Taxirider Banned

 "Fourteen Songs from Hell." That’s the title of the booklet attached to this album.

 Among an album by the Black Sabbath, one by the Negazione, and one by the PIL, occasionally, I happen to stick 'Tutti All’Inferno' into the stereo. An excellent diversion.

Intolleranza's 'Tutti All’Inferno' is a heterogeneous punk rock album from early 90s Rome’s extreme right-wing scene. Mixing punk, rock ’n’ roll, hard rock, and unexpected crossover elements, it offers a raw but energetic sound. Lyrics avoid overt racism despite political origins. The album's recording quality is modest but the music remains a refreshing, diverse listen. Standout tracks like 'Come Il Vento' and a punky cover of Janus' 'Manifestazione Non Autorizzata' highlight its eclecticism. Discover the raw energy and eclectic sounds of Intolleranza’s 'Tutti All’Inferno'—listen now for a unique punk rock journey.

 The latest chapter of Dead Can Dance turns out to be a decidedly tired album, full of trivial ideas, of "new age" syrup.

 Only a sense of boredom and mental/artistic stagnation: this is essentially what "Spiritchaser" communicates.

The review criticizes Dead Can Dance's album Spiritchaser as tired and uninspired despite excellent musicianship and production. It highlights the loss of the band's earlier gothic mystery and maturity. Some moments are noted as enchanting, but overall, the album fails to energize. The reviewer advises listeners to avoid the album and signals it as the end of the band's creative recording career. Discover why Spiritchaser disappointed fans and critics—listen and decide if the magic of Dead Can Dance lives on.

 Seven tracks ready to drag us with malignant sweetness into a state of hypnotic trance.

 Take the risk as well. Risk opening that door and immersing yourself in another world.

The review discusses Moëvöt's 'Abgzvoryathre' as a unique blend of black metal and ambient music, coming from the French underground scene known as Legions Noire. The album's eerie and hypnotic atmosphere is praised for its morbid yet captivating qualities, diverging from typical Nordic black metal styles. The mysterious artist's work invites listeners into a trance-like state infused with melancholy and arcane themes. Overall, it encourages taking the risk to explore this enigmatic, atmospheric music. Dive into the shadowy realms of Moëvöt’s Abgzvoryathre and experience a unique black metal journey today!

 A 43-minute journey into a decidedly rarefied and decadent dimension.

 This was, and remains, gentle pop music, pop music seasoned with spleen and golden distortions.

The review highlights Whipping Boy's debut album Submarine as a deeply emotional and melancholic indie rock record from the early 90s. Despite being overshadowed by trends and later Britpop success, the album offers a unique blend of sorrowful melodies and angsty riffs. It praises the band's sincerity and musical depth, encouraging listeners to explore both Submarine and their better-known follow-up, Heartworm. The review reflects on the fleeting nature of fashion in music and honors the band's artistic integrity. Dive into the melancholic world of Whipping Boy's Submarine and rediscover a rare indie rock treasure from the '90s.

 The change brought by Almond is remarkable, with scenes of morbidity-laden desolation.

 This Last Night In Sodom is the album of maturity and disillusionment.

The reviewer approaches Soft Cell’s album with fresh ears, finding a significant artistic evolution from their catchy early work to a darker, more mature sound. Marked by anxiety, sensuality, and experimental soundscapes, the album blends synth-pop with semi-industrial elements. Tracks like “Mr. Self Destruct” and “The Best Way To Kill” stand out. Overall, the album is praised for its originality and dramatic honesty. Explore Soft Cell’s darkest synth-pop chapter and experience the emotional depth of This Last Night In Sodom.

 A visceral and bloodthirsty sound, composed solely to awaken the beastly instincts hidden beneath the human layer.

 Along with the debut of Possessed, released two years later, this demo represents the 'start' for everything that... would be known as Death Metal.

This review highlights Death's early demo 'Death By Metal' as a foundational work in the birth of death metal, showcasing raw brutality and early rage. It reflects on Chuck Schuldiner's legendary influence on extreme metal and the band's evolution from primitive thrash roots to more sophisticated later works. The demo's rough production captures the raw energy that fueled an entire genre. It recommends this demo to fans of Death’s early era and extreme metal history. Dive into the roots of death metal—listen to Death's raw demo 'Death By Metal' and experience metal history firsthand!

 Nazism betrayed these ideas and intentions, becoming a putridly bureaucratic, petty, bloodthirsty dictatorship.

 Retreating to the forest means discovering the hidden side of our nature and claiming a new freedom rooted in myth and overcoming death.

The review explores Ernst Jünger’s complex legacy and his significant work, The Treatise of the Rebel. It highlights Jünger’s critique of modern mass society’s conformity, the betrayal of the New Man ideal, and his call for a return to mythic and existential freedom. Despite the author’s controversial past, the book remains relevant for its deep philosophical inquiry into freedom, technology, and alienation. The work encourages a solitary path of internal rebellion beyond political or economic analysis. Dive into Ernst Jünger’s thought-provoking Treatise of the Rebel and challenge your perspective on freedom and modern life.

 Massimo Fini: a name that shakes up numb souls and those wallowing in "bad faith."

 Liberal democracy... represents a restricted committee of affairs and elites... used to 'screw people over, especially poor people, with their consent.'

Massimo Fini delivers a provocative and sharp critique of Western liberal democracy in his book Sudditi. He challenges the current oligarchic political system and advocates for direct democracy and small, self-sufficient European homelands. While the proposals inspire thought and debate, some concerns about fragmentation and demagoguery remain. Overall, the book effectively exposes uncomfortable political realities with unvarnished honesty. Dive into Massimo Fini's Sudditi to challenge your views on democracy and explore a daring vision for Europe's future.

 Thirteen icy gems brimming with dreamy solitude.

 It’s not about oppressive gloom or painful 'Doom' anguish, but a climate of reflection, gathering, and contemplation.

This review highlights 'In This Room' as a sophisticated and underrated album by Norwegian band The 3rd and the Mortal. Marked by dreamy solitude and experimental electronic touches, it represents a key transitional work with new vocalist Ann-Mari Edvardsen. The album blends folk, gothic, and rock influences into contemplative, reflective moods. Despite being less known, it remains a standout from the 90s alternative scene. Listen to 'In This Room' to discover The 3rd and the Mortal's captivating blend of dreamy and experimental sounds.

 I hate Pearl Jam and I could walk around with t-shirts bearing offensive slogans against them.

 Vitalogy is NOT a sublime record nor an extremely brilliant work but, certainly, it’s a curious and somewhat unusual product.

The reviewer expresses strong dislike for Pearl Jam overall but acknowledges Vitalogy as a curious and somewhat unusual album. They highlight standout tracks like "Last Exit," "Spin the Black Circle," and "Tremor Christ" for their musical and lyrical depth. While not praising it as brilliant, the review appreciates its post-adolescent angst and emotional complexity. The reviewer suggests Vitalogy is the exception in an otherwise overrated discography. Discover the layered complexity of Pearl Jam's Vitalogy and see why it’s a standout in their catalog.