pier_paolo_farina

The cover featuring Boccioni's work must absolutely be included. Boccioni was a fascist, but a genius.

Unmissable album

I don’t like anything:
_The riffs (there isn’t a memorable one)
_The vocal lines (the usual metallic melodic stereotypes)
_The sounds (guitars too "high")
_The bass (as usual poorly treated in the mix)
_The annoying yellow cover (too bad, the "Still Life" in the foreground would be nice)
_The drums (once treated very well)

If it's true that they've stuck "Comfortably Numb" with tape instead of "Eclipse," well, that would be a nauseating bullshit.
Well, Roger Waters the communist who then authorizes such commercial initiatives, collecting his nice share of royalties... Well, who knows.
I'm getting fed up.
I pretend that all of this doesn't exist.

I used to buy on eBay, then I switched to Amazon. A good portion of the CDs I purchase come from the various Record Fairs held within about a 100 km radius of my city. Unfortunately, Amazon has become quite expensive lately... I can hardly find records for less than 10 euros anymore, while ten years ago I could buy them for as low as 0.99 euros. And I can't bring myself to switch to Discogs; it's too complicated.

It's a shame that the bassist of Maneskin doesn't have bigger boobs.

The top five Kansas albums, in my opinion, are:
_Leftoverture (1976)
_Point of Know Return (1977)
_Monolith (1979)
_Somewhere to Elsewhere (2000)
_The Prelude Incipit (2016)

You're not wrong... almost. The album is a 7, so three and a half stars rounded up to four. Hodgson's album that only earns three stars is "Hai Hai," rather bland and barely sufficient thanks to the crystalline class of our artist. I urge you to listen to the live version of "In Jeopardy" on this album, which is much better than the original studio version due to the omission of that annoying Roland synthesizer score (ah, the '80s...) that weighed down the intro and popped up here and there, hiding the excellent work of the piano. Another track that makes the album worthy of a spot in our collections is not by Hodgson. It’s titled "No Colours" and is composed and performed by his guitarist. Roger, however, embellishes it by fiddling with the Stratocaster set to an imperial sound, cleverly colored with tremolo arm flourishes. The melody is nice, not stunning, but "atmospheric."

Modification to the review: "Corrected some inaccuracies." See the old version Open The Door - Roger Hodgson - recensione Versione 1

Alright, alright everything.