Battlegods

 In the title track that opens the album, all their class is evident.

 I must admit I am not a huge fan of solo Cage, while the idea of "A Rainbow" fascinates me more; because then, it is this work where one can grasp more clearly who Riley is.

This review examines the unique collaboration between John Cale and Terry Riley on The Church Of Anthrax. While praised for its innovative fusion of rock, jazz, and minimalist psychedelia, the album is seen as only partially realized, lacking full engagement. Standout tracks include the title track and "Ides Of March." Production differences caused some tension but overall, it remains a valuable 1970s experimental work, paying homage to two influential artists. Dive into the experimental soundscape of John Cale & Terry Riley’s The Church Of Anthrax—discover this unique fusion of rock, jazz, and psychedelia today!

 "'Sowiesoso' remains the most enterprising work of the second phase, thanks to the update, versatility, and the duo’s typical multifaceted imprint."

 "Let the record play, as they say 'in a loop', you enter an impalpable picture, of sunbeams and light mist..."

Cluster's 1976 album 'Sowiesoso' is a milestone in krautrock and ambient music, marked by subtle, motorik rhythms and lush synth textures. Produced by Conny Plank, it represents a more melodic and contemplative phase following their earlier darker works. The album reflects Germany's cultural and political backdrop of the 1970s, blending neurotic subconscious themes with atmospheric soundscapes. It foreshadows collaborations with Brian Eno and influenced synthpop bands like Ultravox and OMD. A must-listen for fans of experimental and ambient music. Discover Cluster's 'Sowiesoso'—immerse yourself in a groundbreaking krautrock classic blending ambient, electronic, and hypnotic rhythms.

 An excellent way to make the listener work with their own inner self, thus a true psychoanalysis.

 The idea being conveyed is to create a solemn, liturgical drawing, which then materializes in an effective crescendo with an organ that captivates the ear.

The review highlights Popol Vuh's 1972 album In Den Gaerten Pharaos as a mystical and pioneering work in the krautrock genre. It contrasts this album with their earlier releases and contemporaries like Tangerine Dream. The album is praised for its deep spiritual atmosphere, blending Eastern influences with innovative electronic textures and ambient sounds. The title track is noted as a landmark, especially due to its cathedral recording and exotic instrumentation. Discover the mystical soundscapes of Popol Vuh’s In Den Gaerten Pharaos—listen now and immerse yourself in a krautrock classic!

 "The only Italian group to venture into free jazz and enrich their sound with oriental influences."

 "The unreleased track that gives the album its title is the most interesting element, where the ears can revel in the virtuosity of Fariselli and Tofani."

Area's live album Area(A)zione captures their relentless energy and virtuosity with excellent sound quality. Showcasing a blend of progressive rock, free jazz, and oriental influences, the album includes tracks from their early works and a unique unreleased piece that defines its title. The reviewer highlights the band's commitment to political themes and theatricality, praising the legendary vocal range of Demetrio Stratos. Area(A)zione stands as a landmark in Italian prog and live performance recordings. Experience Area's extraordinary live energy—listen to Area(A)zione and dive into the heart of Italian progressive rock!

 "They have achieved sounds rarely produced along the Italian peninsula."

 "Verdena keeps us rooted, for another two or three years, to the experiments of ‘Dymo’, the beat of ‘Un Blu Sincero’, and the excellent effect of the final choir in ‘Lady Hollywood’."

Verdena's Endkadenz Vol. 2 continues the band's tradition of constant evolution, blending 70s psychedelia with modern sound experimentation. The album reflects a balance of complexity and simplicity, with strong influences from classic American and Italian rock. It avoids repetition, injecting fresh elements like synths and choirs while staying rooted in Italy's rock landscape. The reviewer highlights the album's adventurous spirit and its role within a larger ongoing artistic journey by the trio. Discover Verdena's bold blend of psychedelia and modern rock—listen to Endkadenz Vol. 2 now and experience their evolving sound!

 Soft Machine inaugurates their first LP with the manifesto 'Hope For Happiness,' where we immediately notice Wyatt's falsetto touching states of agitation and trance.

 The core of the Canterbury Sound is that of surrealism, to impress, to express the vastness of the psyche’s struggles, to accommodate the imagination, and to disturb the stream of consciousness.

Soft Machine's 1968 debut album presents a masterful fusion of psychedelia and jazz, pioneering the Canterbury Sound. Featuring Robert Wyatt's unique vocals and Kevin Ayers' contributions, it stands as an original and influential work. The album's atmosphere blends melancholy and innovation, impacting future genres like post-rock. Despite some rawness, it marks a vital moment in progressive music history. Discover Soft Machine’s groundbreaking debut and experience the roots of the Canterbury Sound and psychedelic jazz fusion today!

 Any note emitted by a synth in 2000 is the echo of the first electronic hiss produced in the 60s.

 This album consists of six songs... and ends up on the radio with 'The Robots,' a bible for Daft Punk.

This review highlights Kraftwerk's 1978 album The Man Machine as a landmark in electronic music. It explores the album's pioneering use of synthesizers, its roots in krautrock, and its lasting influence on artists like Daft Punk and Moby. The reviewer praises key tracks like 'The Robots' and 'The Model,' emphasizing their musical innovation and cultural impact. The work is noted as both a culmination of earlier experimentation and a foundation for future electronic sounds. Discover the roots of electronic music—listen to Kraftwerk's The Man Machine now!

 Perhaps the most beautiful piece by Campo di Marte. A sublime track where everything is so perfect that I sometimes cannot understand how these bands did not manage to break out of their shell.

 An ending that convinces everyone about the band’s quality, artistic, and compositional capabilities, cleverly revisiting various period influences and re-evaluating them in its own style.

Campo di Marte's self-titled album stands out in the vast Italian progressive rock scene with its fusion of hard rock, folk, and psychedelic elements. The eight-track album showcases the band's musical skill and diverse influences, often recalling the 70s progressive masters. Despite their potential and quality, the band disbanded after this release. Guitarist Enrico La Rosa continued with solo projects, keeping the spirit alive. Explore Campo di Marte’s rich progressive rock journey—listen to the album and rediscover a lost Italian classic!

 It feels like being catapulted into a lunar landscape, rich in stars, from which it is impossible to detach.

 A triumph for the synthesizer, which is as expressive and divine as ever.

Sensation's Fix's 1973 debut, 'Fragments of Light,' is Italy's first space rock album, blending electronic synthesizers with psychedelic and progressive rock influences. The band, led by Franco Falsini, creates an atmospheric soundscape with dreamy keyboards and subtle guitar work. Tracks evoke lunar landscapes and visionary experiences, drawing comparisons to Gong, Camel, and Emerson Lake & Palmer. Despite a modest finale, the album remains a significant and expressive work in the Italian prog rock scene. Dive into the cosmic sounds of Sensation's Fix and explore the roots of Italian space rock today!

 "October Witches" is, in my opinion, the highest point of the album, where in eight minutes, the essence of Still Life is fully encapsulated.

 This is the whole, also seek out this beautiful work of dark prog which may not be remembered as a 'Death Walks Behind You,' but comes very close.

Still Life's 1971 self-titled album is a melancholic, gothic dark progressive work that evokes classic 70s vibes. Featuring Martin Cure's expressive vocals and the iconic Hammond keyboard, the album blends folk, psychedelic, and hard rock elements. Standout track "October Witches" captures the essence of the band’s compact, emotive sound. Recommended for prog fans and those nostalgic for 70s progressive rock. Dive into Still Life's timeless dark progressive album and experience a rare 70s gem today!