pier_paolo_farina

Don't miss a Shooting release. Excellent review, clear and comprehensive.

No clalS, they are less rough than the Crowes, who have a rockier drummer and above all Robinson, who is a really dirty guitarist, truly a bastard. His brother also has a voice that is objectively more beautiful than this Holland. Cry Of Love are more agile, more like the Extreme but not 80s and with a different guitarist, less pyrotechnic than Nuno and with a more expressive touch.

Personally, I have a (seemingly) inconsistent attitude towards the Masters of music that I love and that brighten and give so much meaning to my life. From a historical, cultural, and technical standpoint, I hold them in the highest respect and reverence. We are in the presence of music that forms the foundation of thousands of records, bands, genres, and great musicians. From a practical standpoint—listening, the physical possession in my record collection—I can do without them easily. I get tired after the fourth track. What interests me is the evolution of the matter, not its roots. The black performer sitting on a chair in front of a microphone, singing and playing on the guitar the same things that I’ve instead learned from Clapton, Vaughan, Winter, Gallagher, and a thousand others of his artistic disciples, I keep him deep in my heart, without ever feeling the need to revisit him through my ears. That’s just how I am. A touching reception; it’s always a pleasure to deal with people who have grasped where the core, sweet, and right essence of the popular art form they are so passionate about lies.

@Slim: as far as I know, heroin doesn't make your heart explode. Koss did everything, he drank, was a heroin addict, and definitely snorted. The heart attack sukk'aereo wasn't caused by heroin.
@Shoot: what do you disagree with?

I don't know the album, but I have a clear idea of the one before and the one after it, so I can easily imagine the situation. As a pure guitarist, setting aside songwriting, conceptuality, accessibility, charm, cleverness, and so on—staying strictly in the expressive area—Jeff is the best. Experimental, unpredictable, darting, lyrical; never a note similar to another, never a normal sound, never three passing notes. A constant, surprising, unattainable display of singing through his instrument, a true extension of his body and spirit. I really appreciate the format you've chosen to inform, debate, and vent. Do you play a Strat or a Gibson?

Hi Shoot, I'm waiting for your review then!

You are a well of musical knowledge, Shoot. I love the Guglielmino Bagnato; they have an amazing groove and a brilliant singer.

Congratulations on the review. I am very attached to this group of acid heads, unmatched stoners with their minds blown wide open. Clearly, the arrival of the rational and powerful House (a heavy metal violinist, the only one in history...) and the hyperkinetic Lemmy moved the group towards less psychedelic and more structured shores, ultimately less original. What times!

Catley's voice is vibrant, not trembling. The trembling voice belongs to Toto Cutugno. Hello and Happy Easter.