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DeRank ™: 5,05 • DeAge™ : 5290 days
"'Get To France' is more Chopin than the dying post-rock everyone talks about." "Madness and drunkenness and sadness and uncertainty become strength and drown in a cold, cold sea."
"'Get To France' is more Chopin than the dying post-rock everyone talks about."
"Madness and drunkenness and sadness and uncertainty become strength and drown in a cold, cold sea."
The review portrays Mogwai's Earth Division EP as a deeply nostalgic and timeless post-rock record. It highlights the delicate balance of piano, strings, and fuzz guitars to create a melancholic yet beautiful atmosphere. The music evokes reflection on time, memory, and emotional states, offering a restorative listening experience. The writer finds profound personal connection and a sense of timelessness while listening. Discover the haunting beauty of Mogwai's Earth Division EP—listen now and immerse yourself in its timeless post-rock soundscape.
An eternal echo clawing up from the woods with feral talons. The lens cracks, a fracture runs through it, and it remains in my hand.
An eternal echo clawing up from the woods with feral talons.
The lens cracks, a fracture runs through it, and it remains in my hand.
This review explores Wolves in the Throne Room's album Celestial Lineage with vivid imagery and emotional depth. The music fuses black metal with folk and post-rock influences, highlighting ethereal vocals and intense dynamics. The reviewer senses a powerful atmosphere and a mix of bleakness and beauty throughout the tracks, particularly praising the skillful blending of harsh and melodic elements. The album leaves a lasting, somber impression. Explore the haunting worlds of Celestial Lineage—listen now and experience the atmospheric power of Wolves in the Throne Room.
Cuong has a philosophy that should be adopted not only by modern jazz musicians but also by more or less radical musicians all around the world. The atmosphere that is built is pop to the nth degree, which grows until it becomes something else, echoes of King Crimson in the guitar, and grandeur and epicness in the trumpet phrasing.
Cuong has a philosophy that should be adopted not only by modern jazz musicians but also by more or less radical musicians all around the world.
The atmosphere that is built is pop to the nth degree, which grows until it becomes something else, echoes of King Crimson in the guitar, and grandeur and epicness in the trumpet phrasing.
Cuong Vu's album 'It's Mostly Residual' showcases an innovative approach to jazz through genre-blending and collaboration with guitarist Bill Frisell. The album embraces influences from pop, rock, and classical music, moving away from traditional jazz boundaries. Tracks feature experimental sounds, electric grooves, and powerful trumpet performances that make this record a unique and compelling listen. The review praises Vu's open-minded musical philosophy and highlights the album's standout moments. Explore Cuong Vu's 'It's Mostly Residual' for a fresh and innovative jazz experience blending multiple genres and visionary trumpet artistry.
I open the umbrella in anticipation of a rain of ashes. "Bardo Thodol" is the opening reading, while the coffin parades among the listeners, to the marching rhythm of guitar and narrating/wailing voice.
I open the umbrella in anticipation of a rain of ashes.
"Bardo Thodol" is the opening reading, while the coffin parades among the listeners, to the marching rhythm of guitar and narrating/wailing voice.
Dead Elephant's Thanatology is a dark, intense journey into themes of death and annihilation. The album blends sludge, hardcore, and experimental metal into a unique sonic experience. Key tracks like "Bardo Thodol" and "Destrudo" showcase the band's ability to evoke haunting atmospheres and sheer brutality. The review praises the album's evocative soundscapes and emotional depth, recommending attentive listening. Dive into Dead Elephant's Thanatology and explore the dark depths of sludge and hardcore fusion today.
Everything this little man touches/produces turns to gold, or almost. I too would like to reach 40 and proudly wear those shoes from twenty years ago.
Everything this little man touches/produces turns to gold, or almost.
I too would like to reach 40 and proudly wear those shoes from twenty years ago.
The review praises Stephen Malkmus and the Jicks' album Mirror Traffic, highlighting its 90s indie rock roots and Beck's influential production. Tracks like "Tigers" and "Spazz" showcase the band’s ability to blend pop-rock, punk, and blues elements. The reviewer places Malkmus among contemporaries like J Mascis and Thurston Moore, appreciating his enduring style despite changing trends. Overall, the album is seen as a strong, authentic addition to the post-indie scene. Discover the rich indie legacy of Stephen Malkmus and the Jicks—listen to Mirror Traffic today and experience the 90s spirit redefined.
