pier_paolo_farina

You write with your feet and understand little about music. 24 or 6 to 4 is not sung by Lamm, you can't distinguish a more tenor voice from a baritone one. No way that if you leave me now is technically lacking; it has harmonic development from great composers, it's full of chords. There is something to be said, both grammatically and/or musically, about almost every line of the review.

Before "wanted," I wrote "knew" how to sell himself, meaning precisely the lack in Beck of a capacity for mediation, organization, and structure that prevented him from associating durably with charismatic personalities that could musically integrate him to create a project of quality and popularity.
Thank you for the compliments.

I owned the LP at the time and saw him live with PFM. Shy, zero charisma, limited vocal ability. A poet, not a musician.

Congratulations.

A piece of advice Axl: when reviewing classics, famous and well-known to everyone, skip the tracklists, release year, lineup and focus only on your personal feelings, the effect it has on you, your favorite tracks and why... but when you think about writing about the hidden gem of your discography, in other words, an album that didn’t sell a damn thing but you find magnificent and want to "push," then it’s time to talk about dates, names, instruments, and so on.

Blessed boy, you're a metalhead and you don't give five stars to the "daddy" of the whole genre? Look, these sounds didn't exist before this record! I agree with Bartleboom who points out that musicians are not at all virtuosos: for example, Ozzy is out of tune, Iommi is missing two fingers and you can hear it in his lack of "touch"... that doesn't take away from the fact that they are fundamental figures in rock, Ozzy for his authentically "tomb-like" timbre and Iommi because he is the inventor of a genre and, as Ozzy defines him, "The Master Of The Riff."

Cremonini is a decent pop author; of course, he is disengaged, a bit inconsistent, and a crowd-pleaser, but we said it's pop, so... in my opinion, powah, first of all, you need to learn to write in Italian or at least proofread well, out of respect for those you're addressing, unless you consider this some kind of chat for venting and not a review site frequented by music enthusiasts (more or less disturbed). In the dismal Italian landscape, Cremonini is someone with occasionally fresh and surprising melodic and harmonic ideas. Of course, to say in England they have Paddy McAloon and in America, Billy Joel to entertain in this genre, but that's that.

Impossible to choose the best within the titanic Trimurti of the Zepp (II, III, and IV). Let's say that II is the most brilliant and shocking, IV has Stairway, and the third is the most fascinating, and also the most courageous with all that unplugged. Welcome Macciupicciu, your passion for the Zepp is felt; know that you are in excellent company on this site as well. I’d like to point out that Gallows Pole is indeed a rhythmic piece, but being so dramatic, convulsive, and tense, I really don't see it as a dance track. In my opinion, the absolute masterpieces are "Immigrant Song," which practically opens the floodgates to the whole epic metal genre, "Since I've Been Loving You," which is THE Blues, the best I know, and the aforementioned "Gallows Pole," essentially a heavy folk of unheard strength.

Ignorant of a Carlino, "the Whitesnake" is grammatically correct, since the "W" is pronounced "Uai" and therefore WHitesnake starts with a vowel. You're a fake angry person, you have no real arguments, you improvise badly, so I'll vote for you again.

Basically, you’re right, but Coverdale is not just everything you write; he also embodies commendable determination, a lot of practice to improve his voice, and healthy stubbornness. The money times have been over for quite some time and didn’t last long, just a couple of albums. I'm convinced that most musicians join him because he has an incredible voice (which he didn't have when he was young in Purple) and boundless energy and organizational skills. A great narcissist but a great musician and a serious, passionate person: Ian Gillan is just a few years older than him and has been wiped out for twenty years. Coverdale makes a lot of faces and is annoying even to me, but he works hard for the music and stays in shape. In him, pride and ambition are evident, but so many musicians who appear humble and selfless would give an arm for a chart-topping album. Respect for David Coverdale, a talented guy who can teach everyone lessons in courage and determination.