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 Only voice – that voice! – and guitar.

 We will never know if Jeff could have realized all the premises glimpsed in 'Grace,' if that splendid epiphany would have been followed by the masterpiece.

This review reflects on Jeff Buckley’s posthumous album You and I, a collection of unreleased demos and covers. It highlights the emotional depth of Buckley’s voice and the bittersweet legacy left behind. While the album offers a glimpse into Buckley’s potential, the reviewer prefers his live recordings, feeling the album adds little to his musical story. The review also weaves in a poetic narrative about Buckley’s family and tragic fate. Discover the haunting beauty of Jeff Buckley’s You and I—listen now and explore the rare gems of a legendary artist’s voice.

 It’s not free jazz, not even contemporary music, certainly not rock or funky; yet it’s frightening — oh, it is frightening — and fits the images perfectly.

 Morricone is a monster, I tell you, a monster! That man hides something, that man has a secret, that man is unsettling.

This review celebrates Ennio Morricone's Animal Trilogy soundtrack as a unique and frightening masterpiece that defies traditional horror scoring. It highlights Morricone's inventive use of atonal piano, tribal percussion, and unsettling vocal effects. The author reflects on the composer’s mysterious genius, praising his boundary-pushing creativity. The three works included capture the avant-garde spirit of the early 70s, making this OST a must-listen for fans of unconventional cinematic music. Delve into Ennio Morricone's haunting Animal Trilogy OST and experience the genius that redefined horror soundtracks.

 But Lamont is not Brian Wilson, and in the end, he maintains control and when the record is ready nothing is out of place (except, unfortunately, the cover and title): the album is a masterpiece, perhaps a minor masterpiece.

 So I had to endure a few more years of Purgatory... until the Lord – who is black and sings Soul – had mercy on this poor unbeliever and womanizer and gave me another chance.

The review recounts initial prejudice against the album's poor cover but celebrates its richly orchestrated soul music and Lamont Dozier's creative freedom. Released in 1974, Black Bach is praised as a minor masterpiece overlooked for years, showcasing sophisticated arrangements and Dozier's musical genius. The reviewer reflects on personal growth and the importance of second chances in appreciating music. Ultimately, Black Bach is recognized as a rewarding, underappreciated soul album. Listen to Lamont Dozier's Black Bach and uncover a soulful masterpiece you never knew you needed.

 'When it really works, it’s also fun... basically, genius.'

 'Read, watch, and listen to whatever you like but do it consciously, that’s all.'

UI's 1990 album 'Sidelong' is a pioneering post-rock work featuring two basses and drums that blend rhythm, intelligence, and creativity. The review reflects on the complexities of musical taste and aesthetic judgment, illustrating the disconnect between generations and highlighting the album's depth and inventiveness. It also offers background on the band's formation and encourages conscious musical exploration. Dive into UI's 'Sidelong' and experience a groundbreaking post-rock journey of rhythm and innovation.

 "Although it expresses themes, concepts, and values that I do not find agreeable, it remains a beautiful album."

 "The musical result is absolutely fascinating and disorienting, capable of evoking a sick but intriguing atmosphere, an abyss of evil that you can’t stop staring into."

The review presents Burzum's Filosofem as a hypnotic and fascinating black metal album with simple yet captivating riffs and a dark, psychedelic atmosphere. It acknowledges the album's controversial themes rooted in Nordic supremacy, racism, and anti-Christian views without endorsing them. The critique separates the artist from the work, emphasizing the album's artistic value despite the problematic ideology. The review reflects on the complex relationship between art, morality, and cultural context. Dive into the hypnotic world of Burzum's Filosofem and explore the dark artistry behind one of black metal’s most debated albums.

 The album consists of two long untitled pieces, psychedelic and deconstructed, driven by acoustic sounds, synth, strange percussions, indecipherable effects, and chanting voices.

 If the album does not attract you, search for the Nurse With Wound list, it’s worth it.

Brast Burn's 1974 album Debon is a rare and enigmatic work blending psychedelic krautrock with elements of Japanese ceremonial music and concrete music. The album consists of two long untitled tracks filled with acoustic sounds, synths, and strange percussions. Very little is known about the group, and the album remains a niche curiosity. It's prominently noted on the cult Nurse With Wound List, sparking interest among experimental music collectors. This review explores the album’s uniqueness and place in underground music history. Explore Brast Burn’s Debon and uncover the sounds that inspired a generation of experimental music lovers!

 Friends, Debaserians, music lovers, lend me your ears; I come to remember Nanà, not to bury him.

 Such was Nanà! When will there come another like him?

This review honors Nanà Vasconcelos as a generous, prolific musician whose influence transcended critical opinions. It acknowledges his technical skills, numerous collaborations, and multiple Grammy wins. The author urges listeners to appreciate his extensive body of work and legacy. Despite facing illness, Nanà's passion for music remained unwavering, and his art continues to inspire. Explore Nanà Vasconcelos' rich musical legacy and experience the heartfelt sound of a true legend.

 Rock is something for the ugly, dirty, nasty, and ignorant.

 It was '77 and it was Bologna, the streets were about to run with the blood of the defeated.

This review explores the rebellious and raw spirit of Skiantos’ album Inascoltabile as a foundational work of Italian punk rooted in satire and cultural critique. It reflects on Roberto 'Freak' Antoni’s restless and multifaceted life as an artist and agitator. The review situates the album within the turbulent 1977 Bologna scene, highlighting its irreverent challenge to traditional music and societal norms. Despite its rough edges, Inascoltabile remains a significant and innovative milestone in punk history. Ultimately, the review deems the album’s sound secondary to its cultural and emotional legacy. Dive into the irreverent world of Skiantos and rediscover the origins of Italian punk—listen to Inascoltabile today!

 The 6 tracks remind me closely of CAN’s 'Monster Movie,' and that’s a great compliment.

 Yoko Ono’s singing/screaming/howling/moaning, truly annoying in other moments, here is fully suitable to the work’s structure.

This review reappraises Yoko Ono’s Plastic Ono Band album as a beautiful and important record, often overlooked or misunderstood. The album is compared favorably to influential experimental works like Can’s Monster Movie and is praised for its raw intensity and inventive instrumentation. Despite some weak moments, Yoko’s vocal performance suits the primal scream-based concept. The reviewer encourages giving this album serious consideration, highlighting its cult value and connections to John Lennon’s work. Explore Yoko Ono’s Plastic Ono Band and discover an avant-garde masterpiece lost in time!