leonid

God knows. In fact, electronics on Debaser are not that popular...

Brutal, shouldn't you calm down a bit? Look, nouquito isn't entirely wrong, and even if he were, you should still chill out. And then, drop the black shit; you only talk about it because you read a review here. The crossover is something else entirely.

I just can't take them.

overrated album. superficial analysis but the album is really overrated. the classic fuck-the-system for kids.

Apart from the fact that the CCCP are indeed politicized, but perhaps not exactly in the way one might expect (listen to Ferretti's solo album to better understand), and that what they did was mostly an intelligent situationist maneuver, I found myself in the same situation. Not because of Boyd Rice (I’m not really into music martinis etc.), but rather because of Death in June, whom I love madly, and yet they’re more Nazi than Mengele. I can't help but listen to them, and in fact, I always do. "Rose Clouds of Holocaust" is the song from the "good old days" for me and my partner... As for Blood Axis, I had indeed imposed on myself not to even start listening to them and to cut the matter short...

Aside from what I have in mind, you’ll admit that rap, even compared to other musical genres, is more structured: I would say it's structured to the point that it's impossible not to recognize a rap song. Other genres have more fluid boundaries. This "structure" is obviously a product of the evolution the genre has undergone, and it's a result of a dominant chromosome so strong that no matter what musical base is used, you can immediately tell if rap has made its mark. In this sense, rap carries a very strong "experience," and trying to change its characteristics is an operation that requires, in my opinion, not just talent and inspiration, but enormous talent and inspiration. A somewhat similar discussion can be made about hardcore punk and those four losers who wanted to create the Christian hardcore movement. They ended up where they deserved, at the bottom of the trash can of music history. The native tongues didn't push it that far, and their results are certainly more commendable (by the way, I've listened to them a lot), but I still find that their gamble would have needed more inspiration to work fully.

Damn, they've made more than SEVENTY albums (including the best of)... but Venezia duemila remains my favorite.

and then I realized that you haven't come to terms with the whole Venetian roundabouts thing. Just admit you have their entire collection, own up to it, do a coming out.

Odra, you know I like to take things to the extreme. Just imagine if I had certainties. I just try to rationalize the fact that I like some things and not others; otherwise, in reviews, we would just say: "I like it" / "I hate it". As someone once said, I believe it was Malerba, I write to know what I think...

Look, I don't know. I don't know him. Smooth, however, I would definitely see as "smooth" rather than "sticky." Do you recommend it to me?