Mopaga

DeRank : 0,52
DeAge™ : 7327 days • Here since 19 may 2006
Jonathan Demme Il Silenzio Degli Innocenti
Voto:
In my humble opinion, I believe that cases where a serial killer feels remorse are rare. As far as I know, they always act based on a personal conception of "catharsis"; therefore, any crime they commit is viewed by them as a means to rid society of certain "evils."
Editors An End Has A Start
Voto:
K. if you read one of my comments, you'll understand that my critique wasn't made out of a desire to criticize, as I didn't dislike them. This album, without The Back Room or in reverse chronological order, would have been even better (at least from a melodic perspective). It seemed to me not only similar to the previous one but, due to the structure of the songs, too much "like itself."
Ricky Martin La Bomba
Voto:
Dehihihoho!
Biagio Antonacci Vicky Love...
Voto:
Long but not boring at all. Well done, Krys! I enjoyed reading you even though I'm not a fan of Biagio.
The Good, The Bad And The Queen The Good, The Bad And The Queen
Voto:
Now I will really listen to him!
Luciano Caldore H2O
Voto:
Ahahahah, Aniel, I’m touched! :D And anyway, I also consider Caldore superior to Ligabue :D (but not yet on the level of Capozzi). Allow me a note from a know-it-all, but grammar is not an opinion: the wish (to which I wholeheartedly join) is for a speedy recovery! And for a quick return home to all the guests of the State! :PPP
Jonathan Demme Il Silenzio Degli Innocenti
Voto:
Thank you all!!! :) I haven't had the pleasure of seeing Manhunter yet, but if I remember correctly, I read that Hannibal was played by Brian Cox. I find Red Dragon a fairly decent thriller, definitely superior to Hannibal, which relies entirely on the atrocities of the protagonist. I completely agree regarding Philadelphia.
Martin Scorsese Cape Fear - Il Promontorio Della Paura
Voto:
I believe that the fact that Scorsese has pushed a screenplay, which you consider mediocre, to the limits of theatricality is intentionally functional to a plot that, in my opinion, is entirely centered around "persecution." Because of this, it can afford the liberty of using any theatrical device that "enhances" the representation (thus, the biblical delirium of De Niro at the moment of death is also welcome). As for the turn that certain events take (even starting from an obvious or banal premise), no one can judge: it’s as if certain things only happened in movies (this is not an apologia of certain Hollywood clichés, let’s be clear); in short, perhaps in this regard, good Phidias might have something to say in his defense :) Some things that truly happen often transcend all imagination (not by chance, some stories inspired by true events are particularly chilling). Regarding the never-ending finale, I believe it is an equally deliberate extremization, aimed at accentuating the sense of anguish stemming from a persecution that seems to have no end; as if to say: if the protagonist couldn't feel safe in the city, in his home, surrounded by loved ones, protected by an investigator, and in some ways shielded by the law, how will he cope on a boat in a storm, face to face with his nightmare?
Luigi Zampa Il mostro
Voto:
Great review! Even though I think I've already figured out the ending... once I've seen it, I'll let you know :)
Martin Scorsese Cape Fear - Il Promontorio Della Paura
Voto:
However, the Simpsons remake with Telespalla Bob is exceptional. The music is the same too :)