult to describe well what is so rarefied and visionary, strong and determined in tones, and at the same time so complicated because it's experimental and especially surreal.
The hypnotic effect that comes from listening and the surrealism that permeates most of the songs.
It is difficult to describe well what is so rarefied and visionary, strong and determined in tones, and at the same time so complicated because it's experimental and especially surreal.
Heaters' album 'Baptistina' showcases a mature and unique blend of psychedelic surf rock with cosmic and experimental elements. Released under the Brooklyn label Beyond Beyond Is Beyond Records, the record balances accessible pop sensibilities with hypnotic and surreal moods. The album's striking cover art complements its eclectic and dreamy soundscapes. Fans of garage rock and experimental psychedelia will find much to appreciate here. Listen to Heaters' 'Baptistina' now and dive into a cosmic surf psychedelia experience!
"Ray was the best friend one could have. We traveled together, lived together, celebrated together... We shared a lot of good times." Willie Nelson is old, this is evident, and he has lived a long life and a lot of experiences and has a lot of interesting stories to tell.
"Ray was the best friend one could have. We traveled together, lived together, celebrated together... We shared a lot of good times."
Willie Nelson is old, this is evident, and he has lived a long life and a lot of experiences and has a lot of interesting stories to tell.
This review explores Willie Nelson's tribute album to Ray Price, highlighting Price's important role in shaping country music's Nashville Sound. It also contextualizes Nelson's iconic status in American music and his activism. The album blends honky tonk and countrypolitan styles, featuring collaborations with The Time Jumpers. The review considers the album a respectful homage and an important cultural artifact. Listen to Willie Nelson's soulful tribute album and experience the timeless legacy of Ray Price in country music.
DeRank™: 4,96
DeRank™: 15,25
DeRank™: 2,48
DeRank™: 15,28
DeRank™: 0,56
DeRank™: 26,21
DeRank™: 19,19
DeRank™: 2,71
DeRank™: 14,75
DeRank™: 1,59
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