antimo_d

mmm.... I'm trying to mediate...
Giorrrrrgio, you say "a musician (when talking about the music they make) should not be judged by whether they are self-produced or not; they should be judged by the music they create"; well (besides a few reservations about the fact that in a context like today’s 'popular music', one could argue about how some artists use music merely as one of their communication fields, which makes them phenomena for which it is limiting to focus solely on the musical side - whether we’re talking about Madonna, Peter Gabriel, or the Residents...), what I care about is proposing a (perhaps) unique perspective on music... so, Marcel Duchamp, an artist who started from Dadaism, one day took a urinal, put it upright, and called it 'Fountain': it’s one of his most famous works... now, beyond the provocative-polemic intent regarding the state of art at the time, it was a gesture that highlighted a particular way of approaching art itself. A common object, placed in a different and 'modified' context (in this case, simply rotated), could take on unexpected plastic and communicative values; can we apply a similar approach to music? Why not... continues

Yeah, a single bass note, incredible, right?

how can I argue with you, giov? giov is right!

Well Luke, in fact I'd like to point out that even just the 'coda' of the sample is at least worthy of a Pavarotti! Merry Christmas!

Well, what they do in the samples is remarkable, admit it Josi, damn!

Done, for the everlasting glory of the great Sambora, the sempol 13... w Sambora, w samba, w Savoia, w ballet, w cucuzza, w bamba

Can I add the megagalactic sempol of the unpublished BJ? Come on, come on...

Hey, De-Auguri, cosmic sister!

well... a movie about the story of Brian Wilson and/or the Beach Boys seems to have actually been made, before the 'resurrection' of this genius, anyway...

but... 'my name is mud'??? (great review, otherwise...)