The new album by the (certainly infernal) creature Today Is The Day is pain straight to the gums. The title track are the pinnacle of sickness, the dynamics rise and fall with an almost whispered voice, exploding into the blues’n’death’n’roll of the finale.
The new album by the (certainly infernal) creature Today Is The Day is pain straight to the gums.
The title track are the pinnacle of sickness, the dynamics rise and fall with an almost whispered voice, exploding into the blues’n’death’n’roll of the finale.
The review praises Today Is The Day’s album Pain Is A Warning for pushing the boundaries of extreme music with brutal, innovative compositions. Steve Austin’s vocals and the band's dynamic shifts create a powerful and emotional experience. The album blends black metal, industrial influences, and hardcore elements, culminating in a raw and intense listening journey. It is described as a relentless and skillful work that challenges listeners with its unique sound and emotional depth. Dive into the relentless chaos of Pain Is A Warning—listen now and experience Today Is The Day’s raw power!
Seim and Hill return to two-person sonic terrorism, and hand in hand they throw the box of nails that is Tripper in our faces. I don’t know about you, but for me, it is the album of the summer.
Seim and Hill return to two-person sonic terrorism, and hand in hand they throw the box of nails that is Tripper in our faces.
I don’t know about you, but for me, it is the album of the summer.
Hella returns to their core duo format on Tripper, delivering an intense blend of math rock, metal, and hardcore. The album features complex polyrhythms, dense guitar riffs, and moments of melodic depth and experimental noise. Tracks like 'Headless' and 'Self Checkout' showcase the band's aggressive, evolving sound. Tripper is praised as a powerful and captivating album. Dive into Hella's Tripper and experience math rock's raw power today!
The disgust and the iconoclasm, the hate, the protest, and the chance to really piss off the right people. The tracks are of an unusual variety for a genre like this, it’s worth its weight in gold.
The disgust and the iconoclasm, the hate, the protest, and the chance to really piss off the right people.
The tracks are of an unusual variety for a genre like this, it’s worth its weight in gold.
The review praises United Nations' self-titled album as a furious and iconoclastic punk statement blending raw aggression with surprising melodic moments. The band challenges societal norms and censorship while referencing influential acts like Refused and The Beatles. Varied tracks combine harsh hardcore elements with experimental touches. Overall, it's an urgent and highly regarded punk record. Dive into the fierce sound and protest spirit of United Nations—listen to this genre-defying punk album now!
"New Distances, the missing link between the glorious past and the decaying present, the silence locked in a black bubble." "'Chambered' bursts out in an electric regurgitation, the teeth grind, accents shift, voices fill the space with hate, the guitars cut the nerves."
"New Distances, the missing link between the glorious past and the decaying present, the silence locked in a black bubble."
"'Chambered' bursts out in an electric regurgitation, the teeth grind, accents shift, voices fill the space with hate, the guitars cut the nerves."
Narrows' debut album New Distances is a powerful fusion of post-metal and hardcore. Featuring members from Botch, These Arms Are Snakes, and Unbroken, it balances intense aggression with intricate melodies. Tracks showcase dynamic shifts and emotional depth, connecting the legacy of past bands with a fresh sound. The album is praised as bridging influential post-metal styles while delivering unique, compelling music. Explore Narrows' New Distances now—hear the powerful new chapter in post-metal evolution!
Retox are evil incarnate in a time bomb placed on a car of pure rust hurtling down a shattered highway flanking cities devastated by modernity and Western thought. "The World Is Ending And It's About Time" is the alarm siren, the warning, an explosive start, instruments and voice launch madly in broken times and vehement cries.
Retox are evil incarnate in a time bomb placed on a car of pure rust hurtling down a shattered highway flanking cities devastated by modernity and Western thought.
"The World Is Ending And It's About Time" is the alarm siren, the warning, an explosive start, instruments and voice launch madly in broken times and vehement cries.
Retox's album Ugly Animals is a fierce and chaotic hardcore punk experience driven by the intense performances of Justin Pearson and Gabe Serbian. The review highlights the album's emotional rawness, diverse tempos, and influences from bands like The Locust and Black Flag. Each track is described as a unique burst of energy and pain, blending thrash, post-hardcore, and noise elements. The album is praised for its brutal honesty and relentless pace. Explore Retox's Ugly Animals for a raw hardcore punk experience that pushes the limits of intensity and emotion.
DeRank™: 7,28
DeRank™: 1,17
DeRank™: 3,42
DeRank™: 0,00
DeRank™: 1,65
DeRank™: 0,08
DeAge 5199
DeRank™: 4,35
DeRank™: 0,54
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