fusillo

Um, what made the Great War is Buster, with "his story" in the last sentence I meant the story of "Fatty" Arbuckle. My post is a bit convoluted...

But how is it that you’ve turned to avant-garde-experimental? :-) Downloaded and listened to something. Definitely not my style. Bye.

Bad sound? Are you trying to provoke me then. :-)

A somewhat copied review... Well, silly remarks aside, how can you not give five stars to Tolstoy and the ending of Josi?

@Jim Morrison: what an exaggeration, come on, you're confusing me! :-) @Herr Wanderer: I've already thanked her elsewhere, but since I'm here, I send my regards. @Hal: your recommendations are always welcome. I don't know Dave Douglas, but if the CD (which, by the way, I see also contains a DVD... interesting...) refers to the "Keystone" cops of Mack Sennett, there's more than one connection to Buster. In that series of films, besides Charlie Chaplin and Stan Laurel, Roscoe "Fatty" Arbuckle made his debut, the guy who taught cinema to Buster. He met a terrible end. He was ruined by the early Berlusconi, William Randolph Hearst. A bit like Orson Welles. He clearly had it in for filmmakers. You can find his story in Buster's autobiography, which I once again invite everyone to read (damn, he even fought in the Great War...) or online. But if you don't feel like wandering the internet or reading "memos at breakneck speed" and I've intrigued you so much that you can't help but want to know his story, just let me know and Uncle Fusillo will tell you all about it. :-) Hi everyone.

Sorry, Walterstarman, I would like to take advantage of your expertise on Queen and perhaps that of the Mega Director Clamoroso Duca Conte Piero Scaruffi Vien Dal Mare if he happens to pass by here. I have a theory that you probably won't agree with: in my humble opinion, the Queen, throughout the period when they made operatic rock (do not give a negative meaning to that expression), started from copying a song by Genesis that is in "Nursery Cryme." Keep in mind that "Nursery..." is from 1971, and "A Night at the Opera" is from 1975. The song is "Harold The Barrel": it resembles in structure, the sounds of all the instruments, and even the choirs to "Bicycle Race," for example, but also to "Bohemian Rhapsody," "Killer Queen," etc. The Genesis then went on to create completely different tracks; the Queen made it a genre. To avoid misunderstandings, I should mention that I don't care at all if someone copies and then produces great pieces like the ones I listed. What do you think? P.S. In my whole rant, I took for granted that you know "Nursery Cryme," but if you don't, it's no big deal... Bye.

O.K. Odra, if you prefer to write about something else that's not a problem. :) Here, it seems we're among friends talking about music, not among experts or professionals; some know more, some less: that's what I tried to tell Ramona. Maybe exaggerating a bit in the tone, but among friends that sometimes happens (it's the sarcasm that I can't stand, it's stronger than me...). Have a good Sunday to you, to Stoopid, to Hal, to Zurk (This album is amazing, way better than boring!) and to all the other illustrious debaserani.

And you’re upset about the “downsized Ramona”? Look, clarifications are asked for in another way. I don’t think I was the only one interpreting your comments as criticisms... And anyway, excuses accepted. Again, goodbye.

The movie is full of rhetoric like Ligabue's music. In your review, Marco, there are the usual judgments that seem questionable to me (for example, about Martone), but I give you five because you set aside your encyclopedic nickname and I hope you won't use it again. Bye.

Like Socrates.