RamirezAlHassar

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Concert Review Venditti-De Gregori

Only at the moment of entering the main entrance of the stadium were we informed by the staff that we had to "make the detour," meaning a 2 km walk with the concert about to start, amidst traffic and a crowd pressing in.

Fans in their 40s and 50s, die-hard De Gregori enthusiasts, were screaming piercing high notes specifically to puncture your eardrums.

Otherwise, the atmosphere was nice, especially when the fans in the stands spontaneously launched into chants for their team. De Gregori's setlist was coherent and more than sufficient, while Venditti started with "Modena" and ended with "In questo mondo di ladri" and "Che fantastica storia è la vita." The duets were charming, particularly "Dolce signora che bruci." On the other hand, the performances in general felt hasty and lacking balance, with about 3 hours of non-stop music; indeed, even a tribute to Dalla with "Canzone" came off as forced and bordering on opportunism.
 
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Immense Trintignant
The great silence...
 
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@[sergio60] where are you!!!
 
Enzo Jannacci - Quelli che - Official Audio

Those who ask for money for the wedding with the IBAN on the invitation card.
 
L'Orso Bruno - Antonello Venditti
World Environment Day with this masterpiece
 
Medium report after listening to the first 4 albums of Vasco Rossi: "...But what’s a song", "We’re not Americans", "Colpa d'Alfredo" and "We're just us."

Undoubtedly, there are a few nice tracks that I even noted down, such as: "... and then you talk to me about a life together", "La strega", "Anima fragile", "Incredibile Romantica", and a handful of other songs that can be counted on the fingers of a mutilated hand. Overall, I find them aged very poorly, with good and original irony that I think is only for boomers (Colpa d'Alfredo for the African friend with the long penis... hilarious, then so original). "Albachiara" undoubtedly has great emotional charge, aside from its radio overexposure. The theme here, however, is not very original; "Mariù" is 5 years older, and I presume there are other songs as well.

To summarize, having focused mainly on the lyrics, I found them banal, empty, and redundant. Still on the Pop side, if I want to make a comparison, I think that even an album like "Strada Facendo" by Baglioni or all of Zero's albums are leaps and bounds superior.

The only doubt that haunts me is the following: how is it possible that an album like "Finardi" (1981) doesn’t have millions of listens like those of Vasco? When it has much more refined pop ballads, even though they are power pop songs, full of catchy choruses that hit right away and verses that get straight to the point—not free from banality, mind you—but still much more penetrating and engaging.
Eugenio Finardi - May day
Vasco Rossi-Siamo solo noi

In the coming days, I will listen again to overturn or confirm my evaluation.
 
Unboxing Album Vado al Massimo di Vasco Rossi

My personal mini-review of Vado al massimo.
 
"The culture of firearms in the United States is an absolutely cross-cutting and ancestral fact, uncoupled from political, cultural, religious, and generational categories." In the wake of yet another school shooting in America, Gabriele Galimberti's words seem more relevant than ever. The Italian photographer, who won the World Press Photo 2021 for his work #Ameriguns, shared this insight.

As a guest at the latest edition of the International Journalism Festival, Galimberti, in conversation with journalist Alessio Jacona, explained to the audience how the #Ameriguns project came to life—an incredible visual document that captures Americans' obsession with guns. "I have photographed the most diverse arsenals," said Galimberti. "Emblematic is that of a Google CEO in San Francisco, a gay man, an Obama supporter, officially a progressive Democrat, but with an arsenal that would make a staunch Trump supporter envious. Just as surprising was that of a Protestant pastor and social media star who alternates sermons about Jesus with discussions about rifles. The imagery of firearms in America is a deep sentiment that connects Americans to the historical experience of pioneers with stagecoaches in the old West."

#Ameriguns is divided into four chapters—Family, Freedom, Passion, Style—starting from the reasons that drive people to buy guns. "What I found is a love for firearms that, as the book explains, is tied to family traditions passed down from generation to generation," Galimberti explained in an interview with Rolling Stone last year. "Most of the subjects I photographed started shooting as children simply because their uncle or grandfather taught them: just like how, at some point, an adult teaches you to ride a bike, in the U.S. there’s almost always a family member who teaches you to shoot, almost as if it were a rite of passage. It’s so much the case that even among those who do not own guns, it's rare to find individuals who have never shot a gun; almost everyone has done it at least once, and that’s because guns are somewhat everywhere. The only time we don’t think about it when we travel is because we aren’t used to it. Even I, who have been visiting the United States for 20 years, had never realized the scope of the phenomenon: I knew it was different from Italy, of course, but I had never really stopped to consider that if you go to a theater in Texas, you will very likely sit next to someone with a gun in their pocket and half the audience will be armed. The same goes for the street or the supermarket: if you pay attention and start to notice, you see that many have a weapon on their belt, hidden in their pockets, or elsewhere."

🎥 > Gli Ameriguns: il progetto fotografico sulla cultura delle armi in USA, vincitore del World Press Photo 2021 bit.ly/3LPEuZy

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