Untilted

 "Europe Is Dead is an extremely successful, evocative, and transporting album, perverse in its morbid citationism strictly in black and (mostly) white."

 "A memorable, epic, monumental composition, which... is undoubtedly represented by the majestic neo-folk of 'VI', a jewel of astonishing beauty."

Europe Is Dead by Toroidh is a mature and evocative album blending apocalyptic folk, dark ambient, and martial-industrial styles. Henrik Nordvargr Björkk delivers a powerful, atmospheric journey with memorable compositions and deep historical themes. The album stands as the best work under the Toroidh alias, distinguished by haunting drones, melancholic guitar riffs, and dramatic martial elements. While not groundbreaking, it is a masterfully executed album deserving high praise within its genre. Discover the haunting blend of folk, industrial, and dark ambient in Toroidh's 'Europe Is Dead'—listen now and experience its powerful atmosphere.

 Otto Von Schirach is the most experimental artist in the world throughout history.

 8000 B.C. is a masterpiece that is a manifesto of the almost limitless power of electronic music.

This review hails Otto Von Schirach's album 8000 B.C. as a landmark of electronic music, celebrating its unmatched innovation and complexity. It praises Otto as a true genius whose work surpasses even legendary experimenters. The album is described as a radical, genre-defying masterpiece full of unique sounds and ideas that challenge any attempt at categorization. It is recommended both for fans and newcomers seeking cutting-edge experimentation in electronic music. Dive into Otto Von Schirach's 8000 B.C. and experience a shocking journey through radical electronic soundscapes!

 Probably the most American album I have ever heard, stuff that makes Springsteen and Dylan seem like Neapolitan neomelodic in comparison.

 Reverend Glasseye is ultimately a loser, the anti-star par excellence, someone with such a poor image... but creator of truly perfect and classy music.

Black River Falls by Reverend Glasseye and His Wooden Legs is a richly textured dark-folk album blending alt-country, cabaret, and European folk influences. The reviewer highlights the album’s gritty atmosphere, intricate arrangements, and standout vocal performances by Adam Glasseye and Wendy Emerson. It is praised as a unique American work with deep emotional resonance and musical complexity, recommended to those seeking profound and experimental sounds. Discover the haunting and soulful sounds of Black River Falls—listen now to experience this dark-folk gem!

 "Cavity Job is a debut that seems everything but produced by Autechre."

 "An EP to give more biographical relevance than anything else, and that would have been easily forgotten if instead of Autechre it had been any other English kid fiddling with vintage drum machines and samplers."

Cavity Job is Autechre's 1991 debut EP, notable more for rarity and historical value than musical innovation. The EP shows early breakbeat and techno influences but lacks the experimentation that defines their later work. Though aged poorly and considered unremarkable, it serves an important biographical purpose. Warp's re-release included edited tracks, disappointing some fans but allowing new listeners a glimpse of Autechre's roots. Explore the roots of Autechre’s electronic journey and hear their rare debut EP Cavity Job today.

 'Total War' is the summation of Boyd Rice’s art, one of the most violent, visual, primitive, and instinctive musics ever conceived.

 Expecting anything else is useless, as for thirty years Boyd Rice has essentially been making no more and no less than the same piece. But he does it damn well.

NON's 'God & Beast' stands as Boyd Rice's finest work under his alias NON, blending raw industrial noise with thoughtful instrumentation. The album revisits war and primal human instincts through militant rhythms and unsettling vocals. Collaborations with neofolk artists add depth and contrast to its harsh soundscape. Despite limited experimentation, it remains a cornerstone of the industrial scene with impactful, visceral music. The closing tracks, especially 'Total War,' offer some of the most intense moments in noise music history. Explore NON's 'God & Beast' to experience the raw power of industrial noise and Boyd Rice's uncompromising vision.

 Schöne Neue Extrawelt ranks among the best albums of the past decade, an authentic journey as have been heard very few.

 Extrawelt know what they want and they get it: creating a trip to transport the listener, between cold technology and a warm human touch, between future and psychedelia.

Extrawelt’s 2008 album Schöne Neue Extrawelt stands out as an inspired, original, and uncategorizable techno masterpiece. It blends melodic minimalism, psy-trance influences, and IDM experimentation. Long tracks create a unique journey between cold technology and warm human touch. The album is praised for its musical personality, intricate production, and evocative atmosphere. Though complex, it rewards patient listeners with a monumental electronic experience. Dive into Extrawelt’s Schöne Neue Extrawelt and experience one of techno’s most visionary journeys today!

 Robert Rich returns to the organic textures of his best times, reprising the now-established fusion of acoustic elements (especially flute) and electronic synths.

 "Aquifer" delivers glimpses of the most hypnotic and hallucinatory Robert Rich, the one from the ’80s/’90s masterpieces.

Robert Rich's Electric Ladder revisits his signature blend of acoustic flute and modular synths with an organic and meditative approach. The album balances cosmic and jungle-like progressions without becoming dramatic or austere. Notable is the use of bassoon by Paul Hanson, adding unique textures. While it doesn't reach the impact of Rainforest or Gaudi, the album remains an appreciable exploration of ambient fusion. Dive into Robert Rich's Electric Ladder and experience the rich blend of acoustic and electronic ambient textures.

 "0000 is an album for those who love mental travels, providing evocative images through black-cosmic voids and post-industrial steam."

 "Hecq creates a style with a very personal and original touch, skillfully suspended between concrete music, industrial, neoclassical, ambient, and glitch."

Hecq's album 0000 is a groundbreaking IDM release characterized by its atmospheric, eclectic style combining industrial, glitch, and neoclassical elements. Benny Boysen crafts a multifaceted, non-repetitive journey through dark, abstract soundscapes. The album balances rhythmic complexity with ambient textures reminiscent of Brian Eno and industrial influences. Praised for originality and depth, 0000 invites listeners into a cinematic experience exploring anxiety and gloom within experimental electronica. Dive into Hecq's 0000 and experience a masterclass in experimental IDM and cinematic electronic soundscapes.

 "Lipswitch already showcases all the genius of the radical producer from Atlanta, the grandiosity of some of the most complex and layered compositions that have ever reached human ears."

 "Devine experiments free from barriers and clichés, creating some of the most devastating and creative electronic music ever broadcast on the ether."

Lipswitch marks Richard Devine's first full-length album, showcasing his unique blend of IDM, glitch, industrial, and ambient influences. Released under Warp and Schematic in 2001, it is a creative, radical, and layered work that sets the stage for Devine's future masterpieces. The album’s complex sound design and experimental nature highlight Devine’s perfectionism and dedication. It's a key release for fans of forward-thinking electronic music and the IDM genre. Dive into Richard Devine's Lipswitch and experience one of IDM's most innovative and creative albums today!

 It is the sound of experimentation beyond all limits.

 This is 'One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling', a record for those who love to push beyond.

Bladder Flask's 1981 album 'One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling' is a seminal work in experimental music. It defies all traditional musical structures, embodying pure sonic nihilism and radical tape collage techniques. Created by Philip and Richard Rupenus, this record stands as a manifesto of anti-music and abstract sound art. The album is praised for its bold innovation and has earned admiration from avant-garde icons like Steven Stapleton. It is a challenging yet rewarding listen for fans of boundary-pushing music. Explore this unparalleled experimental journey with Bladder Flask’s groundbreaking album—dive into sonic innovation today!