Core-a-core

 The fierceness and evanescence of these Norwegians’ sound make me think of the moment when a coffin is opened and you see there, before your eyes, disappearing into the nothingness of a cosmic air, a body.

 There is a snaking devastating and radiant electricity: state-of-the-art.

This review praises Serena-Maneesh's second album, N°2 - Abyss in B Minor, for its intense, decadent shoegaze sound enriched by psychedelic trance and dark new wave influences. The reviewer highlights the album's rich textures, flowing distortions, and emotionally charged atmosphere, though noting a sense of familiarity in its style. The music is described as simultaneously destructive and mesmerizing, a masterful blend of genres that is both contemporary and captivating. Dive into the immersive soundscape of Serena-Maneesh’s Abyss in B Minor—listen now and experience a masterclass in shoegaze and psychedelia.

 What I want from music: certainties, hallucinations, self-awareness.

 For me, these, especially in this album, are a form of freedom that humanity - all of it! - has not yet experienced.

The review reflects a deep emotional connection to The Brian Jonestown Massacre's album Give It Back!, highlighting a yearning for youthful thrill and hallucinatory experience. It praises the album’s ability to evoke freedom and self-awareness through its psychedelic, acid-infused rock sound. Referencing musical influences like Velvet Underground and Calexico, the album is portrayed as a timeless journey beyond the tangible. The reviewer finds in the music a powerful, existential form of liberation. Dive into the psychedelic soundscapes of 'Give It Back!' and experience a timeless musical journey of emotion and freedom.

 Teresa was entering a prominent male context... occupying a still-empty box: that of a pop just beginning to interweave with folk and something beyond.

 Her singing is that of an impertinent sparrow that observes you from the window and then flies away free.

The review nostalgically recalls Naples' vibrant culture while highlighting Teresa De Sio’s 1982 debut as a fresh and spirited contribution to Neapolitan folk and pop. It contrasts the youthful naïveté of this early work with her later experimental style, emphasizing the album’s participatory and light-hearted charm. The review also personalizes the experience with vivid memories of Naples’ streets and people from the 1980s. Overall, it praises the album’s sincerity and musical depth. Listen to Teresa De Sio’s debut album and experience the heartfelt blend of Neapolitan folk and early 80s pop that still resonates today.

 In this album, there's a band that finds control of itself and stops mirroring itself in proclamations and musical declamations with many unmet promises.

 The vocal styles alternate according to the genre being played: bear, angry bear, skinned bear, furious bear, possessed bear.

This review praises Akercocke's 'Words That Go Unspoken, Deeds That Go Undone' as a significant evolution from their earlier work. The album showcases refined songwriting, controlled aggression, and a blend of blackened death metal with gothic and progressive elements. Vocalist Jason Mendoça delivers a powerful, versatile performance. The review emphasizes the band's maturity and distinct identity within the extreme metal scene. Listen to Akercocke’s powerful blend of blackened death and gothic metal—explore the intense journey in 'Words That Go Unspoken'.

 Somewhere is a shoegaze film... moments experienced by the protagonist recounted realistically and voyeuristically.

 The protagonists are condemned to live a life they do not want; an underlying disillusionment that well expresses the globalized angst.

The review explores Sofia Coppola's film Somewhere as a visually rich, emotionally restrained portrait of a Hollywood star trapped in a golden cage of loneliness and excess. It praises the delicate father-daughter bond and naturalistic performances, while critiquing the film's repetitive themes and a disappointing ending. The film's slow pacing and minimal dialogue emphasize human fragility and alienation. Though beautifully crafted, the story lacks freshness compared to Coppola’s earlier works. Discover the subtle beauty and quiet despair of Somewhere—watch Sofia Coppola’s evocative exploration of fame, family, and isolation.

 S=Y is an album that suffocates with its cloak of openings that fade into nothingness and its foundation of adolescent emotional instability.

 I might also take it all back at this point, and tell you that indeed, this record offers a hook, and it’s constituted by our past moods: conflicted and confused, but at least ours.

This review praises M83's 2008 album 'Saturdays = Youth' as a deeply emotional and atmospheric blend of shoegaze, ambient, and synth pop. It highlights the album's nostalgic reflection on adolescent angst and its unique, dreamlike sound. The music captures moods of innocence and doubt with maturity, offering listeners a chance to reconnect with their past feelings. The review appreciates the album's intimate melodies and evolving sound as a meaningful progression for the band. Dive into M83's 'Saturdays = Youth' and rediscover the bittersweet moods of youth through lush synth melodies and dreamy soundscapes.

 This 1978 album for me represents one of the peaks of Neapolitan production that is 'apart' and very distinct from the great traditional Neapolitan music.

 Tony Esposito’s music lives on its own. There are no words accompanying the instruments. It’s a continual nourishment of aspirations, intuitions, knowledge, pure genius, and a bit of craft.

Tony Esposito's 1978 album La Banda Del Sole stands as a key work in Neapolitan prog-jazz-rock, blending Afro, Latin, and Mediterranean influences. Celebrated for its compositional sophistication and eclecticism, the album showcases Esposito's unique percussion skills and inventive arrangements. The review emphasizes the album's originality, liveliness, and quality, recommending it for listeners who appreciate authentic musical exploration beyond commercial constraints. Explore Tony Esposito’s La Banda Del Sole and dive into a masterpiece of progressive jazz and world fusion.

 Forgiveness Rock Record is the Pantone catalog of serenity, rarely disturbed, and in a certain sense erected to a state of consciousness that we should all arm ourselves with.

 Thin melodic lines, controlled electronic abrasions, ensemble work like politics doesn’t even have an idea it’s being done.

This review praises Broken Social Scene’s Forgiveness Rock Record as a mature, melodic, and hopeful album that moves beyond anxiety and sarcasm. It highlights the vibrant Toronto scene as fertile ground for innovative music and views the album as a fresh artistic reset. Though not flawless, the collection presents intelligent and reassuring compositions, especially noted on standout tracks like 'World Sick.' The reviewer values the band’s ability to evolve while maintaining their core alternative identity. Dive into Forgiveness Rock Record and experience Broken Social Scene’s vibrant and thoughtful indie soundscape today!

 They hit the right note, managing to bring some order among the ideas and produce an album as soft as a kick in the middle of the spine.

 In this album, there is also metal that, more or less, is as heavy as a Cambiasso goal in recent times.

L7's 'The Beauty Process: Triple Platinum' blends punk, grunge, metal, and pop with raw intensity and intelligence. The album balances heaviness with anxious pop melodies while avoiding commercial softness. It features standout tracks like 'Drama,' 'I Need,' and 'Moonshine' that showcase the band's power and wit. The review praises the band's evolution and fearless sonic experimentation. Dive into L7’s 'The Beauty Process' and experience rock’s raw blend of punk, grunge, and metal like never before!

 Archie Shepp wrote an album (1972) for this event in which human rights have been reduced to the self-proclaimed right of whites to deny prayers, toilet paper, food, water, and showers.

 Attica Blues is a subjective voice that, however, catalyzes and becomes vox populi.

Archie Shepp's 1972 album Attica Blues powerfully responds to the 1971 Attica prison uprising with an intense blend of jazz, soul, funk, and blues. The album is praised for its emotional depth, social critique, and innovative musical fusion. It stands as a significant artistic and political statement in jazz history. The review highlights Shepp's ability to combine passionate storytelling with complex musical ideas, marking the album as a lasting masterpiece. Discover the powerful sounds and messages of Attica Blues—listen now to Archie Shepp’s unforgettable jazz masterpiece.