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Well tuned into #radiocapish

Today's listening takes us to medieval Japan, when, from the Tang Dynasty (唐, 618 - 907 AD) in China, not only writing characters but also many customs and practices were imported to the Land of the Rising Sun, along with musical instruments. One of the most notable among them is the five-holed bamboo flute, which will be named Shakuhachi (尺八) and will become, over the centuries, one of the most representative (and well-known) instruments of Japanese music.
Let us then listen to two traditional pieces performed by one of the greatest Shakuhachi players of the last century, Gorō Yamaguchi (山口 五郎, 1933 – 1999), first published in 1969 by the Nonesuch label.

Enjoy the listening.

Koku-Reibo (Bell Ringing in the Empty Sky)
Sokaku-Reibo (Depicting the Cranes in Their Nest)
Well tuned in to #radiocapish

This morning, for the column "The Baroque Mondays: at the court of the Capish King," we present the theorbo compositions of Robert De Visée (1655 - 1733), player at the court of King Louis XIV and King Louis XV and composer for various string instruments (guitar, lute, viola, and theorbo). The theorbo is a large string instrument that originated in the 16th century as a modification, attributed (presumably) to the Florentine Antonio Bardi, of the lute; it is used not only as a solo instrument but especially as a continuo bass.

Here the details about the recording: Robert de Visée / José Miguel Moreno - Pieces De Theorbe (1996, CD) | Discogs

Enjoy the listening.

Robert De Visée (1655-1733) Pieces de Theorbe, Jose Miguel Moreno
Tune in to #radiocapish

Today's listening suggestion is an LP of unreleased tracks from 1966-'67 by Fifty Foot Hose (some of the tracks are credited to The Ethix), released in 1997 by Del Val label.

For more information on the "fifty-foot hose" and their first album "Cauldron," see @[psychopompe]'s page: Cauldron - Fifty Foot Hose - recensione

Enjoy your listening!

Fifty Foot Hose - Ingredients (1966-67) [Full Album]
Well tuned in to #radiocapish

Today's listening takes us straight to the dawn of the blues. More than creating the blues (whose roots, as is known, are lost in the centuries and in the routes of slaves between Africa and the New World), William Christopher Handy (1873 – 1958) is one of the first to have cleaned the blues from the mud and dust from which it arose, giving it a veneer of acceptability to those who really didn't want to see that mud and that lament. The classic we propose today is the version of Handy's pieces by Louis Armstrong, released in 1954 for Columbia.
Credits:
Bass – Arvell Shaw
Clarinet – Barney Bigard
Drums – Barrett Deems
Piano – Billy Kyle
Trombone – Trummy Young
Trumpet, Vocals – Louis Armstrong
Vocals – Velma Middleton

For more in-depth information, I recommend the great page by @[odradek] on Delta blues, from which Handy drew abundantly: Founder Of The Delta Blues 1929-34 - Charlie Patton - Recensione di odradek

Enjoy listening.

Louis Armstrong - Louis Armstrong Plays W.C. Handy ( Full Album )
Tune in to #radiocapish

Tonight we present the debut album of the recently deceased keyboardist Keith Tippett, "You Are Here... I Am There" from 1970.

Enjoy the listening.

The Keith Tippett Group ‎– You Are Here... I Am There (1970 - Album)
Appendix of the Baroque Corner of Radiocapish ("at the court of the Capish King”) and clarification to be noted at the bottom of my page: Goldberg-Variationen (BWV 988) - Johann Sebastian Bach - recensione

Let’s dot the i’s as only a capish can (and must) do. Regarding the interpretations of the Goldberg Variations (Bach-Werke-Verzeichnis 988), I would dare to say that, as beautiful and personal as Glenn Gould’s version is (doubly beautiful, both in his impetuously youthful 1955 recording and his mature 1981 one; quite different from each other, as is obvious), the principal instrument on which this paradigm of “variations on a theme” best reveals its essence is the harpsichord. Both in the ancient (1933/'34) and magical recording (which practically coincides with the rediscovery of the instrument itself) by Wanda Landowska, and in Keith Jarrett's inspired rendition (1989). Although it is textually precise, the famous recording by Gustav Leonhardt (1978) feels a bit cold and mannered, while I prefer to refrain from commenting on others (there are options for all tastes). Unique, however, is the performance for string trio published in 2007 by Deutsche Grammophon, featuring Mischa Maisky on cello. For more on Maisky and the soaring suites for solo cello, refer to @[odradek]'s extensive page: Suites Per Violoncello 1-6 - Johann Sebastian Bach - Mischa Maisky - recensione

