carlo cimmino

 Marco Risi understood nothing about Maradona, who is instead a man as rebellious as he is proud.

 Italian cinema is dead. But you don’t joke about certain things.

The review criticizes Marco Risi’s 'Maradona - La mano de Dios' for poor direction, weak script, and failure to capture the true essence of Maradona. It highlights major omissions such as key moments from Maradona's career and Napoli victories. Despite recognizing Maradona as a soccer genius and a complex person, the film falls short of doing justice to his story. The reviewer deems the film a dramatic but flawed attempt, reflecting declining quality in Italian cinema. Discover why this Maradona biopic fell short and explore the true story behind the soccer legend.

 Calla’s desert is not the same boundless, sunlit sand expanse... It’s a post-modern desert. Icy.

 Calla's westerns are not set in Arizona or Texas but a futuristic music, a kind of Blade Runner.

Calla’s 1999 debut album delivers a unique sound blending Texas desert influences with New York’s underground scene. The music is experimental and cinematic, evoking futuristic spaghetti westerns. The review praises the band’s dark, claustrophobic atmosphere, contrasting it with their later, more accessible sound. The album was re-released in 2004 with additional live tracks. Dive into Calla’s immersive debut album and experience a cinematic desert journey unlike any other.

 Spartak Moscow was not established from above, unlike other historical capital clubs, making it popular among enthusiasts rather than military personnel.

 Nikolai Starostin was condemned to ten years of forced labor for 'publicly praising bourgeois sport' and spreading capitalist customs in the USSR.

This review delves into Mario Alessandro Curletto's exploration of Spartak Moscow, highlighting the club's roots in Soviet history and its significance beyond football. It discusses the political challenges faced by key figures like Nikolai Starostin amid Stalin's regime, and the broader context of Soviet and Russian football triumphs. The story intertwines sport, power, and national pride, offering insight into a less-known aspect of Soviet culture. Discover the gripping history of Spartak Moscow and Soviet football through Curletto’s compelling book – explore the power behind the game.

 "CD Audio" was born in search of a point of union between the ideas of sound, time, and memory.

 The noise of "CD AUDIO" ends up being redundant and at times even annoying.

The review explores DKEA's 1990s album 'CD Audio' as part of the 'Taccuini' independent music series. While the album ventures into industrial, instrumental noise and offers some interesting sounds, it lacks cohesion and accessibility. Compared to other efforts from the series, 'CD Audio' is considered forgettable and difficult to appreciate for casual listeners. However, it appeals to those with patience and interest in experimental music. Explore the challenging soundscapes of DKEA's 'CD Audio' and dive into Italy's 90s experimental indie scene.

 Border Radio presents itself largely as a natural follow-up and evolution of the sound that Iocca and Riccardi had made their own in previous works.

 The result is explosive and varied, to say the least, making the album difficult to classify and catalog.

Border Radio is Blake/e/e/e’s debut album, evolving naturally from their previous band Franklin Delano’s alternative country and post-folk style. The album mixes catchy melodies with daring experiments in folk, psychedelia, and electronic elements. Some tracks take bold turns toward wave and dub influences, showcasing strong musicianship. Overall, Border Radio is praised as a successful and varied debut with a compelling sound. Explore Blake/e/e/e’s Border Radio for a fresh take on folk and experimental music—listen now and experience the evolution!

 The Bad Seeds without Mick Harvey are gone for good.

 Although the content of the collection is inevitably very heterogeneous, there are no lapses in style in “Motion Picture Music ’94–’05.”

This review covers Mick Harvey’s album 'Motion Picture Music ’94–’05,' a varied collection of tracks composed for lesser-known Australian and European films. Highlighted are his long-standing collaborations and the album’s stylistic cohesion despite its diverse nature. Warren Ellis’s contributions and cinematic inspirations enrich several tracks. While not transcendent, the album showcases Harvey’s musical class and versatility. Discover Mick Harvey’s cinematic soundscapes—listen to Motion Picture Music ’94–’05 now!

 What saves the sinking ship is the voice of good Jamie Stewart.

 'Prince Charming,' sung by Stewart, acquires new vigor and finally its dignity.

XXL's ¡Ciaütistico! is a side project by Jamie Stewart and the Turin-based band Larsen, blending experimental sounds with mixed results. While the album occasionally surprises with unique moments and Stewart's compelling vocals, much of it feels predictable and disappointing. Notable highlights include the tracks 'Distorted Duck,' 'Sunday,' and a revitalizing cover of 'Prince Charming.' Overall, it is an uneven but intriguing listen for fans of experimental music. Discover the experimental world of XXL's ¡Ciaütistico! and explore Jamie Stewart’s unique vocal style today.

 It is the players who go out on the field. It’s they who win the matches. The coach can only make them lose.

 Serse Cosmi begins his coaching career on the bench of Bar Bruna in the Pontevecchio bar tournament. He wins it on the first try.

The review explores Serse Cosmi's football coaching career as told in the book 'L'Uomo Del Fiume.' It highlights his rise from amateur beginnings to professional success, focusing on his unique psychology-driven approach. Contrasts with other well-known coaches underscore the challenges of Italian football management. Despite ups and downs, Cosmi's dedication and tenacity stand out. Discover Serse Cosmi’s inspiring coaching journey—read the review and dive into 'L'Uomo Del Fiume' today!

 "The sixth chapter of these reissues is 'Franco Battiato' (1977)...

 "I have never heard anything like it. Before."

This review covers Franco Battiato's 1977 self-titled album, part of a reissue series of his experimental works. While some earlier albums like "Fetus" and "Pollution" are praised, this one is critically viewed. The album features long, minimal piano pieces with mixed artistic impact, making it challenging to appreciate for many listeners. Explore Franco Battiato's daring 1977 experimental album and decide if this avant-garde piece speaks to your musical soul!

 Tex Willer is the most popular among Italian comics, and spaghetti westerns have long been among Italy's most famous film exports.

 It is among the first of those comic book film adaptations that today are so (perhaps too) popular.

Tex and the Lord of the Deep is a 1985 spaghetti western film adapting the popular Italian comic hero Tex Willer. Directed by Duccio Tessari and starring Giuliano Gemma, the movie faced production delays and mixed critical reception. While not a masterpiece, it holds nostalgic value for fans of the genre and comic. It reflects the challenge of adapting beloved comics at a time when spaghetti westerns were declining. Discover the cult spaghetti western Tex and the Lord of the Deep—watch the film and explore Tex Willer's legendary legacy today!