zigghio

G.E.N.I.U.S. spectacular

Yes, it's great, but let me say that Bonnie aka Oldham has said everything she needed to say, profoundly and sublime both with the Palace and with the first two under the name Bonnie. I would say enough now; I’ll let myself be rocked by those from Dischi, and I've said enough with Bonnie, unless she starts making apocalyptic folk from the next album. Oldham has given me so much, and I will thank him forever through the ages.

Did I hurt you too much baby mare?

magnificent work! but TILT remains superior, tilt is the most abyssal album of the '90s, this drift might be the one for the '00s, anyone who loves art should thank this musician who was considered finished in the '70s but rose from his ashes. Those who do not appreciate this type of work should stay away and not give it a 1 because, in my opinion, giving a 1 to albums like tilt and drift is shameful and shows little respect for great art. punisher I would have rated this album a 5 not a 4, anyway the review is good as it is.

I like excesses, for the emphatic accumulation of perceptions that refer to ever-latent ties with eros and thanatos. What to say, Maria Elena, keep it up. Drugs are not the only thing that allows us to transcend forms and feelings, and you demonstrate that.

I've always preferred their debut "Boy's Don't Cry," more vital, carefree, with elastic melodies, almost Barrett-like in their whimsical awkwardness. From the dark period, I like "Pornography," and from the post-dark era, I enjoy "The Head Out of the Door" and "Wish." Of The Cure, I only tolerate these tracks I've mentioned. With albums like "Faith" or this one reviewed, I honestly had more than one doubt. The flat production of the sounds, maybe it was an intentional choice, I don't know. Maybe it's a matter of feeling; I'm just sorry it's only 2, despite "The Forest."

In blatant delay, I leave a default 5 for Donjunio. The review, as always, is more exemplary than a thousand sterile descriptions, because one must have this group in their veins and graze against it. What else could be said about Jane's 87-91 while maintaining unchanged devotion and cult without falling into execrable fanaticism a priori? Well, one could first elevate a piece like "Ted, I Just Admit It," written for the multi-murderer and American serial killer Ted Bundy (1946-1989), who confessed to 28 murders but is believed to have killed at least double that. Now, setting aside the base moralism, who would bring me a piece from hell dedicated to such a figure? Oliver Stone understood this for "Natural Born Killers," and many others recognized the enormous provocative impact of those Jane's Addiction. The parallel worlds you've created, Don (3 Days/Stairway - Summertime Rolls/Joy Division teleporting to Malibu - Jane Says/The Sky (of Los Angeles) Over Berlin by Reed perfectly describe the innovation of their music compared to the classics.

In my opinion, the reviewer doesn't even know For Your Pleasure and Roxy Music, because even a rookie would understand that there's no comparison with those Roxy Music with Brian Eno.

dry shit!, goat!, fascist! fascist pimp!

It's like saying that the 80s Genesis with Collins are superior to the 70s ones with Gabriel, you clown!!! Maria Elena, you clown!!