zaireeka

This album is truly a gem, with some songs in particular

Best wishes to you and all the denaserioti. Regarding LC, as I've mentioned elsewhere, I consider myself a bit, immodestly, a discoverer of his work. However, I won't hide from you that there are signals that make me fear for the "purity" of his artistic future (I'm referring to a somewhat forced inclination lately towards glam aesthetics and unfortunately a bit trendy...)

"Worse" from The Son's Room by Moretti?

I didn't understand... In '95 at 18 you were a "young Hammer," according to what you say, and already calling yourself "young" at 18 is a bit reductive. That said, if I got it right, we are in 2020 (almost 2021), so... you are now 23, almost 24... And at 23, what would you now be, having 32 (32!!!!!) less than me? Are you the one inflating your maturity or am I already dead and don’t know it????

I’m ashamed to say that I know Artaud only through this album by the great Spinetta and one of his countless bands; it made me want to listen to it. ARTAUD (Full Álbum)

Despite making a genre of music that I tend to love, they haven't particularly captured me so far. I've also listened to this album. I found it both extremely beautiful and extremely monotonous. Perhaps it's due to an excessive refinement that somewhat homogenizes everything...

@[Carlos] I am not as "politically" involved and prepared as you are, and Niki, I’m sorry... I can't give you the answer you want... I can't do it. What he anticipated is certainly the sense of discomfort felt by many, increasingly shared; I believe that his sense of discomfort was sincere, objective, much more objective than the social and political reasons that were its cause. The widespread existential discomfort exists, undeniable. As for the rest, consumer society, the masters, the bourgeois, the revolution are just the aspects that this discomfort can take, just smoke. Pasolini himself in the footage often says, “I thought this ten years ago”... the contradiction is at the heart of his thought, which is always and only based on existential discomfort... something that, as he says in the episode of Cosa sono le nuvole, cannot be expressed in words... I hope I haven't been too banal; my review (in a very Pasolinian nature) aimed to highlight these points that I noticed within the interview, that's all.

You have great "literary" talent, but I didn’t really understand this piece of yours. I admit I’m a bit tired and rusty.. and anyway, I prefer the poetic Pasolini from some of his other works.

I know I’m going against the trend, I like unique things… but I tried to listen to the album… terrible.. I don’t know why, but the passion for something so “naif” reminds me of the famous scene from Totò Peppino and the dolce vita with Gugo, the young lady, and the little man, with the young lady in ecstasy when she enters the little man's house 😂