Nosebleed

Beyond the artistic discourse, I wanted to say that these operations can be acceptable; volunteering is an important thing, especially if there is a deep awareness behind the personal or collective initiative (it doesn’t seem to be the case here, but I want to clarify my position). The issue is what Primiballi calls "volemosebene"; that’s it—why not undertake a serious, well-considered operation without always riding the wave, without constantly trying to leverage the easy emotions typical of Mediaset programs? What bothers me the most is that it involves Abruzzo like the Cogne case; it loses the real dimension of the matter. However, I add that I’m not sure if it’s right to define it as a characteristic unique to us: I don't know if anyone remembers "Mandiamo il nostro amore nel pozzo," the hit crafted by Krusty the Clown along with other celebrities (even Sting) when Bart Simpson orchestrated the farce of the boy in the well. Anyway, a few years ago, Gialappa's Band released an album that collected all of Olmo's hits, with the proceeds donated to Emergency, and it was a decent success: that made much more sense, but even without going that far, we could approach the charity discourse differently.

Because they have the same "stage surname," I think.

I completely disagree with the reviewer about the previous works; the Innocent Criminals are an exceptional band, and in any case, their significance and that of the current band should be reassessed compared to what was stated in the review. In fact, Ben Harper has his own merits even in an acoustic context. I haven't listened to this.

I’ve only heard a few singles from them, and based on that, I pretty much agree with you; you’ve also expressed yourself very well. I’ve always held this group in high regard; they’ve always given me the impression of knowing how to do their job. I completely agree with you about her voice, the woman of my dreams.

I didn't listen to it very well, but I found it a bit less focused and a bit more meandering than Panopticon and In The Absence Of Truth. Less spontaneity and more craftsmanship, it seemed to me, but I could be wrong.

It really does seem written just "for sport." And the grade is inexplicable. However, I reiterate here as well that I am in favor of duplicates (especially when it comes to a work like this, which deserves discussions), and in fact, sometimes I get annoyed at those who complain as if they were paying for the domain themselves.

Never read it, but I've heard about it. Very nice review. Lately, I'm feeling the urge to read again, but I can't allow myself to do it, and when I read pages like this, it hurts a little.

Yes, what a character Long John Silver is, just as you describe him, as "evil," if we can call it that; he is very atypical. Great novel and great author, visionary like few, I've always liked him. Eclectic too; I've only read this and "Dr. Jekyll and Mr. Hyde," but they are different as evening and morning, very different atmospheres.

Now I understand. Of course, you certainly didn't make things easy for me... I apologize nonetheless.

"Joy and sunshine, epicness and glory are the adjectives that suit the initial duo, namely "Battery" (an acoustic intro with a Spanish flavor) and the title track "Master Of Puppets." I think I read it correctly; when you say "si addicono alla doppietta iniziale," I understand "they suit the initial duo." Certainly, Battery is less grim compared to Angel Of Death, but is it really cheerful and sunny? And what about Master Of Puppets? Is that cheerful and sunny as well?"