Therefore, if you really like baroque music played on the piano (a notion that’s hard to understand, except for the exception of G. Gould, which proves the rule), stick to Gould, because the others (I might be mistaken, but this is an opinion carefully formed after mooooooltiple listens) completely betray the spirit of the composition. And if you have to choose between the two Goulds, the mature one (in my taste) is the best. If you truly love Bach, first listen to W. Landowska's version (obtain it digitally or, even better, in analog; the one on yutub is quite poor). You will likely not be disappointed.

Best regards,
*

Glenn Gould plays Bach - The Goldberg Variations, BMV 998 (Zenph re-performance)
J.S.Bach "The Goldberg Variations" [ Glenn Gould ] (1955)
J.S.Bach, Wanda Landowska, Harpsichord Goldberg Theme & Variations BWV 988
As @[kosmogabri] once wrote, someone I only know through their words but somehow feel I know, the shit periods of life coincide with those times when you listen to good music the most. And, on a good shit day, this seems ideal to me.

Charles Mingus - The Black Saint and the Sinner Lady (Full Album)
Well tuned to #radiocapish

Given our Sire @[lector]'s penchant for baroque music, Radiocapish brings you a new weekly appointment titled “Baroque Mondays: at the court of the Capish King.”
This first Monday of September, to kick things off, we offer you the listening of the “Livre premier de clavecin” by Jacques Champion de Chambonnières (1601? - 1672), the initiator of the French harpsichord school, whose most renowned representatives are undoubtedly Louis Couperin and his nephew François.
The compositions of the “harpsichordist of the king” Champion de Chambonnières, although often constructed on counterpoint, do not employ forms such as fugues or ricercari; forms that instead enjoyed widespread use between the late 1500s and early 1600s in the Italian school, as well as in the German school at the end of the century. Shaped by the musical structures of dance, his works are mostly in the form of Gigue, Sarabande, Courante, and Chaconne. This characteristic will strongly influence the entire subsequent French school.

Index:

Suite No. 1 in A [A] MINOR (12’32’’)

Suite No. 2 in C [C] MAJOR (7’43’’)

Suite No. 3 in D [D] MINOR (16’03’’)

Suite No. 4 in F [F] MAJOR (8’27’’)

Suite No. 5 in G [G] MINOR (14’34’’)

On harpsichord: the Canadian Kenneth Gilbert (1931 – 2020).

Enjoy your listening.

For a catalog of the works: Jacques Champion de Chambonnières (1602-1672)

Kenneth Gilbert (harpsichord) Champion de Chambonnières, Livre premier de clavecin
Well tuned in to #radiocapish

What, I ask you, is more capish than John Zorn? Well, Radiocapish is pleased to offer you the chance to listen to an indefinable album by the famous multi-instrumentalist saxophonist Zorn: "Taboo & Exile" from 1999.

Enjoy listening.

John Zorn - Taboo and exile [Full Album]
Well tuned in to #radiocapish

Today we invite you to listen to the soundtrack, curated by the Florentine Piero Umiliani (1926 - 2001), of the film "La ragazza fuoristrada" by Luigi Scattini from 1973. Umiliani, the author of an endless number of soundtracks for B-movies, is a figure that is always worth remembering.

Enjoy listening!

Piero Umiliani ‎– La Ragazza Fuoristrada
Well tuned in to #radiocapish

Today we present a free-jazz gem: the debut LP of Senegalese drummer and ethnologist Mor Dogo Thiam (b. 1941), "Dini Safarrar (Drums of Fire)" from 1973.

Enjoy listening.

Mor Thiam ‎- Dini Safarrar (Drums Of Fire) (1973) FULL ALBUM
Well tuned in to #radiocapish

Today there are no new listens, but an invitation to re-listen to what you like most from past shows on my personal page.

To please you, I present the most beloved listening of the entire show: the soundtrack of the film "Ascensore per il patibolo" played by Miles Davis.

Enjoy listening!

Miles Davis - Ascenseur pour l'échafaud - Lift to the Gallows (Full Album)