Core-a-core

 This madness of human parahorror variety show already as I define it seems fitting that, of music like this, I haven’t heard much.

 More than an hour of wild savannah full of colorful animals in free movement.

The self-titled debut album by And So I Watch You From Afar delivers a mathematically intricate and emotionally intense post-math-rock experience. The Belfast band combines surreal guitar work and dynamic drum violence with instrumental mastery, creating a unique and energetic sound. Although the bass lacks impact, the overall album remains engaging and refreshingly original. Fans of experimental math rock will find a lot to appreciate here. Dive into the wild, surreal world of And So I Watch You From Afar's debut—experience their math-rock mastery now!

 'This Miles Davis doesn’t need defenses; those who speak poorly of him disqualify themselves.'

 'Don’t expect great music, in short, but only background pieces if you intend to relax in an evening between cigarettes and Biancosarti.'

This review reflects on Miles Davis' 1985 album 'You're Under Arrest,' noting its accessible and playful approach within the jazz-fusion electric soundscape of the 1980s. While not a masterpiece, it features notable pop covers like 'Human Nature' and 'Time After Time' interpreted with warmth. The album is seen as lighter and less structured compared to Davis' other 80s works but still compelling for its contrast and varied instrumental textures. It appeals to listeners looking for a relaxed, background jazz experience. Discover the eclectic sounds of Miles Davis' 'You're Under Arrest'—listen now and explore a unique blend of jazz fusion and iconic 80s electric vibes.

 A Voltarelli album is a Voltarelli album.

 The musical transhumance responds to that of the lyrics in an absolutely coherent manner, presenting a stand-alone figure in the landscape of Italian singer-songwriters.

Peppe Voltarelli’s album 'Ultima Notte A Malà Strana' is a deeply authentic and poetic exploration of his Calabrian roots and broader travels. The album blends Mediterranean and world influences with heartfelt lyrics sung in evocative dialect. It marks a maturation in his songwriting with rich instrumentation and notable collaborations. The reviewer praises Voltarelli’s unique voice and social insight, highlighting the album’s raw, sincere, and distinctive character within the Italian singer-songwriter scene. Explore Peppe Voltarelli’s heartfelt journey through ‘Ultima Notte A Malà Strana’—listen now for a poetic and authentic Italian folk experience.

 Arrogant rock n’ roll slammed in the boogie hole of masterpieces that don’t want to be understood.

 If I think of the first track of "Marquee Moon" – See No Evil – the creativity is akin to that of the Television.

The review praises Half Japanese’s album Sing No Evil for its arrogant yet naive rock'n'roll approach. It highlights the creative process inspired by Devo and Andy Warhol, resulting in a condensed, distinct sound. The album is likened to Television’s inventive early work and stands out for its unique, less aggressive punk style. Discover the creative, raw punk spirit of Half Japanese's Sing No Evil and experience a unique rock journey!

 The album is a well-packaged collection of singer-songwriter songs with a somewhat snobbish overall appearance but with the aura of a performer who knows his stuff.

 ‘Pussy Cats’ is an album I like and occasionally listen to with a smile under my mustache and above my beard.

Harry Nilsson's 'Pussy Cats' reflects a playful and wild creative period influenced by John Lennon's production. The album blends rock, blues, and soulful ballads with an uneven but charming quality. Highlights include heartfelt covers like 'Many Rivers To Cross' and an overall emotional structure that oscillates between memorable moments and less compelling tracks. While it doesn't reach artistic peaks, it remains a worthy listen that showcases Nilsson's vocal character and the playful spirit of the era. Discover the spirited blend of rock and soul in Harry Nilsson's Pussy Cats—listen now and experience a unique 70s musical journey.

 In 1986 Arthur Russell releases 'World Of Echo'. Which is exactly the state in which I would like to be to escape death.

 Russell paints the perfect landscape around you, intimate but marketable on a large scale, better than dark wood.

This deeply emotional review reflects on how Arthur Russell's 1986 album 'World Of Echo' serves as a sanctuary from fear and death. The album's cosmic, minimalistic soundscapes are praised for their innovative use of cello and voice, creating a timeless and meditative listening experience. The reviewer highlights the album’s ability to evoke peace and introspection, describing it as an unmatched avant-garde masterpiece. Discover the haunting beauty of Arthur Russell's 'World Of Echo'—listen now and experience a timeless avant-garde journey.

 Sea Of Cowards convinced me because in just a few minutes it offers a magma made of crystallized defiance and dandyism.

 The overall atmosphere is decidedly noir, reeking of the new millennium’s anger secretions but doesn’t take to the streets.

The Dead Weather’s Sea Of Cowards impresses with its dark, noir atmosphere and contemporary rock sound. The album skillfully blends retro hard blues with modern trends without feeling contrived. Vocalist Alison Mosshart shines with a powerful, complex delivery, while the band strengthens its unity beyond their famous backgrounds. Though it lacks a definitive standout track, the album’s raw soul and defiant energy make it a compelling listen and signal artistic growth. Dive into The Dead Weather’s Sea Of Cowards and experience a bold, dark twist on modern rock — listen now!

 More than in fumes and darkness, widely evoked in the dark earth abyss of this album, today it seems to me to live Guernica as that face observing disfigured disasters scraping the bottom.

 The slow and mechanical throb of programmed beats on the machines muddies the entire album with industrial slavery, which in its flow ultimately gives the impression of being covered by the sticky web of a spider.

This review praises Lycia’s 1993 album 'A Day in the Stark Corner' as a deeply cosmic and personal work filled with dark, atmospheric, and post-gothic sounds. Mike VanPortfleet’s haunting voice and cold industrial beats evoke a profound sense of emotional and spiritual alienation. Tracks like 'And Through The Smoke And Nails' are described as unsettling yet enchanting gateways into the album's tormented world. The album is hailed as a forgotten masterpiece full of raw feeling and sonic depth. Dive into the haunting world of Lycia—listen to 'A Day in the Stark Corner' and experience a dark post-gothic masterpiece.

 The nihilism of today’s electronics does not have the courage to look to the future.

 This is a polymorphic and intelligent psychedelic, cultured and artistic, well-constructed and careful to stay inside and outside certain boundaries.

Tasankokaiku, the debut album by Finnish band Shogun Kunitoki, offers a rich blend of psychedelic and electronic music inspired by 60s sounds and warm ambiance. Released by independent Fonal Records, the album showcases experimental sound design rooted in Commodore 64 influences and acid rock. While maintaining a structured approach, the music explores expansive moods without overindulgence in lengthy trance states. Notable tracks like "Montezuma" highlight the band's diverse and engaging style, making this an intelligent and captivating release. Explore Shogun Kunitoki's Tasankokaiku for a fresh take on psychedelic electronic music—listen now and immerse yourself in their unique soundscape!

 The gothic vaults he is able to conceive do not adhere to the textbook tenets of gothic rock, but seem to want to align with the group of bands with a never clearly stated classification.

 Blessure Grave’s music appears as a raw distortion of Joy Division, enriched with some mannered trappings: troll-like apocalyptic references, baroque double vocals and more.

Blessure Grave’s 2009 EP "Learn To Love The Rope" offers a raw, abrasive take on death rock, infused with gothic and post-punk influences. The duo’s low-fi, mechanical sound atmosphere and haunting vocals evoke a tragic and intense emotional journey. The visual aesthetic recalls iconic bands like Death In June and The Jesus And Mary Chain. Their style is unique yet reminiscent of Joy Division and Play Dead, positioning them as a promising act in the underground scene. Dive into Blessure Grave’s haunting EP and explore the raw depths of modern death rock now!