Cornell

Damn.. Masterpiece!

Last response: Of course, as you can see I also included the photo! Ciauz.. P.S.: Yay, PODIUM!!!!!!!

Page of the highest level "journalism", wait.. 1,2,3,4,5,6,7,8...112...146...158.. 259....385...460.. Sorry but I have no more hats to take off!! Applause on an open stage, closed.. Wherever you want. Among the favorites straight away and without passing go.

Wow, what a pearl of wisdom I read in the latest comment. Did you think about it for days, or did it just come to you spontaneously? What a cowardice, though—allow me to say, not having the courage to log in. You are a small man, really tiny (even there, I believe). I don’t think you’re a woman because otherwise, you would completely disappear (òe women don’t use bad language). I mean, are you thinking about the rankings of the pretentious debaseriani at 12:38? Don’t you have anything better to do? And now that you’ve posted your ranking, do you think the world has changed? That you’ve made it better (or worse)? Do you feel cool? Meh.. In my opinion, you’re a loser (in every field) and you need counseling (but from a good one).. Too much repressed anger. Have you tried venting at the gym? Or with kickboxing? Eastern philosophy? Yoga? Do something for heaven's sake! It’s never too late.. Greetings, cowardly scoundrel.. P.S.: and never again, of course..

Little tear.. Among the favorites..

I thought it was a joke, like when your PC freezes and you leave two identical comments. But no... So, according to the voting 4+4+5+2+2=17/5=3.4. British average. Anyway, I wonder: if the record hasn’t even been released yet, why are you competing to review it in advance? Impatient!

Sorry for the double comment..

Alright, listen: the compositions are definitely very valid. I prefer those with the piano (having studied it for a few years). He manages to create beautiful atmospheres even without using a ton of notes (which I don’t appreciate, preferring compositional simplicity over ostentation of the instrument). The only thing I don't quite like is that constant veil of sadness that permeates all the pieces on the album. It’s relaxing, but it doesn't evoke many emotions in me when I listen to it. By the time I reach halfway through, I feel a bit down. My favorite is "Conte d'Amour," a beautiful dialogue between piano and violins. Graceful harmonies and ascending scales that manage to touch me inside. But then who am I to speak ill of a classical album and someone like Preisner? I don’t have the right qualifications to do so; I let my emotions speak. I agree with Telespalla's point, though; rather than talking about celestial music, we can speak of emotional music. I can't, however, give it less than a 3. Regards.

Alright, listen: the compositions are definitely very valid. I prefer those with the piano (having studied it for a few years). He manages to create beautiful atmospheres even without using a ton of notes (which I don’t appreciate, preferring compositional simplicity over ostentation of the instrument). The only thing I don't quite like is that constant veil of sadness that permeates all the pieces on the album. It’s relaxing, but it doesn't evoke many emotions in me when I listen to it. By the time I reach halfway through, I feel a bit down. My favorite is "Conte d'Amour," a beautiful dialogue between piano and violins. Graceful harmonies and ascending scales that manage to touch me inside. But then who am I to speak ill of a classical album and someone like Preisner? I don’t have the right qualifications to do so; I let my emotions speak. I agree with Telespalla's point, though; rather than talking about celestial music, we can speak of emotional music. I can't, however, give it less than a 3. Regards.

Wow, you're receiving praise and applause left and right. We want you like this! I quote comment number 6.