zaireeka

I'm sorry for causing all this mess. The review is very nice, just like all the valuable and moving music, whether it's progressive, punk, children's music, progressive, rap, death metal (NO, necro-metal NO) or... the sound of my doorbell when I come home after a particularly stressful workday.

Nice review. But don’t lump all progressive together. Or rather, don’t make it a bunch of those who don’t smoke the grass... PS. I like the Flaming Lips, so I combine both things.

Hi Templar. The pleasure is all mine. Indeed, yes. Let's just say I'm a decent fanatic of the Flaming Lips (just read everything I've written on Debaser) and I suffer a lot not seeing them recognized and appreciated as they deserve, in my opinion. It's no coincidence that I like T.Rex since they are one of the sources of inspiration for the early FL. Talk to you later. P.S. I'm 43 years old. P.S.2 Get "UFO at the ZOO," you won't regret it...

The last comment was unintentional. I'll fix it.

I'll tell you: Wayne Coyne, from the Flaming Lips, the only one you didn't mention. You even mentioned the great (so to speak) Jacob Golden. Come on!!

I'll tell you: Wayne Coyne, from the Flaming Lips, the only one you didn't mention. You even mentioned the great (so to speak) Jacob Golden. Come on!!

Very beautiful "The Colossal Gray Sunshine," I agree, perhaps the best track on the album. But who is that slightly off-key guy singing in this song that so reminds me of the sounds of that band whose leader he has been for quite a few years?

It let me down a bit, honestly.

I wanted to write about this in order to return to Debaser after such a long time. Anyway, upon first listen, it's an excellent album, perhaps a bit too polished. However, there's something I find a bit paradoxical. They criticize those who have exploited the tragedy of Alfredino Rampi in "Alfredo," and then they write a somewhat sycophantic song that, in truth (unintentionally?), ends up doing the same thing. The song about the madman in La Malavita was much more honest, especially since the character was known to very few. Alfredino Rampi is a national collective tragedy, for those who were old enough to experience it. In this regard, I don't think the Baustelle can really remember much about that tragedy given their young age. But I could be wrong. Nevertheless, it's a great album with plenty of well-placed references (the De André of the Indian album, the Morgan of Canzoni dell'Appartamento, see Canzone per Natale versus Alfredo).

I wanted to write about this in order to return to Debaser after such a long time. Anyway, upon first listen, it's an excellent album, perhaps a bit too polished. However, there's something I find a bit paradoxical. They criticize those who have exploited the tragedy of Alfredino Rampi in "Alfredo," and then they write a somewhat sycophantic song that, in truth (unintentionally?), ends up doing the same thing. The song about the madman in La Malavita was much more honest, especially since the character was known to very few. Alfredino Rampi is a national collective tragedy, for those who were old enough to experience it. In this regard, I don't think the Baustelle can really remember much about that tragedy given their young age. But I could be wrong. Nevertheless, it's a great album with plenty of well-placed references (the De André of the Indian album, the Morgan of Canzoni dell'Appartamento, see Canzone per Natale versus Alfredo).